Around 2010, I remember this game studio sharing a innovative technique of game design where as people failed a boss battle, the game would slowly make the battle easier.
Some companies ran with it. Nintendo gives you extra help if you die multiple times in a level. Where some studios do it more behind the scenes. For example - giving you a bit more ammo. Or slowing the boss down a little more. I can’t remember the game, but they have a feature where a boss can’t one-shot you. And they give you more of that buff the more you die, so it “feels fair”.
Making the boss easier after I die to it would frustrate the hell out of me unless it was optional. I want it to be a challenge, not just something I can beat if I die enough times.
You’d have to die a few times to it too even notice it getting easier. Almost nobody wants to grind out a boss 20 times in order to beat it. And if properly done, the variables changed are so small each time, that it’s not noticeable.
It’s a system to help everyone enjoy the game without quitting out of frustration. Because the majority of people, in general, quit after a bit too much resistance.
There’s a quick drop off of enjoyment when a player feels the game is too difficult.
Far: Lone Sails is a beautiful art piece with unusual gameplay, and the sequel is great too.
Bedlam is kind of a love-letter to 90s and 00s FPS games. The gameplay isn’t amazing, but if you spent a lot of time in games like Quake, Unreal Tournament or Halo CE back in the early days of online multiplayer, this game is for you.
Unless it’s an MMO, or something like an online aRPG, the tag “live-service” immediately means that you’re fully expecting to release an unfinished game, collect your preorder money, get backlash for the game being unfinished garbage, and then release a few patches as a “Sorry we got caught” excuse.
The days when you’d buy something, and you would know that is the final version of your software, have been over for a long time
Even MMOs tend to be terrible live service games. This mode necessitates a good cadence of content (actual content, not stuff to buy) that most studios seem incapable of doing.
The point is that when you printed something on a disk, and had 0 capability of pushing patches down the road, you were forced to finish your product. Now it’s not the case, evidently
I’ve been playing a bunch of old NES and SNES games, and they all could use a few patches. Many are buggy as hell.
They were still cranking out unfinished trash back then because the cover art and box description was all we had to go by. No refunds on opened games, your money was gone and you had no hope of it ever getting better.
I agree it was very boring and the writing in the intro was incredibly weak. Every time I expected that wow moment (helgen, opening the vault) i just found disappointment instead. “Wow a fight! oh I’m just randomly handed a ship? ok sick time to fly, oh it’s just fast travel. New Atlantis is about to be crazy, oh it’s just a bland city” and everything being beige didn’t help. Fallout has the cool roleplaying in the wasteland factor, Skyrim has the cool fantasy aspect, Starfield seemed to just be ‘space’ but other games (Mass Effect, Outer Wilds, hell even the first half of The Outer Worlds) did it better.
It seemed p clear they don’t feel the need to innovate or have any ambition because their dedicated fan base is so large now that they don’t really have to. Which is fine but wasn’t for me.
I think I’ve grown past enjoying Bethesda’s wide, shallow ocean design philosophy and bare-bones dialogue trees. There are simply better RPGs on the market now.
I want to agree but... what other RPGs on the market fill this niche of a sandboxy open world that you can practically live in? Skyrim and Fallout feel like proper open world immersive sims at moments. Cyberpunk might be the closest one in recent memory but it fails in so many other aspects. Other than that I honestly can't think of anything.
Yup, they just keep making the same game with a new map and skins. Everyone had such insane hopes for this game, but I always assumed it’d be at best like fallout 3, better graphics in space.
Kind of interesting that the vast majority of negative/mixed reviews are regarding gameplay/story rather than complaining about major bugs (although jank has been noted in a few, and I’d honestly be a bit disappointed if there wasn’t any).
We’ll have to wait until release (Cyberpunk’s bugs weren’t that prominent in reviews either), but I really hope this “lol Bugthesda” meme can die.
Regardless of how buggy it is, I expect Dunkey to somehow break it as soon as he boots it up, which should be entertaining.
Skyrim for PS3 is in an unacceptable state to this day. The longer you play a save the worse the performance gets. My cousin finished the game at like 5 fps.
Fallout Nee Vegas has crash on startup issues day one on PC. Lots of folks couldn’t play it and I believe an unofficial patch came faster than an official.
Watching a few people play it on stream, they didn’t come across any bugs but the AI was making really silly choices still. Like Rushing a gunner with a melee weapon from far away. It’s essentially still the “Gary” AI. From everything I’ve seen, it’s going to be Fallout but you can drive the alien crashed spaceship to another planet.
As much as I love them, I’m about to be a hypocrite and say I don’t know if Bethesda will ever have non-janky AI. It’s the one thing that’s been fairly consistent over a very long time now.
