17 after being groomed for ~3 years when dingus tried to meet up and the parents went loud with twitch. Grooming a 14 year old girl is generally considered in bad taste.
My knee jerk reaction is that the rumors I heard that the game isn’t in a good place might be more then rumors. That sucks, I was really excited for this one, I hope it turns out great.
My guess is that the game gets really repative because that is kinda the Tyranid style. Waves and waves of teeth and claws. Maybe some variations, but how long can you send swarms of the same guy before its boring.
I guess Vermintide and 40k version (can’t remember name) make it work but they are very different games.
Dark Tide hardly works. The “cultists” that are everywhere are usually chaos and die to a stern glare. The game has serious grind problems. The over-the-top waves of 40k make for really boring gameplay.
Traditional, pre-2006, beta tests were bug hunts in feature complete software. Then public beta tests became a thing that rapidly evolved into marketing for a finished game. Most public betas don’t see any bugs fixed on launch.
Generally, devs have felt very pressured when given multiple release date goals. By that I mean getting out a playable E3 demo, a “beta”, a demo, an early access for preorders…
It means if, say, the character has always had a clipping issue with their holster but it’s not a priority, the team can focus on important work/bugs first and their QA just kind of acknowledges the weird holster. But anytime they’re releasing, every detail like that has to be trimmed up for however many levels are coming out.
So yeah, I’m in favor of them avoiding any marketing betas if it helps them.
It says the beta was to test multiplayer so hopefully that means the PvP multiplayer mode and not the campaign co-op mode. If so, I’m fine with that; the pvp mode looked interesting but that’s not what I’m really buying it for.
I always wonder this with these brand crossovers that fortnite has become synonymous with. My guess is that it’s something close to “neither” - there is a contract that is signed, but I think because both parties benefit, very little money actually changes hands between Epic and the IP owner.
Car manufacturers get the last say on how their cars are used on any media; and they typically go with licence agreements of some sorts.
The licencing is typically done on a set time frame (which is why most car games that uses real cars does get taken off of stores like 5-7 years later.).
On Fortnite, revenue sharing is done between the IP owner and Epic Games based on how much the said item sells. Since they can this item launch as a limited time sale; this gives a big playerbase an incentive to buy it.
Usually, when it’s a one-off like this, the video game gets “paid” to put the stuff in their game. That payment may be in-kind advertising campaigns, etc.
For something like Need for Speed, Forza, etc, the game will be licensing the likeness of the vehicles and the company logos in the game. I don’t know the costs, but the fact that it’s also advertising will factor in.
In this case, there are a few likely scenarios:
The game director or art director or someone high up at Epic has a hard-on for the Cybertruck and really wanted it in the game. So they pursued Tesla and made a deal.
Epic wanted to add vehicles to the game and decided to go with licensed vehicles. Their merchandising people reached out to merchandising people at all the auto companies and then figured out some deals.
Someone high up at Tesla (maybe even Musk) loves, or has a kid who loves, Fortnite and decided they want the Cybertruck in the game. So they pursued Epic to make a deal.
Number 2 is most likely, but I don’t know the game well enough to know the vehicle situation in it.
For all of them, you have to factor in a bunch of details to figure out who is paying who:
who wants it more (/ power imbalance)
how much money is it going to cost to make the models, animations, etc
how much is it going to cost players to get the item
are there aspects that either company finds undesirable (E.g. sometimes car companies don’t like their cars shown with damage)
who will be doing the bulk of the marketing, and who has the marketing budget to spend on the venture
probably a lot more
So, it’s hard to say without more inside info. Games I’ve worked on have had 1 and 2, but not 3 as far as I know. I think it was pretty much an in-kind deal for the 1 situation though (like we got the likenesses, they got advertising through the game, ostensibly we sold more games with the likenesses, but I think it just stroked someone’s ego…) All of the 2 situations were done to bring in money for the game’s marketing budget / or were in-kind marketing deals, possibly bringing money directly to the bottom line, but I don’t know.
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