Honestly, considered it even though I haven't pirated a game in like twenty years. But when I found out the the person who cracked the game is also a hateful bigot, I didn't even want to download their work. Nah, I'll buy it second hand.
“Moderately related” as in “written by and with royalties paid to”
People, and trans people especially, absolutely have good reason to not want to buy a product that directly funds a person who is actively hostile to their existence.
You can’t deal with critical comments from a community who are directly affected by the actions of a major stakeholder? That’s pathetic.
Sealioning Sealioning is a type of trolling or harassment that consists of pursuing people with relentless requests for evidence, often tangential or previously addressed, while maintaining a pretense of civility and sincerity, and feigning ignorance of the subject matter.
shes wrong about the second part if she said that, it just means you dont care enough about their position (/ them) to stop you or you believe in art ≠ artist. about the first part, it’s too vague for me to take a stance on. if shes called for their deaths thats horrific. if she said that trans minors should get a 40 minute psych checkup before irreversible surgery, i couldnt care less.
I suggest you do your own research then. From everything I’ve read, JKR is a horrible person and virulently anti-trans. There are a lot of ways to br horrific without outright calling for people’s deaths.
i dont put that much weight on some random authors societal takes to research them. if shes calling to take away trans peoples votes or for them to be removed from the work force or something insane thats wrong. if shes just saying ‘idc about peoples preferred pronouns’ i couldnt gaf, shes one person of billions, so what honestly.
She’s one person influencing millions, if not billions, that’s for sure. She’s not some random author, she is one of the most well known personalities of the 20th and 21st century. Her opinions carry weight, as misguided as that may be on the part of her followers.
I’d partially agree with you if we were talking about some random who has sold a few hundred kindle copies of their book on Amazon and is spewing nonsense. And even then I’d call for people to not support that author in any way shape or form. JKR is however hugely influential, and that absolutely should matter when it comes to deciding who you give your money to.
First: she doesn’t need to say anything specifically or explicitly to be a transphobe actively hostile to the existence of trans people.
Second: she says things and creates spaces that are very specifically and explicitly hostile to the existence of trans people.
Third: she associates with and collaborates with people who openly advocate for “reductions in trans people”.
Honestly I could go through my understanding of her issue, but many people have spoken at great length about why her behavior is harmful. If you’re truly interested seek them out.
You can search up “jk Rowling transphobic” or “jk Rowling anti trans” and you’ll find a plethora of sources yourself, this isn’t really a controversial thing. She’s the most well loved transphobe in the world.
It makes absolute sense that people are passionately against this game, which puts money directly in the pockets of not only a very vocal transphobe with a huge following-but one who actively finances anti-trans causes. The game itsself has its own incredibly problematic issues, but I focus on the transphobia because that’s what your comment was concerned with.
Quite frankly, yes, we want acceptance. But “acceptance” of trans people as people who have human rights should be the bare minimum. That is in no way comparable to pushing back against this game, or pushing back against JKR.
I’m pretty sure that if she had the power to do so she would have deathsquads going after anyone remotely suspected of being trans. I was in her telegram group just to watch the crazy unfold and she is absolutely batshit and hates trans people with a burning passion.
I’ve seen the movies and read the books, and I’m not a millenial. I also don’t have time to play all the games I’d like to, so I can take a pass on supporting the person spreading hate and occupy my time playing something else, instead.
It’s interesting because I swear I buzzed by an article the other day with some eye roll complaint about there being too many games, and that’s why it was hard for games to sell.
There are a lot of games, but it means that people want to engage with games that are actually fun and aren’t soulless cash grabs or half baked early access with no real value or fun.
It’s just the basic “quality versus quantity” principle. Instead of shoveling out crap like Rise of Kong, Gollum, The Day Before, etc etc, just focus your efforts on a single good game. The only recent exception to this rule I guess would be Starfield, but that’s for Bethesda to figure out on how to salvage.
