Maybe if the games did anything, uh, interesting. Didn’t play Hogwarts because I can give 0 fucks about the H Potter universe. Starfield was definitely one of the Bethesda games of all time. Just a smattering of mechanics stolen from other games and simplified. It was fun but by no means anything to write home about. Put about 140 hrs—will probably not play it ever again. Did put 120 int BG3, will probably play again in a couple months.
Hogwarts legacy was good until the hype wore off and then you notice that it’s not very good story/gameplay wise and the whole game coasted on the castle itself.
is there an award for best music? cause starfield should win that
and i cant believe hogwarts didnt get 1 nomination. that was a fantastic game and it made my mother so happy to be a witch in the harry potter world and explore hogwarts
The problem with HL is that it had very little to offer beyond “you’re a witch at Hogwarts”. They put together a great setting… then did nothing with it. It’s a huge pity and a great waste of something that could’ve been amazing.
I absolutely liked the castle, was very cool, but aside from a few story missions it didn’t feel like you were in school.
You can run around at night without issue, didn’t have to attend certain classes until you wanted. Maybe some more persona style social simulation aspects mixed in would help. Idk.
I don’t know, the class component thing in fire emblem three houses absolutely killed my interest in that game. Sometimes it’s good to skip a bit of the monotony.
It’s a heavy year so I can understand Hogwarts being left off especially since people have a reason to dislike. Very loved by the casual audience (where I am at least) but I don’t think any of my gamer friends cared for it that much.
I’m pretty surprised it didn’t get any nominations. I guess it didn’t do anything revolutionary, but it was a polished open world rpg with a good story and world building. Personally I think it’s partly because TOTK is given too much praise.
It’s easily the worst book I’ve read, and I only finished because of the unintentional hilarity of it all. In a story ostensibly about how evil media mega corporations are, the author wrote a hail corporateove love letter to top selling franchises without realizing the irony.
There was potential in it being a self parody, although in a way the whe situation is funnier because he was so earnest.
I spent my first audible credit on that book. I hadn’t seen the movie…still haven’t. But it was narrated by Wil Wheaton, and I knew him from reddit. He did a good job. That’s all I have to say about it.
Ironically I found the megacorp produced movie version much more palatable both because it wasn’t stuck on making that which the author liked the only media worth obssessing about, it showed that fans of all eras enjoyed themselves equally in that world. And because it gave more of a human core to Halliday’s quests and the plot, rather than it just being about who’s more of a fanboy gets rich and gets the girl.
Seeing the book describe how Wade is so great at reciting every line of War Games just took me out of it. Am I supposed to be impressed by this second hand fawning over a different story? Is there even a point to that beyond Halliday/Ernest Cline thinking it’s cool?
“372 Pages We’ll Never Get Back” is a podcast where Mike Nelson (MST3K, Rifftrax) and Conor Lastoka (Rifftrax) read and review books they’re “pretty sure they’re going to hate”. RP1 is the first book & source of the podcast title, since it’s 372 pages. It’s like Mystery Science Theater 3000 for books and it is hilarious, I highly recommend.
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