omg. I’m just 15 hours in, haven’t discovered temples yet, but that seems unconscionable. Like, MMO levels of grind. I mean, I’ve happily put hundreds of hours into each TES-offline, FO-offline, Deus Ex, CP2077, BG3. I don’t mind repetitive if the mechanic is fun.
MMO grind is for when you expect your customers to spend hundreds of hours just hanging out with their friends and you need to find something for them to do. It doesn’t have to be fun or rewarding, just distracting. Maybe TESO and FO76 have distorted their priorities.
The “puzzle” is that when you enter the temple, it goes zero-g and a spinny thing in the middle pops up. You have to float to a thing that looks like a spinning top, and once you float through it, another one appears. You float through a dozen of them or so and then you get a space power. Such a colossal failure of game design that this was acceptable to have as any puzzle, but the audacity to make it literally the same puzzle at every other temple completely boggles my mind.
240 times. Sometimes a dude appears when you leave the temple, and he’ll shoot at you. There are better puzzles on the kids menu at Denny’s.
The number isn’t really the issue. The issue is that every single one is exactly the same. Skyrim had like 80? words of power but they were fun because you had to beat a boss or clear a dungeon or do a quest. In Skyrim you got at least some personal touch to getting those words.
In Starfield it’s always the same 1-2 minute walk from ship to temple and then float around in a small room until the central thing opens and then you get teleported outside the temple where you kill 1 guy that 90% of the time spawns directly in front of you. If it was as many times as in Skyrim it would still be mind numbingly boring, because there’s nothing interesting about them.
To 100% it, yes. It has to be done ever several new game cycles so you’ll also have to go through the other shit multiple times too. I don’t think anyone is expected to do that though. The new game plus stuff undermines the outpost system though. It’ll be gone your next cycle, so just don’t bother I guess? The ideal meta progression would be to rush through the main story and complete all the temples on your cycle then move on.
Starfield sounds like an okay game but all the PR responding to complaints sounds like an absolute disaster. Stop letting Todd answer these things directly
So far, Starfield is exactly like Skyrim in space to me. There’s as many carefully crafted cities, and quite a few carefully crafted locales. There’s just a lot more space in Starfield (estimated about 500x more. Skyrim is 15sq miles, and those 1000 planets are each a couple square miles ingame). Sounds like there may be less hand-crafted content in Starfield than Skyrim, but that’s hard to tell.
I’m definitely not finding Starfield to be claustrophic. On the contrary, a bit agoraphobic.
I had agoraphobia growing up. I know exactly what it is. And I had moments of it exploring the planets. I found myself hugging to keep buildings in range and not wanting to stray out into the great wide open. For some odd reason, I got more of that in Starfield than in NMS.
I’m also still fairly early into the game, so perhaps I’ll spend more time indoors than I have so far.
EDIT, also, it kinda is the opposite of claustrophobia in some ways. There are some overlaps and nuances (both fears sometimes include fear of crowds). I had a grandparent with really bad claustrophobia who never used an elevator in her life. Ironically, we could relate on a lot. But they were still opposite issues.
I don’t know, been agoraphobic for quite some time. Never had problems in elevators (alone), but trains or tunnels are the worst. Guess that’s why it’s hard for me to imagine how a game could ever transport that.
I’m approaching that, but I have to admit I take my time and revisit towns a lot.
I’ve only gone to a dozen dungeons so far that were hand-crafted. There were literally hundreds of them in Skyrim. I’d love to get real numbers.
So far, I am enjoying the hell out of the game, if my lack of twitch reflexes is hurting that a lot. I keep having to juggle between ship upgrades (my Mantis keeps dying to small fleets more than 10 levels lower than me) and face-to-face. Usually by now in other Bethesda games, dying is rare. I’m too stubborn to drop the difficulty, though, so I suppose that’s on me.
There’s a pirate fleet in orbit around the planet I want to build my first output. Last 5 times I tried to go there, fleet keeps showing up and killing me. That’s somewhat annoying.
Save in space often. There’s a semi common bug I’ve just run into that will cause your ship to vanish and it somehow retroactively removes it from all previous saves. No recreateable way to get it back. The only thing that saved me was a previous save where I was in orbit, still lost a few hours of progress.
For some reason, something as simple as using the F5/F8 as quicksave/quickload keys felt like a blast from the past. Maybe it’s been around the whole time and I stopped noticing, but it reminded me of playing old RPGs.
F9 was used in most Bethesda games for quickload. Not sure if this was a typo but AFAIK I only used quicksave before but it still counts as a hard save in BG3 which I appreciate.
