factorio space age: it’s the best for a reason, but there are a few things that irk me. There is a “pick any of 3 paths to go first but you have to do all 3” kind of choice. And unlike RPGs you don’t really get all that much from each choice, so there isn’t much to optimize in that way, it doesn’t result in different builds. Space age 2.0.X still has a few issues, the UI for the actual space part is pretty bad and while that’s not a space age feature, the way they do logic programming is easy for simple things but takes up too much space and is too difficult to set up for slightly smarter setups, so there is no reward for doing those.
mindustry (purple planet): It does way better spacial puzzles than factorio. In factorio you have “too much” space or it’s too free form. You can pretty much build the way you want. Mindustry has more basic resources you have to mine in specific places, enemies are coming from a distinct direction and you have a lot less space to lay out your factory, so you have to make more choices. I liked that.
hollow knight: I did see a playthrough years ago and was mad that I spoilered myself. Played it, and had forgotten enough that pretty much everything was new again. Great game, 10/10.
hollow knight silksong: also played it, has it’s moments, ultimately I didn’t like it. Writing, mechanics, when stuff is available to find… there are some weird choices and imo regressions from hollow knight. Great soundtrack and it does deserve the goty award it got.
Highly recommend it. Although slight warning, you go to 4 new planets with different mechanics, and one is a “hate it or love it” situation. I loved it, but clearly a significant number of people didn’t.
I had a lot of fun with Soulstice, Assault Spy, Hi-Fi Rush, and Hellsinker.
NieR:Automata, The Surge, Death Stranding, and Scarlet Nexus were disappointing.
Every time I stepped ever so slightly outside my comfort zone I ended up regretting it. I will still flirt with action RPGs, but no more open world or soulslikes. If relatively linear action is not the core, I’m out.
Next year, I intend to invest more in indie action games. Currently eyeing Genokids, Spirit X Strike, and No Straight Roads 2. Also indie shmups: currently, Devil Blade Reboot, Birdcage, and Gunvein are on my wishlist.
For fighting games, I intend to get into Granblue next year. Possibly also Melty Blood and Blazblue.
Looking forward to fleshing out my library with more of my favorite genres.
If you’re majorly sick, I recommend playing a visual novel. They usually do not require much movement or thinking on your part; most only need you to click your mouse or tap spacebar to advance. You can look up a VN that suits your needs here: Link If you want a VN that has a particular genre or theme I can give more specialized suggestions.
Aside from that, you can play some simple automation or puzzle games. territorial.io works well for this. shapez 2 is also a good option.
Chaos;Head is a visual novel I’m tempted to recommend specifically for this type of situation. The plot revolves around a protagonist with the power to make his delusions into reality. Lots of mind-fuckery. It’d probably be a trip to experience while sick.
It is. It’s actually the first entry in the Science Adventure series. Steins;Gate comes after, though it also works as a standalone story. Robotics;Notes has a lot more references to Chaos;Head.
I played a decent number of games this year, and a lot of games that have huge fan bases. God of War 2018, Bloodborne (my first ever soulslike), Baldur’s Gate 3, Disco Elysium, and more. But the one that keeps gnawing at me is Subnautica
I remember when it was in early access I watched Markiplier play it, and it piqued my interest enough that it was the first time I ever bought anything in early access. Which is very unusual for me (I think the only other time I’ve done that was Hades, which was also great). I played through as much of the game as there was at the time, or at least as I could find. Which was still mostly in the safe shallows, no deep areas. Still out in a dozen hours or so and was satisfied given the price so I moved on.
In 2024 i recommended it to my wife, who loves marine biology and base building games. She, in turn loved the game and I watched her play through it. I got to see all of the deep areas. After watching her play it and the DLC I got the itch to go back to it, so I started a new file in late 2024.
By mid-January 2025 I was about halfway through that file. My wife visiting her friend in another city, so I had the house to myself, I think I took some PTO too. Single-digit temperatures Farenheit outside. My wife had taken our only car, so I was loaded up with plenty of weed, drinks, food, and snacks. So I had a few days to focus and finish that first file. I had such a great time I did something else I almost never do: I immediately started a new file to play it again. While I had so much fun, I also learned so much and had so many ideas of what I could have done better. Better places to build based, exploring in a different order, knowing all the great spots to farm resources and get blueprints and everything.
So I played through again. The soundtrack is phenomenal synthwave that perfectly suits the game, but by the time I had built my cyclops and was ready to plunge down into the depths I was also ready for a new soundtrack. I put on one of my favorite albums, which is also one of the most appropriate: Oceanic, by Isis.
I strongly recommend this to anyone who likes Isis or Subnautica. Just absolutely sublime. It’s like peanut butter and chocolate.
