Man, this is the first time I’ve heard that term. But then, I don’t play anything in this genre anymore, so maybe it’s just by virtue of the fact that I’m out of that space almost entirely.
There’s been a big revival of that genre over the last 10 years or so and I think Boomer Shooter was adopted as a way to differentiate it from your standard FPS. Turbo Overkill is very different from Borderlands which is very different from COD. You’ll need a way to communicate that difference if you want fans to buy your game.
I mean it became a tag on steam it’s so common. “Retro-style FPS” doesn’t roll off the tongue quite as easily. Boomer = Baby Boomer generation (or close to it) where the engineers making the things; so while it’s not entirely accurate of the dev demographic of the day, “the things people who are now old used to make” is the meaning. Boomer is also like “boom” because there big loud guns, big loud sfx, ridiculous explosions, etc.
Why does this have to be a point of contention? No fun allowed? What is this, Nintendo?
As for why it might be a point of contention with many millennials.
My best guess is we’ve spent years being accused of doing things by boomers who didn’t know that Gen Z was a thing and now it feels like we are being lumped in with Boomers because Gen Z can’t be bothered to learn that more than one generation camr before them.
For Gen X it may just be that they constantly feel forgotten and want to be known.
Mass effect and dragon age series from bioware are excellent, they’re a little involved but the story telling is incredible in both. While it has aged and may be depending on a love for star wars, their knights of the old republic series was also excellent.
They’re really damn good at making a story that’s worth being part of, often one of my first recommendations aside from the last of us, outer wilds, and a couple of others I’ve seen here already.
I’m not super familiar with the examples you gave but I’m gonna say anything from Supergiant Games: Bastion, Transistor, Pyre, Hades. Fantastic music always, I would say the storytelling is done best in Transistor and Hades.
90s style adventure games like Sam and Max hit the road, day of the tentacle, monkey Island, Indiana Jones, etc. Lots of comedy you can’t hear again for the first time, and puzzles that can be memorable.
scummVM can be used to run those games and runs on basically everything, phones, tablets, desktop.
Outer Wilds. not only is it a fantastic game, but the entire premise and gameplay is centred around discovering the world. theres no progression, the story is all diagetic and not quest-bound or anything, and once you know the world you cant really discover it any more (unless you forget)
As a hardcore player of Metroid Prime Hunters (online) in the Nintendo DS I always was confused about what the issue with the controllers for Kid Icarus, or other shooter like games was lol.
Dredge comes to mind. It’s a nice game and all, but outside of the two endings (which are basically a choose left or right situation) you see pretty much everything there’s to see in a single playthrough.
If you want something very similar to the three you named, do not sleep on Case of the Golden Idol.
It might have a little more replayability due to they way decisions you make impact the story, but I’d also put in a strong recommendation for Pentiment.
Yesss, I loved both of those games. Pentiment was so strange - there are things I didn’t love about it, but I still got so sucked in that I’d wake up the morning and be eager to start playing again to find out what happens next. I haven’t felt that way about a game in a while.
I want to like this game but I keep making stupid decisions and being so confused at the start that I just gave up. The game is fun but doesn’t do a fantastic job at explaining how to get going.
I would also put Subnautica here - and personally say it is worlds superior to Stranded Deep but of course personal preference can give either hte advantage.
I enjoy replaying it, but the contrast between first time and any repeat is mind-boggling, and nearly enough to say that replaying it isn’t worth it. That first time… wow, it just hit so well.
I have no problem with developers continuing to create new content and give customers the option to buy it or not.
Loot boxes and gambling stuff and types of micro transactions where you are basically paying a fee to avoid artificial annoyance/grinding are a cancer on the industry.
Celeste, Enter the Gungeon, Nuclear Throne, FTL, Minecraft with optimization mods and low draw distance, Guilty gear Xrd. Really, if it's 2D it should be fine. Oh, and Hollow Knight sometimes, it depends on the igpu model if it likes it or not
Factorio without bitters. The music of desolance, alone on the planet trying to get efficient so you can leave and go home. I don’t know why it is so relaxing, but it is… just having time to plan and build exactly what you had in mind is bliss.
On the other hand if you want some adrenaline, play bitters in deathworld.
Factorio has this thing where if I play it while listening to a podcast or audiobook they use up exactly 100% of my focus. No less, I can’t think of anything else. But also no more, I never get tired. It’s a very specific form of relaxation for me; where I feel like I’m existing “just right”.
Exactly what I do. I use Angels and Bobs mods for a huge amount of stuff to do, loads of trains (almost 1,000 in my current playthrough!), and loads of stuff to build.
The soundtrack, art direction, color palette, and gameplay all come together in a relaxing loop. I have spent hours just drifting along spot to spot, taking care of the spirits in my care until their times came to depart, and still go back to it when I just want to have some time to relax.
As a warning, the game does deal with some emotional tones, so there’s a bit of melancholy mixed in. My wife and I both had times where we teared up because it felt like saying goodbye to someone again. It’s handled well, though. Really gives the feeling of everything being put to rest, and there’s still everything they taught you right there as a reminder of the effect they had.
I remember just sitting there after helping the first spirit depart and thinking - wow. Which doesn’t happen a lot in games, but the combination of the music, the storylines for each spirit and the time when I started playing (early in the pandemic) cemented the game in my mind as a piece of art.
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