🇫🇷 #France, #Corsica - Day 6! We’ve moved to the east coast to #SanGiuliano and went straight away for the hills! Did a nice loop around #Linguizzetta, with a shitty twist from #Strava generated route…😅🤣
🇫🇷 #France, #Corsica - Day 4. It was supposed to be raining so I’ve decided to do a flat-ish coastal baguette run with no fireworks whatsoever… It did rain a bit, but seems I’ve luckily escaped a more severe storm…😅🤷🏻♂️
🇫🇷 #France, #Corsica, Day 3. Very humid and hot weather has accompanied a proper double digits #MonteePevani#climb. It was hard, as I’m not yet as fit as before, but I did complete it in one go!🙈🤣
@ssamulczyk sorry to point it out but it is not odd to hold a camera up by hand, while cycling, in the era of GoPro or any other helmet- or body- or bicycle-mounted cam? Your solution doesn’t really improve view of the panorama, if that is what you want to share, or of yourself.
@WuMing2 Sure thing. But then I’d have to ride with a shitload of weird mounts and sticks to use it, presumably stop to reconfigure it AND then, post ride - you have to download the video from the action camera with an awkward app to edit it. Not to mention the superior quality of iPhone video over any action camera…
So, I though of it, I do every now and then, but I just never pull the trigger on a GoPro and prefer the flash-bang edits from a phone…🤷🏻♂️
🇫🇷 #France, #Corsica - day 2! A quick coastal ride to the north. Not flat, but also not very hilly. It was surprisingly fast, with almost no wind and it was 20°C at 6am…🥰
It’s been a difficult journey to the #Italy with the car expensively scratched, but we’ve managed to visit 2 #Ferrari museums and take a #family#bicycle ride in #Modena!
Właśnie kończę czytać "Wiosnę" Ali Smith i zanim ogarnę emocje i coś napiszę od siebie proponuję przeczytać recenzję. W takim to świecie żyjemy. Pozycja wydana w Polsce w 2021 r., jednak w dalszym ciągu aktualna.
Ze wszystkich dotychczasowych tomów z serii „Pory roku” to „Wiosna” ma wydźwięk najbardziej polityczny, mniej i bardziej bezpośrednio angażując się w problem imigracji i nawiązując do obecnych od samego początku cyklu motywów postbrexitowych. Autorka podchodzi jednak do tematu za pośrednictwem intymnych, indywidualnych portretów ludzi, którzy doświadczyli skutków „braku wpływu na rzeczywistość”