Space Station 14. The absolute best multiplayer experiences I’ve had since the heyday of Planetside 2 (not that the two games are even remotely similar, just thinking broadly about multiplayer enjoyment).
But it’s been a good year for other games too. Silent Hill 2 was excellent. Final Fantasy 7 Rebirth was excellent. Monster Hunter Wilds had some damn good looking monsters (but was not excellent).
Space Station 14 sounds interesting. What kind of multiplayer is it? I.e. is it one where the typical experience is to play with randoms via matchmaking, or is it a game best enjoyed with friends?
I have discord server full of nerds who I played games with during COVID (and its aftermath), and this might be a good excuse to see if I can reawaken that server for games
Kinda sorta like if Rimworld was set on a space station, but players control a single pawn, and servers are in the 50, 80, 150+ player count depending on server and time of day. The vibe is pretty similar to Among Us, just vastly, vastly more deep and complex than Among Us.
You join a server, create a character, pick a job ranging from janitor, bartender, musician, botanist, cargo, medical, security, research, and so on, then you join and try to keep the space station running smoothly by focusing on your job and working with other departments.
Or, you can, if you want, get a chance at being an antagonist with various goals ranging from stealing stuff to killing specific people, becoming a zombie and spreading the infection, or even blowing up the whole station with a nuke.
It’s incredibly deep, and it being a highly social game with some degree of roleplay focus, it’s crazy and fun and nothing else out there is quite like it, aside from space station 13 which came before it.
To answer your other questions - no matchmaking at all, you join a specific server and whatever job you end up with is determined by which jobs you have unlocked (by playtime in specific roles), which jobs you’ve set for yourself that you’d like to work, and which other players have also chosen those same jobs. Playing with friends can be challenging if servers are full.
And you absolutely must NOT communicate outside of the game unless the server specifically allows it. That includes Discord, that’s considered “metacomms”, so go in knowing you’ll have to use text chat for everything - it’s how everyone teaches and learns anyways, so it’ll come naturally
That sounds like a space version of Eco, with the roles stuff. In Eco, it’s impossible for one person to acquire all skills, so people on a server have to specialise.
I started out as a miner, to honour my late best friend who was a dwarf at heart and would definitely have been a miner if he’d been playing with us. Then I branched out into masonry to make use of the absurd amounts of stone I’d been mining. If I wanted something made of wood, I had to go flutter my eyelashes at my friend who had started out as a logger and branched into carpentry. I enjoyed having a domain that was my own, and a clear way to be useful to the server. Other players had some level of mining and masonry skill by the midgame, but for anything serious, they had to wait until I was online.
It sounds like Space Station 14 is far more hectic than this, but in an interesting way. I wonder if it will scratch the same itch that Eco did wrt being useful in a clear role
Honestly sounds and looks quite different at first glance, but if you enjoyed working a particular job and getting better at it over time, that’s for sure an itch that SS13/14 scratches well!
take botany for instance. can be as simple as planting seeds in hydroponic trays and harvesting fruit and veggies for the kitchen and for the chemistry department.
But one can go so much deeper than that - tired of onion plants only yielding two onions when harvested? well, cocoa trees drop six pods when harvesting, so you can rub a cotton swab on the cocoa tree and then rub it on the onion plant to deposit a random genetic trait from the cocoa tree, and if you’re lucky or if you repeat enough times the right way, you can end up with an onion plant that drops six each harvest! or, maybe just end up with onions that contain theobromine.
There’s also mutation of plants, which can add various traits (like offgassing tritium, or making the plant scream in pain when harvested, or making the produce so slippery that people slip and fall if they walk over it), and of course those traits can also get swabbed over to other plants.
there’s even an illegal “gatfruit” that produces a high powered revolver when eaten, tho those aren’t easy to come by
I should play more Space Station 14. I use to play quite a bit of 13, and it was quite fun to deep fry everything. I hope more things are added to 14! Otherwise I’ll just have to continue my escapades of “I only know how to make banana bread, botany boss, thanks!”
14 is in a really good state right now, I think! Wizden, being the upstream/vanilla can seem a little sparse compared to, say, the Starlight fork which adds a lot, or the dozens of other forks out there.
I’ve spent probably most of my time as botanist, with cargo/salvage a close second and musician a close third.
Definitely play more, especially if it’s been some time since you last tried it, the development of it is quite active and ongoing. Hell, wizden’s test server has been trying out a complete rework of the medical system, so they’re definitely not afraid to throw some huge changes out there and see how well the community responds to it.
When I played I was a chef! Often I just ghosted though in order to learn more. Follow people around, see what they do. Helped my autistic brain so I felt better about fucking shit up.
Loved my chef knife. Stupid mice eating my banana bread!
