Would’ve taken me hours on wifi but I’m hard wired now so it’s just 10 mins or so. It’s a really fun game! Super unique. Totally worth the download. Sorry for your slow internet </3
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I like xi, and its still got a good amount of players, but its a difficult game with old slow mechanics, so know what you are getting into. Find a friend or discord to play with.
i just went and did the tutorial, which i avoid like the plague due to being drained by it.
Yup. God, Starbound has so much missed potential by focusing so heavily on a bad story. It’d be one thing if it were there in the background, but you’re basically forced to play through it every single time. The dungeons are extremely repetitive (this would have been a great chance for some procedural generation), the boss fights are way too easy, and the whole portion of the game where you just search for relics to scan isn’t fun or interesting at all. Not a great design decision for a sandbox game that should otherwise have a ton of replayability.
I think the story is a point where people unfairly criticize the game, personally. After the tutorial dungeon you don’t have to engage with it whatsoever.
The parts where you have to search for relics between each dungeon are meant to encourage exploration and remove the pressure of the story. It’s the game saying “now go do whatever and have fun!” and you make progress toward the story just by playing normally, as you come across settlements belonging to the particular species you need to scan.
If your goal is to speedrun the story and drop the game, then yeah those parts are annoying, but if you want a sandbox game where you are free to do anything you want, then I don’t really understand why people complain so much about those parts of the main story.
The relics are probably the furthest i’ve ever gotten in the story. I like the settlement portion, but when i get to the story it’s just a slog. If there’s something I absolutely need from it, i just use console commands to skip as much as possible. It’s really the weak point in the game
I pre-ordered a game twice now. The first one was Stalker 2 and the second Death Stranding 2. I am unhappy with Stalker 2 (I’m still waiting on the preorder physical) but I have the Death Stranding one. If you care about the bonuses I’d say it’s a gamble.
Fast motion where it’s in my peripheral vision as well as primary field of view gives me nausea even with pretty strong VR legs.
Sometimes games (and headsets) will have a comfort mode which adds a vignette around the peripheral vision when there’s high movement. That usually helps lower motion sickness.
I know the Meta Quest 3 and 3s have this feature built in. For PCVR with other headsets, often games have this feature built in. Usually it’s called “comfort mode” or something similar. It’s a standard in VR UX.
As a big metal gear fan, I’ve been replaying the series and the writing in particular hasn’t aged well, any female character or anything related to them feels like it was written by a horny 12 year old. The series needs some major overhaul if it’s gonna go on, and a mostly naked jiggly sniper doesn’t help the series progress
At least they’ve rereleased ZOE at higher native res a couple of times. It was a long gap between 2 and the “HD remaster” where I wondered if I’d ever see it recognized again.
By the way, if anyone knows of any other games with similar gameplay/combat, please let me know. The closest I’ve found so far was Dissidia Duodecim for PSP, and that’s kind of a stretch.
Honestly, if anything, is overrated. It had a very promising beta that was ruined by further development. And then was further tarnished by the facts of its abusive development coming to light.
I’m not saying that no one should enjoy it. If you like it, that’s great. But it very much didn’t live up to its potential.
Did some digging and I found the unpaid labor scandal and one harassment claim. Nothing about sexual abuse and the harassment claim I was unable to corroborate.
Still bad though. What a sad story to a game with such potential. Really irks me.
Never, ever buy anything based on IP. That is pure familiarity bias, a trick to make you think it will be good. In the particularly susceptible, it can even create self-delusion and confusion. (X is good, therefore this other thing that licensed the name ‘X’ must be good. It doesn’t feel good, though. No, clearly it is my feelings that are wrong. X is good so ‘X’ must be good. It uses the same mouth sounds. How could it not be?)
A change in medium is inherently a different product and can never be the same as the original. As anyone who has seen a movie based on a book can tell you, there is zero guarantee the movie will have anything more than a passing resemblance to the book coughEarthseacough and maybe not even that. coughWorldWarZcough Oof, pardon my coughing. The bullshit fumes coming out of the marketing and licensing departments are making it hard to see.
You make some really good points. The game I’m referring to is Osiris Reborn from The Expanse series, my favorite book series of all time.
It’s not exactly an unheard of IP and the developer is what I could consider midsized. That’s why I was leaning towards not doing it at all.
My only motivation is how passionate I am about this series and wanting to see more games, books, shows, movies, etc set in that world. I want to be proactive in spending my money thoughtfully to encourage development in places I support.
Obviously, one preorder isn’t going to change that for this game and a preorder would likely do more harm to me than it would be to the series if I don’t preorder.
I’m usually pretty staunchly again preorders since I think it’s bad for players as a whole (and often for devs too), but, if I’m being honest with you, I would probably have done it if my favorite series was being done by a small indie dev team so they could have as much money upfront to make the game as good as it can be.
That’s the sneaky thing about IP based projects. Even if it was a small indie team, even if they were in love with the original book, even if they had incredible respect for the original author and their work, a book and a game, or a movie, or an episodic show, are so inherently different as to make any IP deal simply a lie. They use different techniques, methodologies, and structures such that they can’t produce anything like the same experience, even with the same plotline. It’s a mask to trick people into buying the product, and the wildest part is that the mask can work so well that even the makers don’t realise it’s a mask.
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Aktywne