Looks like it’s just the brand it’s sold under in that market.
I was more just pointing out that they are the same thing, since it wasn’t clear if you knew that or not and I think it’s important that people know what the drugs they’re taking actually are. Tends to be safer that way.
Hopefully, you’re either taking it as prescribed or having fun responsibly. Benzos can be fun, but they’re also some of the most addictive substances on the planet.
Also, these articles you’re posting are some quality writing.
I tried a rest run with Kubuntu on an old laptop I had, and it runs 95% flawlessly. My biggest issue is my new Brother printer that I’m trying to install connected to Wi-Fi. The system sems to know it’s there, but then doesn’t seem to install the drivers. My Android phone prints there just fine.
I thank you sincerely for getting back to me on this. I wanted to let you know I just figured it out! I thought I’d document it for the next person to come along.
I had tried all of the options in that screenshot, and none seemed to work.
I had done all that, but I still had a problem. Digging through the script output, apparently I had a bad “libsane” installed with apt. Also, to add to the problems, apt doesn’t recognize the string “libsane” now. We are to use its new name “libsane1” now in apt! So, I tried to reinstall and then reinstall the brother printer drivers, to no avail. Eventually, I had to completely uninstall libsane, and then reinstall it. And everything magically worked.
It’s so easy! 🤨
One thing to be ready to have is the IP number of the printer, which I was able to get in the WiFi options of the printer.
Whew! Test page printed on my test machine! I feel like this was my last major hurdle before adopting Linux on other machines.
Why do you think this happens when these developers already had a winning formula?
I mean, all series are going to have some point where they dick things up, else we’d have never-ending amazing video game series. I don’t think that the second game in the series is uniquely bad.
Some of it is just going to be luck. Like, hitting just the right combination of employees, market timing, consumer interest, design decisions, scoping a game’s development time and so forth isn’t a perfectly-understood science. Making the best game of the year probably means that a studio can make a good game, but that’s not the same thing as being able to consistently make the game of the year, year after year.
Some of it is novelty. I mean, part of most outstanding games is that they’re doing at least something that hasn’t been done before, and doing so again — especially if other studios are trying to copy and build on the winning formula as well — may not be enough.
Some of it is that most resources don’t always make a game better. I know that at least some past series have failed when a studio made a good game, (understandably) get more resources for the next game in the series, but then try to expand their scope and don’t do well at that new scope.
Engine rewrites are technically-risky, can get scope wrong, and a number of games that have really badly failed have happened because a studio tries to rebuild everything from the ground up rather than to do an incremental improvement.
You mention Cities: Skylines 2, and I think that “more resources don’t always help”, “luck”, and “engine rewrite” were all factors. When I play a city-builder, I really don’t care all that much about graphics; I’ve played and enjoyed some city-builders with really unimpressive graphics, like the original lincity. CS2 got a lot of budget and had a dev team that tried to use a lot of resources on graphics (which I think was already not a good idea, and not just due to my own preferences; reading player comments on things like Steam, what players were upset about were that they wanted more-interesting gameplay mechanics, not fancier graphics). Basically, trying to make the world’s prettiest city-builder with the money maybe wasn’t a good idea. Then they made some big internal technical shifts that involved some bad bets on how well some technology that they wanted to use for those graphics would work, and found that they’d dug themselves deeply into a hole.
Sometimes it’s a game trying to shift genres. To use the Fallout series as an example of both doing this what I’d call successfully and unsuccessfully, the Fallout series were originally isometric real-time-until-combat-then-turn-based games. With Fallout 3, Bethesda took the game to be a pausable 3D first-person-shooter series. That requires a whole lot of software and mechanics changes. That was, I think, successful — while the Wasteland series that the original Fallout games were based on continued the isometric turn-based model successfully, Fallout 3 became a really big hit. On the other hand, Fallout 76 was an attempt to take the series to be a live-action multiplayer game. That wasn’t the only problem — the game shipped in an extremely buggy state, after the team underestimated the technical challenges in taking their single-player game multiplayer. But some of it was just that the genre change took away some of what was nice about about the earlier games — lots of plot and story and scripted content and a world that the player was the center of and could change and an immersive environment that didn’t have other players acting out of character. The audience who loves a game in one genre isn’t necessarily a great fit for another genre. In that situation, it’s not so much that the developers don’t have a winning formula as that they’ve decided to toss their formula out and try to write a new one that’s as successful.
Cities skylines 2 was way more ambitious than the first game but they barely scaled up the size of the studio over the years and then pushed out a half baked product. I remember they tried to play the scrappy indie studio in defense of the games state at launch as if they hadn’t released the most popular city builder of the last like 15 years and oodles of DLC since along with niche hits in the City in Motion games
Finished Shadow of Mordor and figured I’d move on. I think I’m having more fun in War.
