This is one of the saddest stories in gaming. Author was depressed and friends help him create a game. Game is considered one of the greatest games ever created only the publisher screws original team out of the rights to the game mimicking the exact type of short sighted bullshit that creatives have to deal within the Disco Elysium world.
Probably my favorite game maybe because of some similarities with the main character I loved the redemption arc. I loved the capitalist socialist critiques. I wish more games would focus on that dichotomy.
I got the first game a month ago and binged it in three sessions. It was a fantastic experience, and I rate the game highly. However, I wish the decisions you made had a more significant impact on the story. I understand that maintaining a great narrative can make this challenging, but I hope part 2 can expand on that aspect. From what I’ve heard, it sounds like it might offer more flexibility in choices. Regardless, I’ll probably enjoy it either way.
Last I heard, there were some issues about who owns the IP and copyrights? I’m not overly familiar, but legal jungle combined with corporate politics may be scary enough to navigate that Miyazaki would rather be careful around making explicit statements
I started playing this the other day on a standard PS4 and the frame rate can be really choppy at times. A PC port taking advantage of modern hardware would be amazing. The art direction’s already perfect, it just needs to run at a frame rate that doesn’t make it difficult to time combat maneuvers.
With all the exclusives that Sony has ported to PC, it’s so mind-boggling that this is the one they’ve kept on ice. Maybe they feel like a remaster is their ace-in-the-hole for PS6, a la Demon’s Souls?
I believe this is exactly what’s happening. Why would they just patch this in or release a mid-console cycle remaster when they can release a system-selling remake.
I’m in the camp that 60fps is still acceptable. With the Steam deck I think I’ve even moved to thinking that a stable 45 fps feels smooth enough. 120Hz is a bonus, but I think mods will give you unlocked framerate if the game comes to PC.
Framerate unlocking mods on PC for other From games have had major issues. The studio still has terrible practices with tying animations to framerates, damage to framerate, etc
Why would he get in trouble? Sony only owns 15% of From. And who the hell would fire him? That’d be like firing Kojima. And we see how that turned out for Konami.
Neo Nazis didn’t get The Dead Kennedys (a very left-leaning hardcore punk band). It motivated them to write a song titled “Nazi punks fuck off” (the lyrics just repeat the song’s title aggressively) in an attempt to pass the message into their thick, mostly empty skulls.
I don’t understand why people wouldn’t take it at face value without any further context offered to them beforehand. It’s a campy action film that’s a lot of fun but with just the faintest dusting of authoritarianism that could be easily disregarded as just part of the ambience of the filmmaker’s decisions. It ends on a hopeful scene implying better understanding of the Bugs in order to reach victory.
You’ve got to read the book to get it, but even then that doesn’t really shift the film out of being a Big Action Shooter that’s fun to watch.
I think what made it an obvious parody was the over the top PSA/commercials they broadcasted, and the fact that citizens are treated as a privileged class. I think at one point someone mentions that they have to become a citizen in order to be legally allowed to have children and that’s why they joined the army. It’s so far abstracted from our own reality, that I even picked up on the fact that it was a parody watching it for the first time at 12 years old.
TBF but a parody of what? Sure it has a satirical look and exaggerates aspects of modern society, however we are trying to balance that against the book.
We could even say that the movie is taking shots at Heinlein’s own personal beliefs because arguably Heinlein’s personal politics paint him as a rabid anti-communist, pro-nuclear and -projection of force.
Personally I viewed the commercials and over the top stratified society based using a trope of a somewhat Roman or Spartan militaristic society, but it’s been a long, long time since I read the book to remember enough to actually compare Heinlein’s politics to the book and then the film to that book and modern society.
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