Yeah, remember when we had a proper alternative to twitch that had a better & faster Streaming Protocol called Mixer. Which was actually focussed on Gaming ??
Yeah it was run by Microsoft & then they killed it.
Then Glimesh revived it in a way& now it’s dead too. Shame, it was OpenSource too
Steam Deck will not be able to compete with Switch 2 for first party titles since it can barely emulate Switch games at a decent frame rate. Will likely need a proper gaming PC to emulate S2 first party titles. For all other games, Steam Deck wins because the games don’t cost $80, vastly bigger selection, mods work, etc.
I have long standing issues with fares and the narrative shortcuts and tropes he uses.
But yeah. Watched the first hour or so on a stream and it was pure nonsense. It shows a complete lack of understanding of what SFF even is (there is a reason we just call it “Science Fiction and Fantasy”) but even what writing is. One character can never shut the fuck up about how “I am going to get published. Were you published. PUBLISHED” because apparently this dystopic future where machine learning steals ideas from people and combine them into the best stories ever told doesn’t have ebooks.
I got on a Whitest Kids You Know kick recently and they were talking about when they jacked off one of the guys on stage in a massage parlor skit. And I think it was Trevor (RIP) who couldn’t stop laughing about how they were dumbass kids who had no idea how ANYTHING worked and that was the basis for so many of their skits.
And yeah. That is definitely the rosetta stone to fares et al’s writing. Whether they are talking about undercover cops or writing or what it means to be a child of divorce.
See, I feel like both Sci-Fi and Fantasy have enough different that the should be sperate genres. I think the combining them is to the detriment of both. I can’t tell you the amount of times I’ve given up looking for something new to watch because I click Sci-Fi and every listing is Lord of the Rings.
Which gets to the crux of it. Unless you are reading REALLY hard sci-fi, most of the tech boils down to “a wizard did it”.
Like, the OT of Star Wars is 100% a fantasy series and it was only the EU (and later the PT) that tried to explain the tech and make it more sci-fi. Similarly, a lot of the litrpg writers think Sanderson is a softy and go ridiculously hard on explaining their magic systems in greater detail than actual textbooks.
And, at the end of the day, they are all just different shades of speculative fiction that primarily use magic/tech/magitech as a plot device to explore the impact on society of whatever metaphor the big bad is.
I am so excited for this game! I went into the original Citizen Sleeper without any prior knowledge of the game, ended up finishing it in two (pretty long) sessions.
Yeah I suspect they own the remaining titles. So there’s no cost to keeping them on there. I was also really surprised they keep swinging at the concept, considering how tepid the reception was beyond the original internet hype for Bandersnatch. Which makes sense, people don’t watch movies to actively be ready to press a button on short notice, you don’t exactly sit down on the sofa to go “Oh I know, how about 1,5h of QTE threat?”.
It’s a very cool concept, but one that targets the wrong audience, basically.
How? You’re removing something who is from the OG. The thing they’re remastering. So how can it be a remaster? Looks like Capcom playing a word game with remaster and remake. This is a remaster so it’s okay we remove stuff.
When movies are remastered a lot of times undesirable parts of it (vhs tracking lines, static, film scratches and the like) are removed. Same as when songs are remastered and they take out mistakes on the original recording. Hell, look at the amout of stuff that was changed with the “special edition” remasters of the Star Wars OT. In each case things are removed or changed, but it is still a remaster.
You asked how stuff can be removed from a remaster and still be called a remaster. I explained how that can be so.
The Special Edition in particular is relevant because Lucas changed things based on decisions he made later. Removing the Erotica bonus is equivalent to making Jabba a CG slug in his scene in A New Hope rather than a human gangster, as he was originally envisioned (yes the scene was cut from the theatrical release but the footage of human Jabba still exists). It’s a change in artistic vision that the creators want reflected in their new definitive version.
With any luck Capcom won’t pull a Lucas and make it nearly impossible to get the original version if someone wants to play it warts and all.
Hal’s argument sounds more like pedentry about what a remaster is vs what a remake is, and I would have to agree that this game sounds like a complete remake, and not simply a remastering of the original with what has been detailed about it.
Deadlock sounds like the name of a no-budget indie horror game that would release on Steam for a dollar. Not a big budget Apexwatch or Overlegends or…whatever you call this style of game.
Wikipedia says that Overwatch and Apex Legends are each part of the “Hero Shooter” genre (boy does that sound like an uninteresting genre). I’m guessing there are greater subdivisions of play structure that matches what you’re describing, but it all sounds like an uninteresting blend of character based FPS, like multiplayer Borderlands. I guess that’s where modern gaming is, though, since these really took off after 2016, which is solidly after my “hardcore gaming” days were mostly over.
That applies too, but it’s orthogonal to game structure. MOBAs also tend to be character based and you can add it to basically any game (eg. card based rogues like Slay the Spire).
But there are also lots of battle royales without characters (like PUBG or Fortnite) and team deathmatch without characters like CS.
polygon.com
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