Oh cry me a river. These hacks don’t deserve the pity they’re clearly trying to win because they have already proven they don’t know how to make a technologically sound game. Every single one of their games has suffered from save-breaking glitches, and yeah I might be one of the unlucky ones to have experienced at least one in all of their games but I can count the amount of developers that have given me a similar experience on one fist (yes, I mean “fist”, not hand).
I have an up-to-date system, more than meet the requirements for this flaming turd of a game and even among the insane amount of loading screens, there are still frequent hang-ups from the game needing to load while walking through a plaza while the game is running on my SSD. That’s simply not good enough. The last time I experienced such behaviour in a game was when I was playing on a potato over a decade ago or playing online with abysmal internet.
Critics don’t have to be developers to be able to spot in what ways a game is bad and neither does the general public. This is very different from “I don’t like this so it’s bad.”. This is a case of “It runs like ass, the writing is boring and the traversal of their mostly-empty crafted universe is little more than a lag-hung menu with a stupid amount of layers to access what you’re actually looking for and a whole ton of loading screens and thus it is bad.”. They haven’t crafted some grand open universe like they advertised, they made a bunch of levels, added a slow fast travel system and a standard fast travel system and called it quits. They’re now finally being called out as the bunch of half-asses they really are and they have more than earned it.
“We were riding the limits of what was possible” is a common excuse given. Then maybe don’t bite off more than you can chew. “Overcome technology itself”. A bad craftsman blames his tools. Maybe stop using an engine that isn’t fit for purpose. The “Creation” engine - or as we might as well call it, Gamebryo - has long been cited as the cause of many problems and barely workable. Take time to retrain your developers to a user-friendly engine and you’ll quickly make up the lost time in efficiency but they insist on holding on to that dinosaur of an engine.
As a member of the general public, I can’t say I know how to make a game, let alone a good one but given the constant stutters, mostly empty world, boring writing, frequent instances of forcing grind to pad play time and ever-increasing tedium in their gameplay loop, I have to assume that Bugthesda doesn’t either. The fact they saw to set team members on reviews instead of fixing all the problems with their games, I have to say their priorities aren’t in the right place and the ones who are “disconnected” are Bethesda who seem to be under the delusion that they’ll get nothing but praise just for releasing a game, no matter the state it’s in.
They‘ve been so successful with singleplayer stuff but would somehow rather burn billions failing live services than sticking with them. They could‘ve put that money into several offline experiences and made at least SOME money but yeah, rather lose MOUNTAINS of money, I guess.
The AAA label can be misleading. I’ve been playing Dying Light: The Beast, which is technically a AAA game, but it has an indie jankiness to it that all open world Techland games have which is part of its charm.
People who swear off AAA games seem to think that they’re all COD, and they’re missing out on the good ones.
FromSoftware is a AAA studio. And there are plenty of AAA studios that resist the typical enshittification common to big budget studios. Now that I’m thinking about it, a lot of the “good” triple A studios that come to mind are based in Europe or Japan. USA style capitalism is the problem, not AAA studios themselves.
We have capitalism here in Europe too, and don’t get me started about the work culture in Japan.
I think there’s something else in the US. It’s a lack of cultural diversity. Yes, the country is a mixing pot of cultures, technically speaking - but it’s also kinda not. US mainstream media (I don’t mean news, I mean games, movies, etc) in general is quite homogenized. It’s also a huge export, so of course people in other countries get influenced by a lot of it too, but we have a lot of our own culture, which doesn’t much influence the US, but influences us.
I blame the death of mid-budget movies for the death of American media diversity. Which of course is largely due to Netflix et al. So capitalism is still the root cause, but it’s also the extreme cultural dominance of the US. Whereas here in Europe most movies and TV shows get made with the expectation that they’ll be watched by people of the country where it’s made, so it can afford to be jankier, American media has the expectation of being consumed around the world - so it’s a bit more generic and polished.
