I completed the game without issue, for the most part. The most annoying bug was one where my main character stayed permanently asleep. Saving then loading fixed it. Act 3 is noticeably not as good as the first 2 acts, but it didn’t ruin the game for me.
Same here. The only obvious bug I encountered was that Gale somehow was convinced that he and I spent a night together, which we definitively didn’t. I liked Act 3 best though. It felt like all the threads that were set up in the first two acts were coming together for a satisfying /interesting conclusion (stuff like the stolen Gith egg for example). I feel like the 3rd act swims or sinks depending on how many plotlines you’ve set up in your game until then.
IMO, what is there in Acts 1 and 2 still more than justify BG3’s price tag and glowing reviews. While I wish Act 3 was more polished (and yes, the ending does feel a tad rushed and underwhelming), what is there in Act 3 is still plenty.
I’m hoping for an expansion for an Act 4 to bridge the gap between Act 3 and the ending, maybe set in the Upper City, with better outcomes for our companions. However, with all the branching choices that already exist in the game, simply the feat of having to create one more story might be a nightmare.
That’s not true. RAM usage in open world games depends on how much assets are being loaded. We’ll need an in-depth analysis to determine if it is bad optimization or not
i mean, its bethesda, yo you really expect any kind of optimization ? and at launch at that? its a sad state of affairs but alas, that is how tripl a is nowadays
I think the only way that could possibly work is if all manufacturers followed the same specs. That way games can be developed for all platforms equally.
3DO tried this, and failed spectacularly. Any other way would stifle competition though, which is bad for everyone.
I’m confident there’s a way to make it work. 3D Printers operate with this model for the most part (thanks Jeff Prusa!)
Effectively, console manufacturers should agree on some kind of standard architecture, which, to be very realistic and blunt (apologies as this isn’t necessarily the tone of the post, but I like trying to make things work in some way), as long as Nintendo is in the console game, it’s gonna be a bit difficult (unless we just let them do whatever they want console-wise and have the others create some kind of standard home console arch). As someone who is dipping their toes into game development, that is something I would love to see.
Xbox One/Series S/SeriesX and PS4/5 are x86 PCs, Switch is an ARM phone.
So, in the lowest level they are pretty out of the shelf hardware. Electronics are getting way to complicated to invest in the development of custom hardware architectures for a single product.
You take a commonly used architecture, fork an Operating System that you have access to, bundle as many libraries as makes sense and call it a day. No one is going to use weird quirks of the hardware except if you make some deal with Unity or Unreal.
Certainly, I myself am on a Linux machine with a 1070Ti and a Xeon 1650 processor that’s never left it’s socket since it was placed in there in some factory. I would guess it’s somewhat rare to have a machine such as this because it was originally meant as a workstation (I can tell because the door has handles on the inside that make it an effective shield), and I would guess anyone who does have this set up will have Windows installed on it.
That being said, differences in software between Windows and Linux is slowly becoming irrelevant with the continued development of proton and the various FOSS alternatives (i.e. GIMP replacing Photoshop). For the most part, the only differences these days are certain games from certain studios that for whatever reason decided not to check a box that says “Yes, I want this to work on Linux.” This of course disregards any specialist software that was only ever developed for Windows, which I’ve read numerous examples of.
It’s a different model entirely, most copies of windows sold will never have a game installed on them bar the pack-ins. No one is buying a console to do spreadsheets.
I’m amazed everyone seems to have forgotten the open nature was an Achilles heel for the 3DO model, then it occured to me that the console is 30 years old and I’m even older lol.
The fact is that the console market works how it does, advanced tach at reasonable prices, because the platform holders make money on an ongoing basis from each user. Getting rid of that model will mean consoles selling for the same price as equivilent specced PCs at launch.
How do people feel about this company using generative AI? That was a concern of mine around The Finals; they’ve defended the decision on voice acting and it made me wonder where else they’re using it.
EDIT: Learned some new things from the responses, certainly an interesting situation. I’ll consider them.
Embark released blog posts about how they’re integrating AI into their development workflow back in 2019/2020. The entire studio was founded by former Dice devs bc they were burned out with game development and had quit, then realized they could build tools and pipelines that allowed them to focus on the fun parts of game development, and got together to form Embark and do exactly that. Their vision preceded the vast majority of the public’s awareness of AI, and was not influenced by the current wave of LLMs and generative ai.
If you want to hate feel free that’s your prerogative, but be aware that anything Embark makes is going to be built on tools and pipelines that deeply integrate some form of AI/ML, and just stay away from anything the studio makes. It’s your loss really because their games are the first in a long time (in their genres) that I can feel the love the devs poured in seeping from every single aspect of the game, but again it’s your prerogative.
To defend the voice acting in The Finals - they obtained the consent for all the voice actors they use, and they pay them a commission for each new line they generate. It’s believed that one of the reasons they made that decision was to have things like improvised dialogue possible by the announcers (Scotty and June), for example.
They definitely aren’t cheating people out of money, fortunately.
There are mods and cheats for this game already—and they even run on Linux. I turn 50 next month: though I’m still playing, I don’t have as much time for gaming as I used to and my reflexes aren’t what they were. I haven’t entirely removed the challenge with mods, but I feel no shame in tweaking this game to go easier on me and chew up less of my time as punishment for failure. I wish they had these as accessibility options built-in, but I’m fine with hacking it.
Anybody telling me I should “git gud” can pound sand: I’m already good at a bunch of things that get me a paycheck. I play games so I can relax and be terrible at something for fun. I’m certainly not playing for bragging rights.
I think this game is not for you then.Harfd games are hard so that you can feelproufd of yourself after completing something hardet than you though you could. You may not complete the story but if you “git gud” you may actually enjoy it more.
Some games are not meant to be relaxing. Why would you even play a hard game if you want something easy?
My friend who's a big MH fan got us into Rise, which was a lot of fun (and my first MH game), and while the gameplay of Wilds feels nice, it really is apparent they intended to dripfeed content for however long they intended to support it. Hopefully this is a step in the right direction.
Yuri’s original post has since been deleted. Erin Fitzgerald, the (second) voice of Chie, also said on Bluesky that she won’t be returning, along with Amanda Winn Lee, the voice of Yukiko, elsewhere:
I don’t know if Sega or Atlus did something to piss everyone off, if it’s some bizarre marketing stunt, or if the others just decided to pile on after Yuri went scorched earth on this. The whole thing’s pretty weird.
There’ll almost certainly be new/expanded and altered dialogue.
I’m intrigued to see whether they’ll try to rework any of the more ‘problematic’ stuff, now that Katsura Hashino (P3–P5 director) has left. Or go for a truer-to-the-Japanese-version Teddy this time.
Huh, that makes me wonder if p5 has any actual translation errors. Most of the stuff i saw when it released was bitter localizer complaining about good choices, so i just assumed there was nothing real to complain about.
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