Minetest, a completely free and open source Minecraft clone
Picsart, a drawing app. I couldn’t find any free app that is similar in features.
the camera app, to make short videos, even cool stop motion videos, or pictures to paint on with Picsart
Signal, to share her art with the family. Although I don’t think it will run on a tablet.
Toca Boca World, a cute little game where you can decorate houses and play with figures
GCompris, a compilation of learning games, although she seems to have grown out of them in third grade
If you have a PC great games for her besides Minecraft are Spider-Man, Goat Simulator, Life is Strange: True Colors (we play that together) and GTA 5 (seriously, give her a 100% save. the interactivity in that game is through the roof)
Hah, sorry everyone jumped down your throat on the choice of words. Stardew Valley would be good for anyone old enough to read who would enjoy taking care of their own farm and building a relationship with villagers. I would call the graphics “cute”, but not gratuitously so (which might be preferred). Cooking Mama is another one that has a good reputation on non-mobile platforms, and it looks like they made an Android version. (Haven’t played the Android version, hopefully it’s not full of micro transactions).
There are definitely games where the primary/target demographic is boys or girls though.
The arcade classic “Centipede” is a good example of this. It was designed to try to attract women to play it. The colors were pastel shades and its sequel Millipede took it further by having a “story” about an elf archer protecting a mushroom forest from a bug invasion. Centipede was partially programmed by a woman (one of four people who made the game), Donna Bailey, who was also responsible for choosing the games vibrant pastel color palette.
Now, is Centipede or Millipede only for girls? No of course not. No video game is only for a single demographic. But real world data showed that girls/ women generally played Centipede and Millipede more than boys/men did. Some things just have a general appeal to some demographics more than others. So typically when a person asks for “girl games,” they just means games that will have a high appeal to girls or games that were designed with girls as the primary demographic.
Otome visual novels are this way as well. They target a female playerbase with a story-based romance game and generally feature a female protagonist who romances male characters in the game.
And DOTA2 has the worst matchmaking I’ve ever seen in casual too. My third game I was placed with the sweatiest sweats and it completely turned me off the game.
I’m pretty sure you can still join servers like that. I haven’t played in years, but last time I did, the server browser was still there. A lot less lively because it was hidden compared to the matchmaking button, but it was still there.
Isnt Icefrog one of the lead devs? I guess he likes this style of game. How many Total Wars, 4x and CoDs were released while Valve made one more Dota-like. Valve has some cool people working, vut O don’t see a Suda51, a Raphael, Swery or Co, who has the focus to develope such a single player experience. If the flat structure with ‘at will’ project focus is still a thing, than sp games have probably a problem getting devs.
Since they are probably working on other stuff as well could this mean that Icefrog is the only lead who can take a project to completion reliably within Valve’s organizational structure?
There is no reason to push her towards gender stereotypes. If she likes the look of a game then why don’t you just let her play one of the many “boy’s games” you mention are available.
If you’re still looking for a suggestion then Stardew Valley is on mobile and a great game (although it is about farming and crafting rather than caring for a doll)
Any organization that sees success will attract profit-driven leadership, and will become such over time. The soul from the original founders will be watered down, dampened, or ejected.
A profit-driven organization will over time become more and more profit-seeking, never less. Once this reaches a certain threshold, we start to use phrases like “enshittification”. Valve hasn’t gone shit yet imho, but their soul and passion doesn’t seem to lie in games anymore.
The next excellent product comes from new, growing organizations or small teams that may grow into such.
It is best to just treat it as any other law of nature and so we move on from Blizzard, Google, EA, Valve, Epic Games, Unity, etc and go swim in the wonderful vibrant indie scene.
This community, !gaming, and !games are the most active for general discussion, although both the /c/games communities are heavier on news than discussion.
That game’s old enough for discussion on !patientgamers, which is semi-active and much more discussion-oriented.
Why does this billion dollar company not do exaxtly what I expect them to😡 They made great games because those are the ones I like and now they make shitty games because I dont like them.
I percieve them as different to your run of the mill EA or Ubisoft, so I expect more from them. That’s on me I guess. I’m not angry though, just disappointed.
Artifact has good scores from critics, as does CS2, nothing from Zombies. Not sure one game from 20 years ago says much when it’s just 1.6 with bots. The game isn’t bad, people just expected more than that.
Because, as I said, it is the same game with bots on top. The game isn’t suddenly bad because of that, so look at reviews of 1.6 instead of cherry picking convenient information. Artifact was review bombed, which I also mentioned.
Again (third time), it was review bombed. Steam reviews, if you actually look at them, are generally positive, except for people who “played” it for 0.1 - 0.3 hours, or over 100 and jokingly clicked to not recommend. CS was 1.6, and thus obviously not a bad game.
but they do have all the money in the world, no external pressure, no publisher to shit on them, it’s just their developers and artists and a vision.
I think that’s part of the issue. Supposedly they do have multiple games in development and a large percentage of their employees are working on them. But they are content to let the creative and technical processes play out, without announcing too-ambitious release dates which inevitably get pushed back and still have a buggy game released. And sometimes they even cut their losses if a long term project just isn’t working out.
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