There’s also the factor of the death or at least severe weakening of regional cultures, think your old Californian desert, Appalachian, or Old Boston cultures. A lot of these were weakened or even wiped out by the Great depression, Dust Bowl, and post war migrations, meaning that even the stronger of these more regional cultures can barely flex even in their own areas.
While it’s obviously misguided there is a reason rural folks are so conservative, the source isn’t necessarily political it’s because they recognize that their culture is weakening to the mainstream Pan American culture but assume it’s political since they don’t really have the language to figure out otherwise.
It’s weird to me that game devs don’t experiment with alternative organizational structures more often, kind of like Motion Twin; or how they’re only just beginning to unionize in some places. The “capital” in game development is a little bit computer hardware, but otherwise the vast majority of value in a game design studio is the human beings and their talent and skills.
I cannot think of any other industry where the workers are more essential, and management more superfluous and replaceable.
Support your local libraries. My city’s library system is so good that I borrow games on release day all the time. You get them for 1-2 weeks, Most games that are older than a few weeks you can keep for up to 3 weeks, which gives me plenty of time to knock them off my list. Im sure I’ll get this one soon enough, im currently playing AC Shadows which I borrowed
There’s these things called consoles, that let you put a disk in, they both contains the game and a license to play it. Though these days some games just sell an empty box with a code to download the game.
What a bizarre concept. I doubt they’ll ever catch on. We already have computers, and you don’t need any fancy “discs” or “empty boxes” to play games on them, either. Just download what you want straight from the internet.
It’s great, I can lend my friend the games he doesn’t have, and I can do the same with his games. In this way, we can play many more games than we have the money for. Especially useful since we’re in the US, and internet infrastructure is still poor here, his only option is satellite, which takes far too long to download anything.
Yeah but who needs friends when you have millions of random strangers on the internet to talk to? The infrastructure issue is a problem that I’m too urbanized to understand. My neighborhood alone gives me the choice of cable, DSL, fixed wireless, and fiber. Move to a place like this, and you won’t need friends or these newfangled “con-souls”.
Some games, some are on cart too. Switch 1 is actually probably the best because just about every game is fully playable unlike ps and Xbox which require patches often to run alright. Switch 2 I hear cyberpunk is fully on the cart, but I doubt many publishers are willing to pay for the bigger carts, so we’ll probably see a lot of third parties be just the key, which is ridiculous.
Not sure how it works nowadays, actually! As a child I would borrow PC and PlayStation games from the library. They were physical copies of course. But with Steam keys and all I’m not sure!
It was deliberate choice by them to make even the single player campaign online homie. It ain’t an mmo, and it never should have been built like this.
Don’t even play like that wasnt fucked up, ok? If your actual argument is “i think companies should get to do what they want” them say that, with your whole chest, not this Weak socratic-method-bootlick-bull…
Take that stand and defend it. Or you could also stfu
It was deliberate choice by them to make even the single player campaign online homie.
As one would expect from an online racing game. Anyone buying it would know in advance that single player offline modes do not exist when they bought the game.
It ain’t an mmo, and it never should have been built like this.
It kind of was and it was intended to work as it did by the company that made it.
If your actual argument is “i think companies should get to do what they want”
My argument us that this is a game designed to be played online only. When you bought the game the packaging/materials do not talk about offline play so you shouldn’t expect it to work in a way it expressly isn’t designed to do. Adults should be aware of what things do when they buy them.
It ain’t an mmo, and it never should have been built like this.
It kind of was and it was intended to work as it did by the company that made it.
Adults don’t dance around semantics in debate when they’re called out. I told you to stand up and this is your response? Mebbe you’re not even hidin! Maybe it’s the only way you can talk?
I guess you disagree, but I find your speech pattern embarrassing and tiring.
Your perspective seems to be you should get whatever you want regardless of the actual product you were sold and the terms of that sale. That’s not rational. You bought an online only game. If you wanted a single player offline mode to exist then you should have bought a game that had one.