Not only does it count as a hard save but there is 25 fucking slots for quick saves by default. And you can increase it. And you can quick save and quick load in the middle of a conversation, save scumming whatever skill checks you want if you’re a loser like me
Honestly? I believe it. It was just a huge hodge podge of conspiracy theories and activist/terrorist groups that folk had vaguely heard about that would never have worked together. And said conspiracy theories tended to have a VERY fragile basis in reality. But also… shit like FEMA being an evil organization that is giving us all a plague has totally been a conspiracy theory for as long as FEMA existed… and just as questionable for why FEMA would be the org doing that. People see what they want to see and ignore what they don’t.
It is similar to how… based on a lot of the references he has used and his comments in interviews, I 100% believe that Kojima mostly wrote the MGSes apolitically. I firmly believe someone on his team actually cared, but those games are mostly just a bunch of action movie tropes (or outright scenes) combined with a very surface level understanding of nuclear weapons and reciting encyclopedia articles to sound smart.
Stuff like this always makes me think we need a “poe’s law but for politics”. And it always reminds me of Austin “Papa Bear” Walker shitposting in the Remap twitch chat during one of the keighleys. Trailer for the Call of Duty where you are fighting for The Gipper (?) and invading Generic Middle Eastern Country and blowing shit up for US interests and Austin just said (paraphrasing) “if I were in charge of marketing it would be this exact same trailer but you would know I was angry about it”.
I think of that with BioShock 1 and Infinite too. Rapture was an atheist society while Colombia was highly religious. Colombia was highly centralized and regulated by an authoritarian dictator, while Rapture is deregulated and allows private businesses to run wild and cause chaos. It’s almost as if BioShock Infinite was written as a counterpoint, to clarify that the first game was not meant to be political.
I suppose you could say both games are criticizing extremism, which combine to form a centrist message. But even that I think was less of a choice to discuss politics and moreso just “We need conflict to create an interesting videogame. What’s a good way to create conflict? Just take some political views and crank them up to the extreme- surely no one will sympathize with them then!”
Yeah, I believe Warren Spector has said before that the premise of Deus Ex was literally “what it every conspiracy theory was true”, and not really anything deeper than that.
I don’t believe it, or rather, I think Warren Spector and Ricardo Bare really didn’t intend for it to be political, as both of them were far more focused on the game parts of Deus Ex; the mechanics, the balancing, the level design, etc, and are seemingly oblivious to how the writers took those puzzle pieces and made it political. Though the extent that Spector is completely unaware of that fact seems unlikely, and instead he almost appears to be whitewashing what the writers intended? Based on his stance that only movies and books can be political (which is a wild take, since games actually seem the most ripe medium for that), he may be trying to frame Deus Ex as A-political because of that.
It’s very odd that this article didn’t interview the lead writer of Deus Ex, Sheldon Pacotti, for an article about the politics of the game. Sheldon absolutely intended for it to be political, and in an old interview even goes into how capital is used to exploit and suppress the working class, which is what leads to radical terrorist groups, such as the NSF. He mentions in the first part of that interview series how the designers would create the levels without any concept for a story (citing the blown up statue of liberty as an example, which the level designer just thought would be an arresting sight to the player, but didn’t consider how it would tie into a wider narrative).
I think Ross’s Game Dungeon on Deus Ex really shows how Pacotti was able to make Deus Ex realistically political by tackling real societal problems that we all now face, and very few games dare touch, which continues to set it apart it decades later.
That is one of those tell me without telling me deals.
All the “ai will take over a post truth society” bits and the focus on mercenaries was all over sci fi for decades by that point and a lot of the former goes back to a mix of the Frankenstein complex (which is literally creation myths) and the Reagan Nixon debate.
It is why there is so much truth in the torture Nexus memes.
Maybe? Any military presence on a mountain trail would make me break out the wipes and the poop bottle.
My point is more that it is one of those things that goes against “Kojima is a much less neocon version of Tom Clancy” that goes around.
The idea of Metal Gear as a tool to fire undetectable nukes from anywhere on the planet (that a giant walking mech can get to…) completely ignores that submarines are already doing that. And there really isn’t a defense to an ICBM unless you have Trigger themselves in the area of operations when the sub surfaces. The “defense” to an ICBM is to fire off all yours before it hits and make sure everyone dies. MAYBE Rex gives you one or two first strikes before the missiles start launching but… again, see “submarines”. The moment the first hit, President Solidus would say “ah no you di’n’t!” and have the subs surface and fire off their ICBMs and the end result would be exactly the same.