Speaking of salvage…at this point I think Bethesda themselves might be worth salvage value at this point. If they were willing to release a turd like Starfield, imagine what they’ll do to TES VI.
I’ve started turning more and more to indie games now, and I’ve found quite a few games I’ve loved that way. Deep Rock Galactic, Streets of Rogue, Valheim (before realising it’s abandonware)…honestly, good fucking riddance to the consoles who make it impossible to enjoy games by smaller studios.
Same. Indie games and emulators is what I’ve been putting a lot of my time into. I’ve learned that “AAA” studios are a lot like their alkaline counterparts - basically obsolete.
Valheim I agree. I did get a ton of enjoyment out of it on release, so it’s not really a matter of disappointment in the sense of fun per dollar, just disappointment in the glacial pace of updates. My feeling is that the Devs got their bag, then decided to just coast. It makes me wonder that if it didn’t explode in sales at the start, would they have put more effort into updates or would they have just given up. Guess we’ll never truly know
I think that’s going to be the big one in terms of changing the pattern of early purchases. It will also make it much harder for future indie devs to sell their games, which really fucking sucks.
A racist a transphobe and an antisemite walk into a bar. The bartender looks up and says “aren’t you that girl who wrote HP?”
JQ Lolling stares unflinchingly ahead and states “Your teacher, Professor Eleazar Fig, dies at the end of Hogwarts Legacy. This happens in all possible endings and can’t be changed. Oh and Rookwood is the one who cursed Anne while the goblins were framed. Also, you’re also required to quell a slave uprising and you have no choice in the matter.”
Eh. Hopefully this doesn’t include their 2DHD department. Those are probably classified as low budget but are by far and away the best games they make rn.
HogLeg’s success is pretty crazy if you think about it. Ignoring the sales we’ve looking at today, take yourself back to the launch of HogLeg. It kept up pace with Fallout 4 in terms of active players and achievement completion rates. This is huge to me. They’re both singleplayer RPGs, so they’re both vying for the same type of audience. *But.*Fallout 4 was a hugely anticipated sequel to one of the most renowned series in all of gaming. Harry Potter had almost no presence in gaming beyond nostalgic shovel ware titles.
Fallout 4 was developed by gaming darlings, a company known for producing huge open worlds with strong volumes of content. HogLeg was developed by shovelware developers with no major releases in their history.
Fallout 4 is a first person looter shooter, one of the most ubiquitous and successful genres out there. HogLeg is an action roleplaying game, still admittedly a safe genre but doesn’t have the genre conventions that makes it possible for anyone with FPS experience to pick up a Fallout.
And finally, Fallout 4 targeted gamers. It’s a gamer’s game, you know? It’s for lore nerds and RPG fans and tacticool nuts and all the rest. HogLeg was for Harry Potter fans. It needed to drag fans across media types to secure a big enough audience.
I truly, truly did not expect HogLeg to find the success it has. And to be honest, it’s quite a mid game! It’s a visual accomplishment and adherence to the universe means that it’s a treat for any Harry Potter nerds, but the rest of the game is as close as generic as it could get.
And finally, Fallout 4 targeted gamers. It’s a gamer’s game, you know? It’s for lore nerds and RPG fans and tacticool nuts and all the rest. HogLeg was for Harry Potter fans. It needed to drag fans across media types to secure a big enough audience.
This is… perhaps, the very formula for its success. Perhaps the gaming crowd isn’t that big. Perhaps, HL was not chained to a particular demographic and instead had the freedom to appeal to a wider audience.
I know of people who picked up a controller for the first time in their life because HL was a Harry Potter game… just saying.
Yeah, I feel like their logic is circular. Choosing to actively ignore the fact that the game is based off one of the most popular book series in the entire world is frustratingly dense, and feels like they’re stanning for the sake of it. From what I understand, the game is ridiculously repetitive, and is genuinely riding solely off of the popularity of the book series.
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Aktywne