Whether it’s enemies or your followers, or just pathfinding weirdness with NPCs, it’s like their AI is just kind of… there sometimes. If had a conspiracy theory about it, I’d say they’re doing it on purpose to get you to explore the world by finding your missing followers (of which I’m sure we’ll see many get stuck on different planets entirely now).
I mean it wasn't a meme. Bethesda games are buggy on release. The PS3 edition of Skyrim was notoriously not fit for release, I honestly do not think that level of bugs would ever have been tolerated nowawdays. It's also something that Microsoft's QA team really ought to be credited for because it seems they are the reason this game stands out amongst Bethesda releases in recent years.
That said imma wait till a few days afterwards just in case. And the story getting bad reviews is not unsurprising as Bethesda has not really had a good one since Morrowind, or maybe Point Lookout in F3.
You are right, but I just get tired of it sometimes as a “predictor” or that they should be lauded for not releasing something that falls apart at release.
Bethesda have a reputation for a reason, but the lack of QA (or at least publishers willing to listen to QA) in a lot of modern gaming has made some of Bethesda’s previous issues seem almost normal.
I guess that’s more an indictment of modern gaming than really a defense of Bethesda, lol. And for all the shit they get about “modders fixing their games”, they were the ones who actually went and fixed a lot of FO76’s issues after that launch disaster.
Either way, regarding the story… Yeah. I find that oftentimes the side quests (particularly faction quests or the FO4 follower quests) tend to be way more interesting than the main quest in some of their games.
The lolbugthesda meme exists because it’s true. There aren’t many games I’ve had to completely start over because of a game breaking glitch in a side quest, but that was Skyrim and the infamous thieves guild glitch.
They’re good games but pretending there are no bugs, either funny cosmetic ones or serious progress blocking ones, helps no one.
Sure. I don’t think I was pretending there weren’t any bugs. I think it’s more the dismissive approach toward their games before release that gets a bit tiring, even if it is often warranted in some respects.
Creation Engine is buggy as fuck, and I’ll always expect their games to have a fair amount of jank at the very least. Even Obsidian had troubles with it (though some of those bugs could also be attributed to lack of time and testing).
But I hope that if this does prove to be have better release than their others (admittedly, it can be a low bar), that it sticks.
I played from 5 pm yesterday at release until 5 am today, and I literally encountered one single bug, which was that I managed to get a big enemy’s pathing hung up on a rock, so I could kill it.
It's a shell of a game, it looks like an early prototype that was rushed out the door. And that's probably exactly what it is, it's an attempt at a quick cash grab using an old popular IP. If you enjoy it, that's fine, but let's not keep collectively lowering our acceptable standards.
PolyMC (with one L) is the launcher that had the controversy. Prism Launcher was forked from PolyMC, and PollyMC (with 2 Ls) is a new project forked from Prism Launcher.
The PolyMC controversy is that one of the devs went rogue and kicked everyone else off the project, so they didn’t really have a choice but to fork. They explain what happened on the FAQ of their website.
Personally, I think that the Denuvo protection on Switch games would probably be a simpler system than the full-fat PC DRM. It would probably be too intense for the Switch’s meagre processing power, and customers are definitely going to be annoyed when their game takes a minute or two to load up.
Could it pave the way for that crap on other consoles as well?
At this moment, the only current-gen console to be jailbroken is the Nintendo Switch. There’s no need for external DRM on the PS5 and Xbox because publishers can trust that users will only be able to play legit copies of games. Switch games, on the other hand, don’t have that guarantee, because dumping games on a jailbroken switch is very easy to do. Hence why Irdeto is planning to offer DRM for the Switch only.
Interestingly, this isn’t the first time that third-party DRM was used on a Nintendo console. Some DS and Wii games were protected by an anti-piracy system called MetaFortress, which aimed to protect against flashcarts and pirated copies. Here’s a video from the Dolphin emulator team about its use in the all-time classic, “The Smurfs: Dance Party”
Denuvo phones home constantly. Unless denuvo is removed from the game, the game won’t be playable unless it was legitimately purchased and can be verified on denuvo’s servers.
Furthermore denuvo encrypts the game files and the denuvo files and scrambles them all together, like mixing two jars of sand from different beaches, but the denuvo sand pieces know where everything is, so the game and copy protections still work.
I wonder if an emulator that breaks DRM could be considered illegal. I would imagine that emu teams would tread carefully around this sort of thing to avoid litigation.
Not to dismiss your issues mate, but I don’t know if a gaming sub is the best place to ask. Most of us in here probably put a few hours a day into games ourselves without considering it an issue.
I actually agree with you but the mental health communities on Lemmy haven’t caught up yet, and I figured one could find more people here that could relate.
My biggest gripe, although I can understand the reasoning behind it, is that the encounter rates are totally backwards. All the Pokémon, stops and gyms are in cities, and there are scarcely any in the wilderness, skewing the game in favour of those who live in or near cities.