Spectating is fun! I haven’t done much of it but recently I followed a musician avali for their whole shift, and it ended up being really interesting. They found a spear and were told to get a permit for it, which they did, but then someone stole the permit and they got arrested for carrying a weapon without a permit despite being issued one, despite the sec officer being told about the theft, and the thief standing right in front of the sec officer at the time.
then they later got arrested for the same thing by the same officer.
they eventually tried to sue the security department, and the trial was about to start, but was interrupted by the jury room getting bombed, and when they tried to hold the trial in the hallways of course chaos broke out and they had to evac, and didn’t bother trying the trial at centcomm.
Void Stranger, all of the ways it fucks with you even up to the end made it very memorable. The catharsis of finally getting it, and turning insurmountable challenges into not even a bump in the road was incredible. Place your faith in the void and jump in blind.
Ravenswatch came out at the end of last year, but it’s an incredibly satisfying multiplayer roguelike. Really scratches that asymmetrical gameplay itch.
Split Fiction is a master class in game design. It creates these awesome storytelling moments that could only be created in this exact way.
UFO 50: holy shit this one came out of nowhere for me. It’s like digging through a retro collection for diamonds in the rough, but there’s more diamond than rough. It has honestly changed the way I approach video games and gaming in general. Also, Party House is so good.
Hades 2 is pretty much exactly what I was hoping it would be. No notes.
I also played Clair Obscur, DK Bananza, Mario Kart World, and Silksong. Those are all good games, but none of them hooked me.
Most of those games are ones I’ve never heard of before, but you’ve really sold me on them, especially Split Fiction and UFO 50
(Mini tangent, but I find it interesting how, in this age of algorithmically driven slip content, I cherish the opportunity to find little snippets of meaningful connection with my fellow humans. Like, I don’t know you, or anything really about your preferences or tastes in games, so what reason is there to put much weight in your recommendations? You’re just a random person on the internet, after all. But no, your recommendations feel meaningful because you’re a person who cared enough about these things to write about them, and matters to me (especially in our current climate))
If I was going to try out Split Fiction and UFO 50, which would you recommend I start with?
I fully understand what you mean. I got turned on to UFO 50 the exact same way, from a stranger’s recommendation online. They referred to it as “a master class in game design”, and I was like, that’s exactly what I was just saying about Split Fiction!
I think how we say things is important to how we connect.
Anyway, Split Fiction requires two players. The whole game is in split screen, even if you play online. But you only need one copy of the game to play online - I think your partner can just download a special version of the game for free. But if you have someone to play with in the same room, I recommend that.
A bit more about UFO 50 if you haven’t already looked it up: it’s a faux-retro game collection from a fictional, defunct 80s game developer called UFOSoft.
Fifty is an insane number of games, and it’s got so much damn content. There are space shooters, side scrollers, a wild west Final-Fantasy-style RPG, a roguelike, a soccer game inspired by Bubble Bobble, at least three golf games, and then whatever the hell Mooncat is. There’s also a dark meta-narrative hidden between the games that describes why the company went under.
So UFO 50 is a deep dive. You may want to start there first, because it’s something you’ll likely bounce off of and come back to. Luckily you have literally 50 games to switch between if you get frustrated.
When it does get frustrating, it’s so rewarding if you power through it. Several of the games are in the style of those ridiculously punishing 80’s arcade games, except it mostly is just a style. If you keep an open mind and look for what the game is trying to show you, you start to see that there are modern design conventions underpinning everything that make the games more fair than they appear. (Except Caramel Caramel. That game is bullshit.)
That’s part of what I meant when I said it changed how I approach games. I realized I can spend so much time on my own expectations that I don’t see what’s in front of me. Learning to approach these games with an open mind has been a defining moment for me.
Definitely my long and exciting Sliksong playthrough. I spent 137 hours (enjoying almost every minute), and got 98% without guides. Quite proud of myself. I’m so obsessed by the game and it’s universe I cannot move on and still replaying it.
Also, in Spring i reached master rank in Street Fighter 6 maining Manon
There are too many games I want to play and not enough time to play them, and with a programming background, I decided to basically use Agile methodology to schedule which games I can reasonably finish in a given month. I’ve been tracking my completion times and comparing against How Long To Beat to get good ballpark estimates. This year, I’ve beaten 30 games, 15 of which came out in 2025, and I think I can beat 3 more before the year is done. When a new game comes out, I don’t like to play it unless I’ve played the earlier / mainline / canon entries in the series, so not only did I play Borderlands 4, I played through 1-3, the Tales games, and the Pre-Sequel. I played through the first three Mafia games and intend to play The Old Country once the Steam sale starts. I played not only Kingdom Come: Deliverance II but also its predecessor.
