Anyone who played Hollow Knight and knows Team Cherry does not need to read this article (but you might still have some fun reading some of the details!). The answer is exactly what you think it is - they are a small team and they made a new game as big as or bigger than the original Hollow Knight. There was never a dev hell moment. They just bit off a lot and never stopped chewing.
Luckily sounds like they aren’t gutting Ghost Story Games, also owned by Take-Two. That’s the BioShock director’s new studio, they’re making a game called Judas. Looks very Bioshock-like.
And these fuckers were trying to “celebrate” the Rare anniversary on social media recently like they didn’t just cancel Perfect Dark and have done nothing with any of the other properties in years.
I’m still really looking forward to clockwork revolution. Hopefully that actually gets released but at this point it seems like almost everything Microsoft touches is doomed.
That’s straight up the behavior of a company that wants to create a monopoly. Buy up the smaller companies so the competitors can’t buy them up and then just shut those companies down so their products can’t compete with the existing money makers. The money they put into those studios for game development is just a charade to please the authorities. Cause if they would shut those companies down immediately after purchasing that would be undeniably anti-competitive behavior and illegal even in the US.
Which is exactly what I expected them to do. I laughed at Blizzard fans being hopeful about the acquisition because things didn’t go well at the time. It was always just another step towards closure.
Blizzard fans have a habit of believing Blizzard is still this small indie company with humble games like Starcraft, Lost Vikings, and Diablo, and that it’s just mean ol Activision making them do things like…
sigh
Have two to three whole expansions of Sylvanas Windrunner being not only the Warchief of the Horde, but for all intents and purposes being basically the main fucking character, complete with a writer who brought her previously killed off-boyfriend Nathanos, only as a self-insert.
Like I love Sylvanas, she was my favorite character, but Jesus fucking Christ that was cringe. Not only was it completely out of character for the Horde to give her leadership (Protip: The Forsaken aren’t trusted by anyone because they’re scary fucking zombies who do scary zombie shit, the Horde just figures they’re less dangerous as allies than enemies), but she continously forced the Horde to do horrible shit.
Now if the point was that Sylvanas was evil and the Horde’s mistrust of her was valid, I guess that’d work, but the way it was executed was more like “Look how cool Sylvanas is for doing all this edgy shit.”
I don’t know who the Warchief is now, I honestly don’t think they have any fucking Horde characters left to be Warchief given how often Horde leaders get killed off. Jesus Christ WoW’s story just completely shit itself after Legion.
I got off-topic, my point was Microsoft was never going to save Blizzard from Activision, because Activision isn’t holding Blizzard at gunpoint and forcing them to kill off Heroes Of The Storm, Steal female employees’ breast milk, or making Overwatch 2, Blizzard’s just not a cool company.
And, much like it is always shown, that is a problem of management at the publisher level. Visceral Games is generally one of the most well documented but every major studio with a similar “uh derr, how they not have game after five years. They deserve to die” story is a similar tale:
The studio heads and the publisher could never agree. Often there are mandates for specific technology (Visceral was forced to use Frostbite which even the Battlefield devs hate) and publisher level management can never be bothered to actually look at anything other than a full pitch level vertical slice… which they then say is not good enough or “Continue but make massive non-specific changes”.
The end result is that game dev, which already takes years, gets stretched out because so much work gets thrown out and completely redone whenever the managers actually communicate. And then the studio is gutted, jackasses online talk about how it was obviously the answer, and said managers get to move on to hopefully work with devs who can deliver products in spite of them.
So… maybe don’t just parrot the bullshit for the companies mismanaging the industry and destroying the livelihoods of the people who actually make the games we claim to like?
It shouldn’t take 6 years to demo a basic gameplay loop. If you don’t have a demonstrable gameplay loop after 6 years, yes, that’s a management problem, but it’s also a dev problem.
All we got to saw of Everwild was pretty, but it was never clear what the game actually was and the developer wasn’t clear either.
It doesn’t take “6 years to demo a basic gameplay loop”. They are pushing vertical slices, proofs of concepts, etc internally near constantly. The issue is when you get told “no, not like that. We want it to be more… you know?” and so much of that work gets scrapped. ESPECIALLY as time moves on and those vertical slices are also being done alongside levels, weapons, cutscenes, etc all while never knowing what the gameplay even will be.
Is there an issue at multiple levels of management? Yeah. But when you have a single “boss” you tend to actually have something. It might not be great but you have a vision you can work towards and release. Rather than five new visions every time you get a new contact at HQ.
But hey, keep on leaping to defend the mega corporations.
Another “great” example is the bad CGI in most modern Marvel-Disney movies. And that is because the VFX studios don’t even get the actual full scene until VERY late in the cycle. And they might not even get the final costumes until literally days before it is due (because “leaks”). When you are completely redoing the entire scene because now Cap shoulder tackles the helicopter instead of dodges around it AND don’t even know what colors he is wearing it is REALLY hard to get the lighting and dust to look right. And your team is completely over-stretched because you are not just doing one scene: You are doing five. Even though you agreed to four.
And you can bet countless clowns are out there talking about how the VFX studios suck and blah blah blah/
I get it, it LOOKED great, but as a potential player I need to know what the actual fuck I’m doing. What’s the goal? What am I supposed to do? What are the tools I have to do that?
Everwild Devs: 🤷♂️
If the suits were screwing around and changing things, we STILL should have seen what the actual game was before and after the changes. We never did. Never will.
That’s not a corporate problem, it’s a development problem.
Compare that to a teaser for a game that actually released:
You DO realize that you aren’t their bosses, right? That was Microsoft. Microsoft almost assuredly saw a LOT of internal content. It just didn’t get packaged up into sizzle reels to be shown at the keighleys for 50k for a few seconds in between kojima appearances.
At the end of the day, game development is a business. You only see what is deemed worth publishing. Take Night Dive for example. They have a ridiculously solid portfolio and, outside of System Shock (which was kickstarted?), don’t talk about ANYTHING until it is ready to release. Does that mean they are in a constant state of doing nothing and deserving to get fired up until that brief window where we all see Hexen and Heretic being pulled from store shelves a few hours before a (funny enough) Microsoft press conference?
… Actually I could very much see Microsoft take that route if they owned Night Dive. “They haven’t uploaded anything to youtube. Let’s fire their asses. Oh, shit. Danny O’Dwyer just skeeted that he is driving up to Washington again. Okay, give them a week and we’ll probably get a few million bucks out of them”
bloomberg.com
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