That also doesn’t get into how bad an idea any form of walking tank is (which, to be fair, was briefly acknowledged in MGS3). I love my Gundams and my Battlemechs but unless you have minovsky particle magic you just rapidly recreate the meta that thousands of house rules have failed to stop in Battletech: 1000 points of Atlas goes down REAL fast when you have even 500 points of effectively pickup trucks with gauss guns on the back. Jaburo wouldn’t have panicked and fed themselves to Kamille and Not-Char attacking. They would have grabbed their ATGMs and started leaning out of bolt holes to light those two up.
And if Rex hadn’t been inside of a giant missile silo (hmmm), it would have been lit up by a bombing run the moment someone saw it on satellite imagery.
But that is kind of my point. The MGSes, like Deus Ex, is mostly a hodge podge of conspiracy theories and cool concepts from other media. People see what they want in there and handwave the rest.
Does that mean the story is not political? Of course not (even if DX is inconsistent to the point it might be… Like… that Alex Garland Civil War might be less nonsensical in terms of sides somehow). But you can very much have an author(s) with no political intent make a political statement.
The mod team is not happy about this either, and was responsive to me. Enough voices can change things.
If you haven’t play RuneScape - this has been a popular event for years. It’s always high quality fun. There have been stupid Fally protests and chuds but the events have always been really delightful.
Im completelly opposide. Its maybe only AAA game im intrested in long time.
Mostly because of their track record. I have been playing GTA since the very first top down game and every main game in the series has pushed the games further.
Thinking how big leaps every game has done, i cant wait to see what kind of the beast 6 is going to be.
I just want trains to work in this new game. They never make trains work properly they’re always just indestructible juggernauts and are therefore boring. GTA V had submarines but not drivable trains.
I’m the same but I may just be getting older. Last game I was hyped for was Cyberpunk 2077 coming off of the stellar Witcher 3 and having followed both games I loved, W1 & W2. Sometime before it released, I just dropped all hype for it and haven’t felt the same after. Haven’t even played it yet either.
Today, I let myself be pleasantly surprised by games I never thought I’d like. I really liked Death Stranding and I’m waiting for its sequel but still no hype… I haven’t even seen the trailer yet and I doubt I will… I’ll buy it and go in blindly. Just have a PS for Sony’s once a year AAA and that’s it for AAA gaming. Most other days, its just AA or indie games on PC… which is where I find a lot more flavor. As an example, this month, I’ve played Minami Lane, MudRunner and Art of Rally and starting Tactical Breach Wizards soon.
I’m holding out some hope for GTA VI still. Reason being, while Cyberpunk promised to be super duper everything interconnected magic programming to follow an absolutely awesome but technologically realistic game (Witcher 3), I haven’t seen hype like that for GTA VI. The expectation is to get a well polished freeroam game with lots of fun toys to play around with, a story that’s hopefully long enough to be worth the game’s price, and a new Online mode that gets updates over time. Basically GTA V with a new city and a more polished game overall, but no exponential leaps - despite the fact that the budget is much larger than Cyberpunk.
But I mean MudRunner is also awesome. Couldn’t get into Death Stranding myself, just wasn’t feeling it. Should pick up Art of Rally soon. Tons of great AA and indie games out there if GTA VI flops indeed.
Because it will be full of micro transactions and bullshit content no-one asked for, with anti cheat horseshit that will pretty much be a virus on your computer.
Sad thing is that it’ll still sell millions because most people don’t even know when they are being served shit.
It’s just so meh. Another city, you’re a criminal doing crime. There are just games with much better stories or mechanics at this point. I don’t get the hype around it.
It feels like this has disaster written all over it.
Sorry if I’m harshing anyone’s vibe, but I can’t escape the feeling that a group of people whose main involvement in the games industry is as voice talent are basically saying “How hard could it be?” and not understanding that the answer is “Very.”
Ideally they would team up with an experienced studio to build something off of their creative ideas. But if they try to do this whole thing themselves, it has the makings of a Wha Happen? episode all over it.
Maybe it’ll work. They pulled off Vox Machina, so who knows. I’d certainly like to be wrong. But I can’t help but feel like we’ll all be talking about the fallout from this in five years, when eager backers are still waiting for the game they were promised.
Hey, if they’re actually securing funding for this instead of pushing the cost off onto eager fans, good for them. At least they’re doing one thing right. Unfortunately that only increases the potential for this to turn into a trash fire that sinks their whole company.
The potential for this project to sink their whole company would come from them being extremely reckless with the ample cash flow they’ve got right now, which this interview says they’re not, and hopefully they mean it. I don’t get the sense they’re trying to build an Immortals of Aveum or a Callisto Protocol.