Speaking of KC:D2, that’s the best game I played this year, by quite a margin. Obsidian put out two great games this year in Avowed and The Outer Worlds 2, but despite obviously sharing a lot of the same bones, they deliver quite different experiences. Dispatch was a treat. Split Fiction was what I wanted as an iteration on It Takes Two. Borderlands 4 continues what Borderlands 3 set up in making its systems fun for math nerds. Clair Obscur: Expedition 33 was fun and novel in so many ways, and I love the story behind its development; I do wish that I loved the execution of its story more, and I wish the combat wasn’t so feast or famine, but those things didn’t seem to bother most people. The Alters might be the most slept on game in 2025 relative to its quality; seriously, it’s a great story, and it’s nice to see that level of presentation in a game of its scope and genre. (A lot of Unreal 5 games in that list…)
I’m curious what your take on Borderlands was after paying them all back to back. I’ve been a fan of that world since the beginning, and I’m curious how they stand up without the nostalgia. And of course, which was your favorite?
This series is pretty crazy to play through back to back, because they have to escalate so many times.
Borderlands 1 has the flattest progression curve of the series, and I say that in a good way. I very much prefer flatter progression curves in RPGs, or loot games in this case. It solves a lot of problems with scaling difficulty, eliminating grind, and so on. That said, this is the only game in the series that checks this box. This one sticks fairly close to its North star of Halo meets Mad Max; the premise is simple and it works. I played Roland, because the turret seemed to be helpful when playing solo.
Borderlands 2 is where it finds its identity that it’s known for; actually, they sort of found that identity in the DLC for the first game, but here the characters get much talkier. It comes with a major upgrade in game feel and pacing.
The Pre-Sequel is the blandest of the series by far. The characters are boring, and the elements they use to spice up the formula are not very spicy. The boss fights are well designed though, even in a way that gives it something it does better than 2. But something else interesting happens in this game. I played the class where you get a little drone that comes along and marks targets. Later up the skill tree, this gives you access to a little mini game of killing the guys that you marked to extend the timer of your active ability, plus one or two other gimmicks that create a positive feedback loop. This makes the moment to moment decision making far more interesting in a fight, but it’s a shame how boring a lot of the game can be otherwise.
Tales from the Borderlands is probably the only truly standout writing in the series.
Borderlands 3 is one I seemingly enjoy more than most people. The villains are terrible, I’m sure we all agree, but what’s important to me about the writing in this series is that it has personality more than anything else. I’m not really expecting to hear a ton of great jokes, though I’ll admit I consider the part with Ice T in the body of a teddy bear to be pretty damn funny. The mini game that I noticed in Pre-Sequel that creates a positive feedback loop? It’s kicked into overdrive here. Building out my skill tree is so much better and more interesting than in its predecessors, and there’s yet another major upgrade to game feel over 2 and Pre-Sequel. The decision making in each fight is all about that feedback loop rather than just mindlessly shooting until health bars deplete. I really enjoyed this game. I’m somewhat new to the loot game genre in general, but I have finished Titan Quest before this series, and this positive feedback loop seems to be a relatively recent innovation in the genre; maybe around Diablo 3? I took a brief walk through some other games and couldn’t find anything like it.
New Tales from the Borderlands should have been thrown right in the garbage. It is the worst writing in the series by far.
Borderlands 4, I have yet to finish, but I’m probably 3/4 of the way through, and this time I’ve got a co-op partner. It stands on the shoulders of all the improvements in 3 and adds some new movement stuff as well as some subtle changes to the general design of classes. I once again play a gadget class, but even though my class was functionally nerfed, the way they did it made it more interesting to play. Even with a performance patch, the game still runs pretty shit, but I’m having a good time. The open world may actually be a detriment compared to the old way the game did things, but not so much that it’s a huge drag.
If I’m picking favorites, at this point, it’s a tough call between 3 and 4.
2 is by far my favorite story with the BEST character development, but it definitely has it’s flaws. And the later games have acknowledged and overcome most of those flaws, but it seems like they haven’t had the substance to make me think “That was SOOO GOOD!” like 2 did.
Silksong - I had hyped myself up way too much, yet it still delivered. Absolute masterpiece.
Dispatch - I finally understand why people enjoyed Telltale games so much. The writing is great, the characters are interesting, just all around a great experience.
Lies of P - Overture - I finally finished Lies of P & played Overture a few weeks back, after dropping off the game twice in the last years. Wow, that was great! And honestly more emotional than I’d expected.
I’ve heard so many good things about Lies of P that I think I’ve been avoiding it in a similar way to how I was irrationally reluctant to play Hollow Knight. It’s a bit of a moot point at the moment, because I don’t currently have the brain space to get my teeth into a Soulslike, but when I do, I should resist that silly instinct of mine.
I’ve not heard much of Dispatch, I should check it out
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Aktywne