Also, the Pokémon games contain all the elements to make a great ARG MMO. Why reinvent it? They could’ve easily put their paywalls and micro transactions in place while still keeping the traditional Pokémon formula.
It’s not a terrible game, and it obviously has a following and makes money, but it could’ve been so much better. They totally dropped the Pokéball.
I feel the opposite when I hear people complain about load times… “We want you to buy our SSD so your game will boot in 11 seconds instead of 19 seconds!”
Son, let me tell you about loading games from casette tape.
You’d start it loading, get up and go have dinner with the family. After 30 minutes, maybe it would be done. Maybe.
Maybe it hit an error 5 minutes after you walked away and now you need to re-wind and try again.
The generation of Amstrad, Spectrum etc had the games on tape. I would say they were the closest thing to a console pre-NES, so 1980s. I had an amstrad that was handed down to me by a friend of an older sister and it had tapes like this.
I had one, I had the tape drive for the Commodore 64 as well.
The Supercharger back in the day wasn’t that expensive, about $70 or the price of 2 games, because you had to supply your own tape player, the supercharger just connected to it with a wire.
Not only on tape, but some radio shows would transmit computer programs that you could record and use. I know of the UK and Finland, but I think other European countries did it too.
Up to the 90s my friend. Then 3.5 floppy"s took over (1.44 MEGAbyte!) then came zip (100MB) but only for rich people, then it became the era of CD and later dvd burning. Internet was not measured in mbits back then and most of the time not even in kbits. The internet was not a valid delivery system. It was slow and very expensive. Also the first memory cards (CF) around the millennium and from there it went on to the 10s and around there you got the pivot to what we have now.
Tape is still around in computing; its cheap, it’s cheerful, dependable and has quite a throughput. Seeking on it is still horrible though. But anyway, watching a real mechanised tapelibrary do it’s thing backing up computer systems is still mesmerizing.
You left out 5 1/4 floppy disks that were actually floppy. Yes, I know there are 8" floppies but those were mostly business use and specialized drives that you didn’t really get in the home computer market. Atari, Commodore, Radio Shack, etc all had 5 1/4" floppy drives, and when I got my first box of floppies, it was $50 of early 1980’s money for 10 disks. And on my Atari they held about 90K worth of space.
Your post made me want to check these out. I only ever played one with a friend for kicks. It was a fun, cheap activity, easy to make a drinking game out of.
It’s like how erotica can still be literature, but people dismiss it for the sexual focus. But I’ve read erotic stories that had me hooked, made interesting social commentary, had nuanced characters and were just a fantastic time.
One of the hardest times I’ve laughed my ass off was at a one of those semi surreal uncanny 3d porn games. Can’t remember what it was but it scared the shit out of my cat who was sleeping under my desk, have the scars to prove it.
Also if anyone wants to look at porn games F95zone"dot"to is a pirate forum which is good for keeping track of in dev ones or just if you don’t want to possibly waste money on a porn game you may not like. Also the dot is in quotes cause I am not sure how the mods would react to me posting what amounts to a porn link.
I’ve written porn comedy before. No I will not be linking it, but yeah I enjoyed it and the bad porn book club I was in over the pandemic enjoyed it too.
I think part of the problem is that oftentimes once something erotic has merit beyond the erotic it often loses its porn classification in the public eye. Venus in Furs is porn, the word masochism is a reference to Sacher-Masoch who wrote it the same as sadism is named after the Marquis de Sade, but it’s also classic literature.
I definitely do want to get back into writing porn comedy, but I haven’t been pissed off sufficiently stupid porn writing since that book club stopped.
once something erotic has merit beyond the erotic it often loses its porn classification in the public eye.
This definitely poses a problem. Er… depending on what we think a problem is, I guess. But the stuff I’m thinking of, it would be very hard to do this to.
Maybe but like Story of O is on the verge (apologies as these are all going to be bdsm) by nature of it being old and remembered. The 120 Days of Sodom is likely mostly read by people not into it in a sexual way (mind you I think it’s mostly read by the edgy). 50 Shades of Grey is atrociously written and yet despite being a story existing to package soft core pornography that’s the dissenting opinion on it, not the mainstream consensus. Sunstone meanwhile is the inverse, soft core pornography to entice and enhance a story about bdsm. All of these except Sodom are edge cases where some people might be uncomfortable regardless of which box you put it in
Though I’ll acknowledge it does get harder for much more explicit stuff with less non-sex content.
I’m terrible at bookmarking, and most of it’s random stories on the internet. My favorite was about a girl, raised by wolves, who meets a werewolf, found on DeviantArt when I was a teenager when I didn’t know what erotica was. Must be gone because I haven’t been able to find it. But had a hell of an impact since I remember it, vividly.
Literotica has fantastic writers. I’m in a discord server with other amateur/professional writers, too. 9/10 are bad to meh, but that one in ten can rattle in my brain for days.
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