Witcher 3, which I played like 3 months ago. There was this one goofy quest where you had to save a mage by getting a magic book with a weird name that you could abbreviate to GOG. You needed a spell from it to disable the mage’s tower defence and regulatory management system (something along those lines), or DRM for short.
Her best card, in my opinion, but still janky because of the shard mechanic. It limits how many of her cards you can reasonably run in a deck which I just dislike. Great game, though!
There’s so much competition in gaming right now, and good AAA games are so few and far between, that I don’t see a need for piracy. For every $90 piece of garbage there are ten $20 diamonds (don’t forget Devolver in your list of good small companies). I don’t ever buy dlc/deluxe/etc editions unless the company/game has earned it (almost never).
I will admit, Rockstar creates some high quality experiences, but their monetization practices are down there with the worst of them.
I can’t justify not pirating, I just think for me the motivation isn’t strong enough right now. Too many affordable good games to choose from.
I think the thing I miss most about this game is how much it did with hardware from 2005. It looked great, played well, had a decent length but also didn’t outstay its welcome.
I’ve played through it at least twice. I doubt I’ll ever replay City or Knight as they were amazing but far far too long.
I liked Arkham City, it felt more like the game they initially wanted to make. Batmans movement is a bit smoother, you get some fun gliding elements, and it opens up the map so there is a bit more of an exploration/investigation element.
I think Arkham Knight might have gone too large, and I feel like the batmobile sections felt too tank like.
It’s (from the era of) Quake with extra Earth lore & special triangles.
It’s like in the movies where the main hero chooses to not kill the bad guy at the end “because that would make him as bad as them” … yet he killed 1000 poor henchmen throughout the movie with no issues.
It’s a fantastic documentary; as an LA native, I recommend playing through the story to better understand our diverse culture of shallow rich folks, inner city gents, and meth-addled drug countrymen.
If you’re worried about it, bg3 will give you more bang for your buck. Easy to get near 100 hours in the first playthrough and it has a ton of replay value. 33 you’ll prob get 20-40 hours depending on side content you do and it doesn’t have much replay value.
Speaking as someone who loved both and got 100% achievements in 33. Should do both though.
I got about 30 hours doing most stuff. The thing is that there is more of the game after the story is done, about double the content or so i have read. I did not do that part myself so can’t say much about it.
Ironically much like BG3, the third act of E33 is a mess. There is a ton of important side content with character moments and lore, particularly relating to Clea but also the whole Maelle relationship quest. But the pacing is completely off, it’s all presented as optional and it just feels very rushed. A “Definitive Edition” type patch or DLC that retools and restructures Act 3 would do E33 a world of good.
For expedition? Side content about doubles the length of the game, and all of it is doable before completing the story. NG+ is a thing and massively cranks the level of all enemies, but nothing else changes
yeah this is the circle of ownership because the only way to get your account back at this point is social engineering, which is a serious topic about getting accounts hacked which different companies will handle seriously, as it requires a level of “trust me bro” on identity, If possible, id try to look for a CS that will take receipts of the game purchases to help further prove your identity.
Thanks for the warning. I’d started playing because I needed a distraction from some hard IRL stuff, so that’s good to know. It was nice that when I fired up Being a DIK from the same bundle, they straight out ask you at the beginning if you’re going through shit right now, and gently suggest the game may be rough for you if you are.
Adult games give emotional support these days. Not all, but many understand and respect the player to a degree not normally found in games. And because all the right wing puritans aren’t playing those games, no one is complaining about other hot button topics like gender, equality, etc.
LoF does the same mid game right before it hits the hardest with even offering to skip the scene entirely. However all characters are really likable, have some really good development and it is an overall (bitter)sweet story with lots of happy endings
when I fired up Being a DIK from the same bundle, they straight out ask you at the beginning if you’re going through shit right now, and gently suggest the game may be rough for you if you are.
Considering the dev’s previous game, Acting Lessons, that warning is worth taking seriously. That game has a fantastic story, but it has some rough shit go down. Although I will say that by the end of season 1 of Being a ΔΙΚ I don’t think there had been much “rough if you’re going through some shit” stuff. I haven’t played season 2 yet.
AI doesn’t integrate and use itself. Only a manager makes that decision. This problem rests squarely on the humans in charge who failed to vet the system before buying it.
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