Unfortunately with the upcoming FO4 patch in a few days, a lot of those mods are gonna be broken for a few weeks/months. Bad timing by Bethesda on that front.
The show caused me to finally buy FO4, and so I immediately hopped onto Nexus and downloaded the highest-rated mod collection for the game. It has over 700 mods, so something tells me I won’t actually be playing much of the game for a while yet. (I wouldn’t deign to play a modern Bethesda game without mods.)
i cloud game and luckily there’s back ups. but i boot the cloud, boot moonlight and click skse64… about 1.5 months skyrim will update. and its a pita. steam just be like that. it’s honestly why i havent tried fo4 lately. i wanna bad.
What i did with Skyrim was setting the update option in steam to only update when i launch the game. But then only launch the game with the script extender.
You’re gonna have to watch that mod count. I had to axe a bunch of my mods because the game kept crashing every few minutes due to scripts and visual stuff
That’s what I thought when I saw the number of mods in that pack, but after a bit of tweaking (a few mods that cause crashing in Linux) it’s been quite stable. I’m only about 10 hours in though.
Nowadays you can pick a collection and install it without having to worry about compatibility, someone else already figured it out! I think that’s worth using vortex
Wabbajack is even better! If you’re playing Skyrim, Nolvus is amazing and has its own installer, even installs an enb for you, you can choose between 4 or 5 of them
Can they please not? I’d rather not have Blizzard stay Blizzard, seeing what they did to WoW, SC2, D3, D4, DI, Overwatch and worst of all, Heroes of the Storm.
He is the one that still wanted to make Project Titan work. Overwatch was the crawl, PvE was suppose to be the walk and then they’d have the run with the MMORPG.
Have they done something to SC2? I quit playing that game years ago, but it seemed like they were done touching it, and it was still in its original glory.
The most recent expansion for WoW has been really good. Blizzard has been transparent with their changes and have been listening to the community. Recently the alpha for the next expansion has released and seems very promising with positive response from the community.
So I disagree, I’m glad microsoft is letting blizzard developers do their own thing. After the tumultuous expansion Shadowlands, a lot of the old guard for blizzard were removed and the current executive producer Holly Longdale has been doing a great job.
Oh I had not yet heard that they’re turning the ship around. That’s really really cool. After all this time I just stopped following stuff around it since it got so depressing over the years.
She was working on classic before being promoted to her current position. Regardless, the entire wow dev team has been incredible these past few months. There has been such an influx of news of upcoming content these coming weeks its almost hard to keep up. Hoping that they can keep on the gas as The War Within comes out.
I can’t speak to your preferences as there are multiple different ways to play an mmo. I can, however, speak to the community’s perspective and I have not seen the wow community be more positive about the current expansion since modern wow.
Its hard to judge community response for wrath or vanilla for a game made 16+ years ago (lots of people tend to looks things back with rose-tinted glasses).
I’ve been playing since MoP and started doing high end content in WoD. So from this perspective, I can say that I haven’t seen a more community response for the game since then, including legion. No endless grind for power, blizz being transparent about changes, and they are also listening to feedback.
Additionally, Shadowlands did a number of Dragonflight’s sales but recent reports indicate that more subscribers are coming back to retail wow and the expansion does not have the post-expansion drought of subscribers.
Not Wrath or Legion good, if the numbers are any indication. While the community has generally been positive, Dragonflight simply hasn’t sold very well.
The expansion’s over, anyway. They have officially moved the expansion cadence to only two major patches from three.
DLed for posterity, so once it’s down I can still share it with those interested in actually enjoying it, rather than letting Nintendo continue to ruin shit like the whiny babies they are.
It’s less Nintendo and more shitty trademark and IP laws.
If you don’t aggressively go after anyone that is transgressing your IP, you can lose it.
IP really needs major and comprehensive reform. It’s not going to happen anytime soon as too much is built up around the status quo, but it really should be done.
Edit: Also, it’s a bit more complicated in terms of IP, but it is relevant to future works.
For example, fictional characters.
Let’s take Mickey Mouse as an example. Steamboat Willie is entering public domain, so the protections on the character as defined in that work is entering the public domain. But characterization of the figure in works still under copyright that have added unique details are still protected.
But the test for infringement of a fictional character is twofold. (1) Can the figure be copyrighted? (2) Is there infringement of unique characteristics?
That second part becomes much more difficult to enforce if you’ve been allowing millions of variations of your protected character when you initial work defining the character is no longer enforceable.
