Because the ones that we hear about are the ones that are good enough to have even made it out of Japan. If a game was bad, it wouldn’t be localized to an English-speaking audience, and we wouldn’t even know it exists.
It’s the same sort of thinking as asking why (insert media here) was better in the past. The answer is simple - good songs, games, movies, etc. tend to be more memorable, and so we remember the good ones and forget the bad ones. To put it briefly, there’s survivorship bias.
Mobile games are the equivalent of those "100 great games pack"-type CDROMS you'd find in the electronics section of stores in the late 90s/early 2000s. Not many invest serious money and time into gaming on a tablet or phone like they do on a console or PC, because games on phones and tablets are more like an afterthought. Something to do in between group chats and work emails.
Shoutout to Slay the Spire, Balatro, and Slice & Dice. They all cost a bit (around 10€) but are excellent ports of the originals and among the best mobile games. Slice & Dice even started out as a mobile game and was ported to PC later.
Wild Rift is my poor man’s League (although the skins are way more expensive than on PC). Don’t have a PC to play League on and WR is a good, chill alternative. Plus, I can play with my SO
The bottom left icons on the island makes me think it’s set in the Assassins Creed universe. Since I have only played Black Flag, I’m pretty sure it’s not from there.
I feel like the best time for mobile games was back around 2009/2010 when touchscreen just became good and most stuff was either free or paid and without intrusive ads and monetization or other predatory bullcrap.
I recently tried Angry Birds 2, and I was baffled it would only take a few levels before I had to buy my way to more “ammunition” to keep playing. The original used to be good, I even wouldn’t have minded if there was like an ad between games, or if it was just buy-to-play, but even that isn’t an alternative option anymore. And they also pulled the original from the stores, I thought they had re-released it before, but couldn’t find it either. And also when I first opened the game there was so much shit on screen that it was even difficult to navigate to just even find the actual game, it’s absolutely fucking ridiculous.
Agreed. There was a fantastic time for mobile games before things went downhill.
I have a strong memory of being in an apple store, finding a display iPad, and becoming enraptured by Plants vs Zombies. I would eventually get my own and put dozens and dozens of hours into the game.
Even disregarding the native Linux port… The Steam client is actually pretty decent. Any client would have to implement things like library navigation, storage management, Steam input support, the overlay, cloud sync and so on. And honestly, I don’t think anyone can reach the amount of features that Steam has.
Its probably why most people don’t actually use things like Lutris or Gnome Games to launch Steam games.
Games are art, and art is valuable for how it enriches.
Not all art is good art, and there are plenty of games that no one is trying to preserve.
Capitalism is currently also killing off lots of non-video game art that it can’t profit off of. Tons of old shows, movies, books, and music are out of print, and being held and often lost by the IP holders.
If we allow art to become solely a vehicle for generating profit, we are going to lose out on so much beauty, talent, culture, and history.
I just hate its relentless sudden-death format, which kills you from a single misclick. At least Slay the Spire gave you HP and was far more forgiving.
As someone who played each demo version, I was really expecting a different pace in the final game. I was surprised to find that the release version was just as feast-or-famine. Most runs only get a few extra cards or extra stamps unless you get jokers that seriously accelerate the rate. I was expecting the game to have more of an RPG curve to it where I would have more time to shift toward a suit and preferred card quantity.
If you factor in every Japanese game in existence this statement will crumble really fast. Your examples are both Nintendo games and they have particularly high quality standards and a focus on fun gameplay (ignore the water temple in Ocarina of Time).
Those are both Nintendo, not merely ‘Japanese’. However you may feel about Nintendo’s legal proclivities, they are a longtime major player in the industry and, despite the gimmicky nature of the last few consoles, produce a very consistent, high quality with a brand perception in the ballpark of Disney. Those two things make them the default choice for any content-conscious parents or grandparents buying for kids, which has historically been the bulk of the market.
//edit: I guess that is half the explanation- the other half is the now large population of gamers with very warm, nostalgic feelings for Nintendo IP after the massive impact it had on their youth.
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