Not sure if you watched up to the end of season 4, but it ends on a cliffhanger. They were building to a final season that would answer the “Can humanity and AI coexist in the same world?” question that the series had been asking since the beginning.
I loved the first three seasons, the last one was pretty bleak and depressing but I definitely wanted to see where they were going with it, I hope they get to finish it.
I sincerely hope so. The later seasons weren’t perfect, but they were still interesting enough to leave me wanting more, and to have it just unceremoniously cut off stings pretty badly. Real Netflix move.
What a shit-show. As for the nazi bullshit, you should be able to look at your versioning system to find out exactly who inserted the assets. That someone hasn’t already lost their job is troubling.
Game asset development is one of the places where versioning systems are least used. Not only versionong “binaries” is taxing for the system, but even game code itself (¹) is often not version tracked, or controlled at all, with more of a “cowboy coder” approach.
It all stems from most non-online games (²) being sold “as is”, with no intent of supporting them long term; the moment a studio/producer gets the money, they stop caring about their user base, until it’s time to promote the next game. Even games with post-release DLCs, are regularly developed this way, and they end up as a giant clusterf… mess.
If Deck Nine was the “lowest bidder”, with 70-80 hours a week “crunch” months, chances are they cut corners on everything, starting with proper asset versioning.
(¹: engine code is a separate thing, which gets suported across multiple games, so tends to be properly developed
²: online games, and games with microtransactions, tend to be kept in better shape, since their income depends on them working for more than a single playthrough)
I definitely play games for the escapism (have you fucking seen this shit that’s going on?) but I manage to not be a bigoted conservative sociopath just fine. I don’t think that’s the cause
You asked why it attracts them. Which is escapism. Not everyone looks for escapism for the same reason. And it explains why GTA VI has so much outrage around it.
I didn’t but that does not surprise me at all. Apparently reich-wing chuds even made a mod to remove the ability to choose “they” as a pronoun in Starfield – I guess the fragile little flowers felt that they were being forced to accept the existence of us queers?
Mods are a different beast and not representative of the game, devs, or player base. Mods like this often get removed from big modding sites like Nexus, forcing them to be mostly in their own spaces. (There is/was a bg3 mod overhaul that makes every black npc white, some lesbian npcs into men so they are straight couples, the ability to change your gender and lock it to the body types. Etc and so on. But you can’t find it on Nexus. I remember the white Wyll mod but it got removed within 3 days)
It’s another matter entirely when a developer bakes this kind of shit into the game. Not every game has mod support and not everyone mods.
I have a sneaking suspicion that if I were to look at your past comments you’d prove my point for me. You might do it right in this thread for that matter
Presumably they removed it all before launch. What I don’t get is how they didn’t figure out who did this (unless it’s mentioned later on in the article, I gave up after it got rambly), don’t they use version control?
If it was someone with certain rights he could theoretically remove trace of this from the history. In git you can do it by rewriting history and force pushing
It’s not like someone can sneak stuff into a game without trace. I have a hard time buying that a big studio is not using perforce or something simillar to make the games. It takes 1 minute to check revisions and give when those things were added and who added them.
It most definitely takes a lot longer than one minute to check asset files for changes. That’s like saying you can just pop open 200 revisions of a 300MiB PSD file in notepad and see what change it happened in quickly. I don’t imagine somebody will write in their changelist description “submitting Nazi flag, lol” either.
Definitely a long arduous process to determine it.
I mean 1 minute as in “start the level tools, select the content, note the name, find it in the revision tracking software, have a talk with the person that submitted it”
Yea I agree there must have been at least some interference because this verification process should not take long and I imagine they use some sort of asset tracking system that tells you who works on what.
It’s not that simple. Let’s say you have 100 revisions of an asset and the change happens on revision 42. Multiple people work on the same assets. If the engine in question (I admittedly don’t know what they use) stores each asset on a per-file basis, it’s a little easier. If not and the environment itself is stored in a monolithic file, it’s far worse.
You’ll need to (at best) binary search for the asset. You pull latest, see the bad content is there, try again with revision 50. See it’s there, try again with 25. It’s not there, okay, 37. Etc etc.
Not only that, it’s very often not as simple as just pulling that revision. “Oh. The asset format changed slightly on revision 40?” Time to pull the entire codebase down. “Asset A is referenced by this asset and won’t work because it differs?” Time to sync the entire codebase & assets back.
Accidents happen. Your finger slips and suddenly your game is full of Nazi symbols. Happens all the time. Also, I get the gist of Garriss's response, but mentioning that he had men and women at his house and his mother was always present just makes things sound weirder than a simple denial. Sounds like a horrible situation all around.
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Aktywne