There is no “objective” when talking about subjective terms.
My personal, SUBJECTIVE favorites are Mass Effect, Titanfall 2, Subnautica, Stardew Valley, Ori and the Blind Forest, Dave the Diver, Balatro, and Portal 1 and 2
I think Outer Wilds is the most unique and fantastic way to tell a story I’ve ever experienced. Truly open in a way I’ve not seen before or since.
With the banger of a soundtrack too, I just can’t bring myself to rate other games higher than it; even if I enjoy them more, Outer Wilds is probably the best game I’ve ever played.
Slay the Spire probably makes the list as it’s inspired countless tweaks on its incredibly balanced deck building experience
EXCEPT…for when your computer teammate jumps in front of you while you’re shooting and accosts you for it, then a second later they literally mow down a bunch of infected by shooting through you with no consequences.
Hades. Transcends the rogue-like genre through incredible writing, art direction, and music. The gameplay is some of the most addictive I’ve ever played. I’m at over 200 hours logged and I still get lost in it.
The fucking asteroids in the original Dead Space, fuck those things. Though knowing my luck they were locked to frame rate or some shit which made it difficult on PC.
It counts as a masterpiece because of how well it blends game design, gameplay and story. I have played very few games as thoughtful, or that weaved the gameplay together into the story it was telling in such a meaningful way. I never thought once in my life that I would think philosophically about bullet hell but somehow Nier Automata has something profound to say and even manages to say it using bullet hell as a gameplay mechanic.
On top of all this, it also has a lot to say about classical philosophers, their works, and honestly deeply subverts things they had to say. It asks tough questions about their thoughts and ideas, once again, through gameplay. Numerous characters are named for classical philosophers: Pascal, Jean-Paul, Simone, Engels, Immanuel… (Yoko Taro obviously has feelings about how Jean-Paul Sartre treated Simone de Beauvoir.)
Further, Yoko Taro is doing something that a lot of game developers fail to manage to do: He is embracing gaming as a storytelling medium and eschewing the traditional three-act arc from film. Because gaming is not film. As Marshall McLuhan posited, “the medium is the message” and unlike other developers Taro’s writing is aimed at the medium he is working in instead of leaning on the ropes and tropes of other mediums. (Referring back to above, tying the gameplay into the story, focusing on the medium)
It’s basically impossible to not break down into tears at the ending.
Don’t write it off because of the scantily clad anime women. Stay for the depth of the human condition. It is truly a masterwork in multiple respects.
For a moment I thought you were talking about the Newsmax host and I was very offended and confused, but it looks like there is another, lesser known Chris Plante in gaming journalism.
spoilerThe wild part is that he’s so good at subverting anime tropes, too. The “killing god” trope is mentioned in the first lines of the game… and then going on to battling the end credits themselves?? Literally killing the gods who created the world this all exists in? Taking it to the absurd yet logical extreme, so brilliant.
Man, I wish I understood a single bit of this evaluation of the game after finishing every chapter (sorry - “Ending”). The whole thing felt mostly like a waste of time.
That said, I’m a fan of Spec Ops: The Line, a game that has much the same level of division among its players. Interesting how philosophical games get that reaction.
And it’s on sale for 10$ on steam rn, damn. It’s missing the multi-player tag, otherwise I would have had it on my wishlist for co-op 3rd person shooters sooner :<
Same. I put in like 3 hours into Breakpoint and I was like 'where’s literally all the flavor gone from this game? So glad I waited until it was like a 5 dollar steam sale. Even then I tried to refund it but was past the ‘trial’ period.
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