My perspective is quite clear. I’m calling you a liar and (because liars are such) a loser, in no uncertain terms. Pretending authority is your only tactic. As the likely old-head here I deny you my permission to “be the adult in the room”
Eh, the argument was never civil. I don’t like the whole schtick of “showing immense disrespect buuut not actually name-calling” i see so many lowbrow edgelords employ. That sulky teen shit makes me maldy as all get out. I get there’s gotta be lines somewhere an i crossed em, but i gots to call a spade by its name.
I put wheels on my car which are a cheap copy of a very popular wheel because they were $500 not $2000 and I dont race. Every car meet someone has to comment that Im running “fakes” and try to give me a hard time about it. Yeah, Ive got a mortgage and a kid. Fuck off with your Supreme snapback ass hypebeast bullshit. I’m building the car I can afford.
People are toxic, even communities who preach peace and love as their doctrine have people who will whip out the moral-cock ruler and start shit over who is more peaceful and loving.
I am safer by not giving my information to a company that can’t stop hackers from revealing all the details about the people who have PSN accounts. Sony just throws our data and privacy into the void and doesn’t actually care about the loss. They either need bigger fines on a more consistent frequency levied against them or they need to drop the PSN account requirements and learn how to make money like they did before PSN.
And I feel the hardware requirements end up way lower, when I had a bad PC I could play Burnout Revenge at full speed on the 360 emulator, but the PS2 version ran like a turtle.
So why didn’t he stop playing at level 100 or 200 or whatever but waited with this rant until almost level 300 in a stream with large attention? Pure coincidence? To me it looks like he wanted to go out with a bang and rage bait.
Seriously. Why do gamers spend thousands of hours on games they hate. Life’s full of shit to do. Go play something else. Or, God forbid, touch some grass. Why waste the little time you have on earth doing something you don’t like.
Why do gamers spend thousands of hours on games they hate.
It's because that "hate" comes from a place of love, and isn't really hate at all. From the outside, it can be hard to understand, but the people who hate certain games the most are usually the biggest fans. They hate seeing squandered potential when something they love gets ruined by updates.
They don't hate the game, itself. They love the game, and they love what it could be under different circumstances. They love the memories they've had with the game, the connections they've made, the experiences they've shared. The "hate" they seem to have isn't really hate at all; it's passion. They love the game and want to see it in a better state. That's why they're so hyper critical, because they care the most.
Yup exactly. They see wasted potential, and that pisses them off. Because there’s something they truly want to enjoy, so watching the devs make seemingly dumb decisions can be incredibly frustrating.
Which is basically the same situation as being in an abusive relationship.
And all the people who keep coming back, knowing it will never actually improve, are ultimately deluding themselves in some kind of way, and are too addicted to want to stop, or too immature or stupid to realize that dedicating a ton of time and energy to something that on net lets you down or harms you is not a healthy way to live.
Try telling that to a Warthunder player, or League of Legends, or anything like that.
They know the games are ruining their lives but uh sunken cost fallacy.
Its always amazed me that people can become addicted to an actual negative experience that has many negative side effects… but half (more?) The games industry is built on that these days.
They’re addicted to the high of winning, which happens at random intervals. That’s the core of gambling addiction and MOBA addiction. They will win again… eventually. So they keep playing even though losing sucks.
“Over here [in Heroic] it’s free-to-play friendly, by a considerable margin,” niru begins, talking over a graphic showing the player distribution between the world types, with Heroic leading in global MapleStory by some margin. “Pay-to-win is accepted here [in Interactive World], but the free-to-play experience is awful and that’s what needs to be improved right now.”
(Edit: it’s not made clear in that quote so I’ll just mention it here, they play in an Interactive world)
I get addiction is real and it’s not easy to quit for some people. What I don’t get is that the game apparently has a different world type that is just better and he’s actively choosing not to play it instead. That’s like picking to play P2W poker where you can buy better hands and then complaining that it’s not fun when you could just go play real poker at the next table instead. At some point I just lose a lot of my sympathy for them.
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