it’s from the makers of “Heavy Rain” and “Beyond: Two souls”. The player has to play the role of three different humanoid androids throughout the game, and make choices that heavily affect the gameplay. Depending on the choices you make with every character, their story and outcome changes their future paths. It’s a good game, and can be bought quite cheap at sales. The acting is really good IMO.
It’s a choose your own adventure take on the civil rights movement set in the future. Because of course society will have to deal with this shit all over again.
Had a friend telling me the same, lol. FWIW, I got into Metro after watching the series of The Linux Gaming Experiment, where Nick played Metro Exodus - so I kinda enjoy Exodus more, lol.
Any time I realize the optimal path is really boring or tedious.
Like, imagine you could sell junk to vendors for money, but for some reason you get more money if you sell them one at a time. Spending five minutes splitting inventory stacks sucks, but it’s 30% more gold and that’s the difference between the cool sword or the basic sword.
A made up example, but hopefully gets the point across.
Related: long travel times with nothing interesting or challenging happening. I remember playing some shitty MMO and you had to like run through a building, go up an elevator, and down a long hallway every time you wanted to learn skills. Just five minutes of nothing. Gotta juice those playtime stats, I guess.
It’s different if there’s stuff to do en route. Monsters to fight or whatever. But when it’s just jogging? Very disappointing.
Aah, i think it was tie-fighter, where you could lock on and press a key to match speeds with an enemy - (albeit instantaneous only).
Maybe it was there in x-wing, but i feel like it was one of the minor qol improvements in tie-fighter that made it better.
I’ve restarted Yakuza Kiwami 2 after dropping it a few years ago, but neither the story/sidequests nor the gameplay don’t feel as good as 0 or Kiwami 1.
Demonschool released a few days ago, so I’ve been playing that. It’s pretty good, I was expecting more of an RPG but it’s actually more like a puzzle game. The writing is charming and the art looks great.
This week I’ve been mostly playing Sound Voltex tho, as I finally got the controller. It took me a while to get used to the actual layout, and I’m still having troubles understanding the lasers’ timing. It feels much more fun with the proper inputs. I’m currently trying level 13 songs and clearing them with a bit of trouble.
I didn’t play Detroit for so long because I expected it to be like most other interactive movie type games where you maybe make 3 total decisions that actually have an effect on the whole story. Checked it out on PS+ and still felt that way up until I finished the first level and it shows the fucking massive decision tree of all the possible choices you could have made in that segment and was blown away. Hella them I didn’t even notice were viable things I could have tried.
This is what these kinds of games should be. It’s fucking amazing. It actually gives replayability to something that, in the past, was more of a one and done deal.
Bruh, yes, I know exactly what you mean. I’m actually getting ready to replay D:BH again because the last time I played was about 1.5+ years ago, and I think I’ve finally forgotten all my decisions. My husband said I got one of the best endings he’s ever seen someone get, and I really didn’t want to be tempted to answer everything the same. There’s SO MANY ways that game can go/end, and I want to explore them all!
I made the mistake of playing Until Dawn first, then D:BH, and then I downloaded the Dark Pictures Anthology and played 2 out of the 4 of those. I’m sure those would have hit different had I played them first, but knowing that the ending is ultimately the same no matter which direction you go definitely ruins the replayability. All 4 run into the very issue you were worried about with Detroit.
bin.pol.social
Aktywne