It’s technically still in early access, but damn I haven’t had that much fun with a boomer-shooter in a while. The level design is top-notch, the music slaps, and the AI is actually good at cornering you.
They’re working on the next two chapters, which you’ll get when they come out at no additional cost. Also, the OST is on Bandcamp.
I don’t know why you got downvoted, because you answered the question. I don’t know if they’re planning on making any DLC, but as it is right now I’ve played for about 6 hours and just made it past the mall. This is all still in the first chapter, for those who didn’t know.
#4: No early access games, except for games that were in early access and hit v1.0 this year. Even if it’s a great game this year, odds are it’ll be a better game when it’s done, so I made this thread to call out games that are done.
Oh man, absolutely anything to make me feel dread or have me not knowing what to expect. Which is vague, I know. I feel like I’ve played so many horror games that they start to feel too gamey? If that makes any sense? It’s like I can predict when scares will happen or the gamey aspects sometimes don’t immerse me.
Oddly enough, subnautica really had me on my toes a few years back. Fatum Betula was an indie that also gave me some heeby jeebies but wasn’t exactly scary either.
I feel like I’ll probably need to crawl through dozens of indie titles or something. Or possibly go back to titles made prior to 2005. I’m also not caught up on recent games in the past couple of years, so maybe there’s something special I’ve missed.
But I’m also just curious to hear what made everyone else scared, too!
I was ready to replay antichamber and make it one of the few games I did every puzzle in, then the ending happened and I put it down never to pick it up again. Why the heck did they change everything up in the last 2% of the game?
Surprisingly, in COD (at least bo2 & 3) enemies get more and more “abilities” the higher you set the difficulty (this means, grenades, better accuracy, use of special equipment, higher burst rates)
I found this game a few years ago after playing a remake on Pico-8. The premise is youre an unhoused person who just got out of jail, and you have to collect cans and change, find work, get an education, and a nice job, all while avoiding several hazards like muggers and the IRS.
Very cool. I just watched a longplay and have to ask: what does alcohol do for you? I saw the player opt for it a couple of times, but I couldn’t notice a benefit.
Automachef is the most unique factory game I’ve ever played. You make factories to handle food orders, try to reuse as many parts as possible to save cost, figure out how to handle massive rush hour mobs without burning too much power or dropping orders, and so on.
Down the line, this game has its own coding language for controlling machines and handling orders. It’s got a puzzle campaign, and a whole contracts mode, all around a good time. You can make VERY tight factories, especially with late game tech.
D-Day Normandy is a Quake 2 total conversion mod that is a standalone game. Our website is currently reduced to a forum, but we hope to get that back on track soon. The admin is currently unavailable… Anyways, WW2 FPS from around 2000. Class-based, objective or fraglimit (or both in some maps). Runs on everything these days. We have a couple servers worldwide, more info on ddaydev.com.
Iron Lung. Everyone is gone. Every star, every planet and every moon. The only people left are those who were on spaceships and stations. With one exception: A moon is found, glowing in the light of a star that doesn’t exist and filled with an ocean of blood. Desperate for answers, the new makeshift government sends prisoners in submarines deep into this ocean with a simple task: make it to a hand full of coordinates, take the pictures and make it out alive. Did I mention it’s an ocean of human blood?
This game fucked me up that one night I played it alone. And no, it won’t take you longer. The dev literally says so in the description. About an hour. But it’s cheap and takes you on a crazy ride. By David Szymanski, the mad genius behind Dusk.
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