The level design is much more creative. In War it felt like a mostly open sandbox with a few notable areas. In Shadow it feels like every inch is designed with intent. Especially with how much height some areas have. It’s not a homogeneous wasteland or field, it’s large set pieces.
The skill tree feels a bit better too. In War you just slowly activate every skill and end up quite over powered. In Shadow you have to pick and choose which ones to activate.
The enemies feel a bit better too. There’s a lot more interaction with captains, which are much more creative with better dialogue.
Despite common sense I bought The Hundred Line at launch, but thankfully it is indeed a very solid game. To the point I spent 25 hours playing it over 3 days. It’s more or less a Danganronpa game, so it might be too cringy for some people, but having gained enough tolerance to those things it’s wonderful. Probably better than DR, but it’s apples and oranges in some aspects.
One “problem” is that the game is really easy, and the whole SRPG part is mostly to enchance the story. It’s still really fun, I think that like with Kirby they intentionally wanted a game that anyone can approach. And though I’m just getting started it also does indeed appear to have 100 endings, I ended up on the romance route from my first set of decisions…
So I’ve been playing Tropico 4 for a bit, and it looks pretty good. You’re always zoomed out, so you don’t need to have more than like 8 polygons for a limb.
I literally could not run cities Skylines 2 or KSP 2 at a good frame rate. Everything was modelled incredibly well and looks great, but that doesn’t mean shit if I can’t run the game. I strongly suspect that’s a big contributing factor.
In addition to this, they’re going to against their biggest competitors: the previous game. It’s literally the same game with more content, runs incredibly well by comparison, has a huge mod library, and is much cheaper to boot. Might not be as pretty, but it actually might not matter given what you’re playing.
I think there’s probably a lot of issues that contribute to this to be honest, but it feels like at it’s core it’s a fools errand to begin with.
I would sub in like maybe Darkest Dungeon 2 over Frostpunk? Less well received but still better than any of the other three. Both were distinct changes of pace, darkest dungeon just sold its soul to the epic games store and lost the bond you formed with characters over a long campaign in exchange for the roguelite shorter runs.
I had a decent time with it and probably would’ve played a 2nd run had the game not failed me because every faction (including the rebelling one) was too happy to pass the final law or whatever. They probably fixed that by now, but it was pretty souring.
Bethesda Game Studios has been on the decades-long trend of watering down all their proper RPG elements. Morrowind is significantly more jank in combat and movement than Oblicion. Oblivion significantly more jank than Skyrim.
However, Skyrim is over simplified compared to Oblivion in all of its RPG mechanics, and has removed a number of gameplay features that were previously present (e.g. Spell crafting). In turn Oblivion is itself more mechanically shallow than Morrowind, significantly lacking in such things as speech options.
The Oblivion Remaster is so more a reminder of something we’ll never get anymore; an open world RPG that isn’t as weighed down as Morrowind and not as over-simplified as Skyrim (though honestly complex NPC interactions need to come back from Morrowind).
TES VI will likely have better combat than Skyrim, but still incredibly dated compared to other games, and mechanics that can barely be called “RPG” anymore.
I see a lot of people downplaying the remaster as a fresh coat of ue5 paint. I’m playing the game, having disliked the original, and I’m loving it. I’m kind of impressed with what they did with the game, basically remaking the world elements in ue5 and leaving the gameplay as it was with minor tweaks. Fresh coat of paint feels more like rip out the drywall and do it again. Just leave the structure alone. Like, the electrical and plumbing is still there and feels the same but it looks completely different.
Games like this dont come very often, so if anything, this remaster and BG3 should raise the bar on what we should expect from a new TES game.
KSP2 is a unique situation, there are no improvements coming because the studio was shut down. I’m not sure the others belong alongside it. I have the most experience with CS2 and I can say confidently, even at launch, it was better than the original in a lot of ways. It was buggy and unoptimized, and lacked content, and it deserved the criticism it got for those reasons. Since then, most of the bugs have been ironed out, performance is way better, and they’ve released a bunch of content packs, several of the most substantial ones for free. Even at launch, I never wanted to go back to CS1 just because of how much better the road tools are. Now? No contest. CS2 is a great city builder.
On the one hand, I’m glad for the pressure that people with less patience than I have are applying to these companies to release their games in a better state. On the other, I think there’s a lot of unwarranted criticism and vitriol that goes along with it that’s disappointing to see.
The animals are my favorite part of sharing with this game. I took a picture of a Stingray and some sort of Shark today while i was playing and i’ve already decided that i want to use on of them in today’s post
I think part of the magic here is that you’re having fun, and it shows. You’re spreading joy here, bud. Like watching gaming through the eyes of a kid again, but explained with the eloquence of an adult.
bin.pol.social
Aktywne