A while ago i tried one of those mods bringing back the feeling of the 4J version of Minecraft.
Not sure if it is this one: www.curseforge.com/minecraft/…/legacy-minecraftBut they brought back even an updated version of the tutorial world. Its worth checking out, it even has controller support.
I’ve always thought about trying it out, and i think at one point i tried it for a few seconds but something just felt off? I want to give it another try though some day
For some reason there is a disproportionate love for the tutorial world on Xbox 360. I guess a lot of the current generation of players got their start there.
I’m old. I started playing in alpha. We didn’t even have a food bar.
Yah I felt low key attacked when they said that the “old villager” model was nostalgic. I played before villagers even existed, when we did crazy redstone stuff with very basic things.
The tutorial world was always super cool to me growing up. The big floating minecraft sign, the large structures they make for showing the basics, and all the hidden locations around the map. As a kid I thought that was the only way to collect all the discs was to find them hidden in the tutorial world. There was a lot of magic in those worlds, I miss them
That’s my suggested way of playing the games (unless you’re looking to try and get closer too the original hardware with filters and stuff). The QOL features really make it worth it
Cyberpunk is the only game in recent memory where I felt like I was not playing into my interpretation of who I wanted the character to be, but rather who I wanted to be as V. Games like Red Dead 2 let me drive the character’s outcome and I definitely has an emotional response to Arthur’s journey (one of my favorite games of all time), but it felt like the character’s story. Cyberpunk did a stellar job at making it feel like my story.
I think about CP77 to this day. I sometimes even miss Johnny. He’s with you the entire time and it’s a really fascinating bond to experience as a player.
Eastern Mind: The Lost Souls of Tong Nou and Planescape Torment. I think both helped me think about death and reincarnation - what would it even mean to have a “soul”? Would it mean some sort of unbroken consciousness, or are we bits and pieces of different segmented ideas and thoughts loosely connected together?
The answer is you’re a meat robot! We’re all just chemical gradients that learned to think.
A lot of people find this really existentially problematic but I think it’s fascinating. It’s even more fascinating that the meat doesn’t like thinking about it’s meathood, and developed bits of brain meat specifically to think about souls & gods instead of reality.
Tong Nou offers some interesting explorations of the idea of dharma, which I don’t think it got in the same way before playing it. Even if we are ultimately electricity flowing through meat, we all end up with an idea of “purpose”? And the ultimate despair re: materialist atheism is that the answer to “why do some people just suffer and suffer and suffer?” is that things just suck.
In Tong Nou, there is a dharma or purpose underlying each life. There are some lives you instantly die when selecting, or whose purpose is to die. There’s one where you sacrifice yourself and become a sacred torch. Suffering given meaning.
Planescape has an afterlife, and your character is going to hell at the end of it. Forever. All of your actions only lead you closer and closer to maybe a moral redemption? But what’s really the point there? You’re going to suffer endlessly after all of this anyway.
There’s also a really good series of Oblivion mods - Ruined Tails Tale, and The Tears of the Fiend - that have captured this in a personally inspiring way too. You find out that you are a demon who stole the soul of the body you inhabit, that you cursed them to an eternal afterlife of wandering and suffering. Your attempts to fix everything make things worse. But what do you from there? Try to live a life which makes up for it?
Whoa. A Jumpman reference in the wild. Thank you for reminding me. But I have no idea what that string of characters means. :(
The sound of the player taking a tumble off the stage, followed by a death march, has been forever seared into my brain. Watching my uncle play this, helped little_warp_core understand the limitless potential of (home) video games, above and beyond the likes of crappy Asteroids and Pac-Man ports.
The sound of the player taking a tumble off the stage, followed by a death march, has been forever seared into my brain. Watching my uncle play this, helped little_warp_core understand the limitless potential of (home) video games, above and beyond the likes of crappy Asteroids and Pac-Man ports.
Yeah, that too and then the aforementioned piece is the stuff of nightmares.
Truthfully the weakest and strongest part of ME2 is that nothing that impacts the overall plot happens basically at all.
At the start of the first game, the Council is shown irrefutable proof of the existence of Reapers.
Then the second game fully focuses on doing side missions and expanding lore, without anything directly related to the Reapers (Excluding Arrival DLC).
Then 3 has you actually confront the Reapers.
2 is likely my favorite of the games, if only because I love the set pieces, lore, gameplay, all the squad members, and the difficulty level of insanity.
But the ending of 1 with M4 Pt 2 by Faunts playing was just so incredibly like the meme in the post haha. I do also get the same vibe for the ending of Mass Effect 2.
Ending aside, I disliked 3 because of the forced over-the-shoulder perspective in missions. It made the combat, and more importantly the sections in between combat encounters, feel awkward and rushed.
ME3 not quite sticking the landing is an understatement. I mostly remember the awful unskippable dream sequences, Shepard suddenly becoming utterly incompetent whenever that mall-ninja cerberus assassin pops up in a cinematic, and to top it of the nonsensical red-green-blue ending. I tried to replaying it last year but couldn’t get any further than the second mission because I just got annoyed.
Night In The Woods. If you haven’t played it, I’d recommend it. The characters are so well written, and some of the things they touch on hit me on a very, very personal level. And the music complements it all perfectly. It manages to have silly moments and serious moments with the same characters that all manage to fit and mesh together so well, and their relationships and lives all feel real and evolving throughout the story.
Watched JackSepticEye a lonnng time ago play this game. It’s a really well done story! I should see if it’s on the Steam Sale since I have my own gaming rig now.
I studied cs because of it, hell I even wrote about minecraft in one of my admission essays. Something bionicles to minecraft to stem pipeline as I would call it
I also really like PGR. It’s a gacha game but I met a really nice community from it
If we’re talking about great story driven games, signalis and nier are always my top favorites.
So many elitists have dismissed Minecraft over the years as a ‘little kids game’ - missing out on a truly great game. The end poem made me tear up. Music is fantastic, I bought all of C418’s music off Bandcamp.
For me, minecraft kinda shaped my childhood in a sense. I played so much of beta 1.5, and watched so many minecraft YouTubers back then. My favorites introduced me to monstercat, an edm music label which pretty much formed my music taste, and also introduced me to pc gaming (i downloaded steam because my favorite minecraft youtuber also played skyrim)
So yea minecraft is still my no 1 game. Especially considering I still occasionally have a month long session with a modpack.
Thanks for sharing that, Minecraft has really shaped so much culture.
I got dragged back in late last year playing Skyblock’s latest version. It started as ‘I’ll just test it out’, then a few months building and exploring in it passed before I wanted to play anything else.
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Aktywne