So if LoZ on the NES enters the public domain making ‘Ganon’ as a pig usable by people, but since that game there’s been tons of spinoffs by others having Ganon as a human before Nintendo had Ganon as depicted in OoT, then they’d have a much harder time enforcing copyright on Ganon being depicted as a human even if Ganon as a pig was no longer under copyright.
No lawyer is going to say “yeah, let 3rd parties use your IP willy nilly, I’m sure it will be fine and not bite us in the ass later on.”
For example:
Copyright protection is effectively never lost, unless explicitly given away or the copyright has expired. However, if you do not actively defend your copyright, there may be broader unauthorized uses than you would like. It is a good idea to pursue enforcement actions as soon as you discover misuse of your copyright protected material.
If you have experienced copyright infringement, you have the right to pursue a lawsuit. However, you only have a limited time frame during which to file a claim. This legal principle is called the “statute of limitations.” Ensuring that you file a claim to enforce your copyright within the statute of limitations is crucial. If you wait too long, you will lose the right to enforce your copyright and obtain your deserved damages.
So a fan project that you don’t enforce against for three years which eventually monetizes as competition without infringement trademarks would be a potential concern.
...You realize that none of that is setting precedent, it just means you can't pursue, right? You still can't lose the IP even in the worst-case scenario, and the first example you gave even says that.
Copyright protection is effectively never lost, unless explicitly given away or the copyright has expired.
You seem to just really strongly want to justify Nintendo's actions, which are not the norm across the industry for how IP issues are handled....
Like yeah there's shitty IP laws, and shitty trademark laws, but they don't justify Nintendo's specific reactions.
which are not the norm across the industry for how IP issues are handled…
Go ahead and cite whatever you think the ‘norm’ is then.
Where else do you see publishers turning a blind eye to unlicensed remakes of their games?
The difference isn’t Nintendo being more legal trigger happy, it’s that their stuff is way more often being used in unlicensed ways so they come up more often in stuff like this.
But there’s a ton of examples of the same being the ‘norm’:
-Everything related to Bethesda's mod scene
-The entire Touhou doujin scene, even including sold games/music
-Sonic games which included fans being brought in for sonic mania
-Megaman and Street fighter have huge histories in modding. Pretty sure megaman has an entire fan-game for Zero's orgin story
So...That gives us Bethesda, Sega, and Capcom at minimum for big players, and Touhou pretty much shows you aren't going to lose your fucking IP over this.
No, Nintendo really does just do it more often than everyone else. You don't gain that rep absolutely everywhere just on hearsay.
Bethesda is owned by Zenimax, and an officially licensed mod scene is completely different.
If you want to run the mods for Bethesda’s games, you need the retail software to do so.
I guarantee that if a group was creating a Morrowind remake that didn’t require owning some Bethesda core game that was being modded to achieve that, Zenimax’s lawyers would be quick to be on top of the issue.
It’s not like there’s not examples where Bethesda’s lawyers caused mods to be shut down where it involved redistribution of Bethesda game assets without needing to buy the game.
It’s *less about shitty trademark or copyright laws, and more about Nintendo.
First off, in all of your posts, you really don’t seem to realize that trademark has nothing to do with fan fiction or recreations. Not a single project that anyone has referenced has attempted to mimic Nintendo’s name and brand to sell a product. Zelda is trademarked, yes, so people can’t sell video games with “The Legend of Zelda” name- which has no bearing on this article or the work cited.
Second, the statute of limitations doesn’t go back three years to some arbitrary date, it goes back to when the alleged crime or infringement occurs. So if someone begins selling a TLoZ knockoff game, they have no grounds in court to say something dopey, like “well actually I started thinking about selling Zelda knockoff games five years ago, so even though I just started last month it is out of the statute of limitations”.
Third, from your list of shitty companies making it the norm, try Valve, who actively gives permission for people to mod and remake their games, and even allow the selling of remakes on their own platform. Or try Capcom, a Japanese company who has never attacked a fan game and still has full control over its IPs. But I digress, not being the norm has nothing to do with this.
If the laws surrounding copyright were suddenly and drastically changed today, Nintendo wouldn’t change their stance or their scare tactics. They don’t have to do it, they aren’t losing out on sales from it- and if modders had the ability to stand up for themselves in court, I don’t believe Nintendo would win even a notable amount of cases.
Two: Actually, per Petrella v. Metro-Goldwyn-Mayer’s supreme court decision, damages are limited to 3 years prior to the suit being filed with no recovery for earlier infringements.
pcgamer.com
Ważne