Just One was a great game for 4 people. Three people have to get the fourth person to guess a particular word. They each write down a one-word hint. If any two (or more) players write the same word hint, they don’t get to show that word to the guesser. It’s a lot of fun when you see the different ways people interpret words to come up with hints and how two (or more) words can work together to make you think of the answer.
Just One can also do a lot more than 4 players. If you add additional writing surfaces and erasable markers (or pencils or whatever) it’s pretty much unlimited.
Edit: It has enough for 7 players in the box (at least my copy does)
Cottage Garden is very satisfying. You Tetris together garden pieces to fill plots and you can cover a single spot with a sleeping kitty. There’s scoring and competition, but it’s not antagonistic in any way.
I’m also a big fan of cooperative games in general.
Intellectual property is a resource. Corporations are in the business of hoarding resources to extort ration at a price. Microsoft doesn’t care about the studios. They care about owning ip.
I am glad Tango Gameworks found a new home. As for Xbox, I am no longer buying any new games for it and I am boycotting Microsoft for a myriad of reasons.
Jedi Survivor…god this game performs so bad. 5800X3D and a 4090 and those stutters. The game isn’t even that graphically impressive so I don’t know wtf is going on behind the scenes, probably some old code that constantly checks for micro transactions.
Been playing through Tunic this last week and I don't think I've had a game leave me this conflicted in a while. I picked Tunic up on all the recommendations of it being classic Zelda with elements from Dark Souls and that's definitely what I got, for most of the game at least. I also enjoyed the puzzle elements with the manual, trying to decipher what it was telling me based on the images and the odd English word. If there's one thing the game does well it's capturing that feeling of playing a game as a kid and not really knowing what's possible. I had quite a few "Ah-ha!" moments where the game hinted at something just enough to let me figure it out on my own. But then you get to the end-game, the game takes away all your upgrades, and makes you go through a gauntlet of enemies to get them back. I get what they were going for here, but playing through it was just a slog. In theory, I like the idea of being powerless again and having to treat every enemy with caution, but in practice this segment just dragged on for too long,
Another mechanic that overstays it's welcome is the "Holy Cross" mechanic. It's neat the first time you use it and figuring out how to use it on all the sealed doors and golden statues I had seen was fun. But the issue is this is where the game completely changes genres on you, at least if you want to see the true ending. The Zelda/Dark Souls elements are now completely secondary to deciphering the manual and completing the Holy Cross puzzles. Enemies are just obstacles between you and where you have to go to solve the next puzzle, culminating in the Golden Path puzzle, which the true ending is gated behind.
I did enjoy everything up until that point, but once it became about this meta-puzzle and flipping through the manual to solve it I just lost interest. Yeah, I was stuck with the "Bad Ending", but the amount of effort the game wanted me to put in for a cut-scene just didn't seem worth it.
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