aside from what everyone else said, they killed the beloved Unreal Tournament series, which is a huge sour spot for older gamers who fondly remember those. Then there’s the excessive microtransaction demand inside Fortnite, a game with a large playerbase under the age of 18. That alone led to two major lawsuits that they both lost
Aside from TF2–and even that I got a bit bored with–most all of my interest in multiplayer FPS died along with Unreal Tournament. Doesn’t feel like having fun is the goal anymore.
Need for Speed: The Run, but good. Give me an uninterrupted race accoss the US (or any other continent), against 199 other drivers, with strategic decisions to make such as fuel stops, sleep breaks, multiple paths… Make it a rogue lite with unlockable vehicle classes, police chases, weather changes, racing through traffic… Bonus points for realistic physics and VR support.
Some NFS game are straight up terrible (Undercover…), but at least the good ones with similar gameplay (NFSU2, Carbon) still exist. But The Run was worse than bad; it was disappointing. It could have been good, but wasn’t, and they never tried to make another one with a similar premise.
The only good part of the game is the bonus mission in Carbon Canyon, in all its HD glory.
Honestly I loved The Run. It was a jam packed unique short game experience. It was definitely too short for it’s price, but you know at that time Blackbox was working on 3 separate games.
Yes you are making an unreasonable complaint. You’re complaining that the story doesn’t include one particular niche element of interest to you and comparing it to having shit thrown in your face.
Yes, but I was under the entirely reasonable expectation that I would indeed get my niche thing (that being three or four lines of dialog), given the game’s overall setup, mechanics, advertising and franchise. It wasn’t just not included, it was actively averted as hard as possible.
Would you not be disappointed in the same circumstances?
Too scary lol. I got it with my index and never played. Really wish valve included a less scary switch in the settings, because it’s one of the best made VR games.
The half life games are right at the limit for me in terms of scary video games. They tread the line just enough imo. I think it’s because it’s not just horror the whole time, there’s tons of non scary puzzles and gun-slinging going on to cool down.
I read some interview about how they had to “nerf” the headcrabs by making them latch on to your chest instead of actually your face because it was too intense for VR, haha
Because, unfortunately, millions of people still use it. If you’re selling a product, it’s in your best interest to have as much social media presence as possible.
Also, it’s better to have an official presence on those platforms so others can’t impersonate you as easily.
If you’ve ever made a thing that took so much time that it has to be your job, and earn you money, you’d likely have a different view. If you’re ignoring a percentage of your target market because they’re on a platform you don’t like, then your project might fail, and you don’t get to keep your house.
If your stated downside to still using Twitter is that it’s a waste of time, is that invalidated if your posting tool posts to all of your socials with one click? Like most professional social media users that have to maintain a bunch of channels with the same content?
Also, who is being dramatic about how important it is to be on or off twitter?
Ok… but his thing can actually happen… your version of the bad things that can happen for still also posting news to twitter is all imaginary stuff that doesn’t happen in real life. Being upset about the direction Twitter and Reddit took and are taking is a totally valid, and honestly the objectively correct position to have about it. But adding in imaginary penalties for using it is not.
You’re saying it’s completely impossible that a game developer remortgaged their home for their project and then failed to meet their required sales by a small amount that could be accounted for by being active on Twitter?
Like, completely impossible for that to happen under absolutely any circumstances?
Twitter is by far the larger platform, and small independent creators have to work to promote their game on every platform they can, if they want to succeed. The moral high ground of not using undesirable social media sites is nice, but isn’t fair to people who are partially dependent on those platforms to make a living.
Also, the simple fact is that there is no reason that any entity promoting their product has to choose any of these platforms over the other–you can just post to all of them, every single one that has enough users to be worth posting to.
I’ve seen several small creators say they get 10 times the engagement on Bluesky. That includes sales through promo links, which can’t be faked. It’s becoming clear that X’s numbers are mostly illusory at this point.
I cannot tell you how much better my mental health has been since I stopped playing Apex Legends, Overwatch, and Rocket League. I never had anything against the gameplay of these games but the microtransactions and battle passes were just straight up toxic. After a couple weeks you simply don’t give a shit anymore and it’s amazing. I see my roommate playing these games until 3 AM every day because he has to do his daily challenges for 4 different games. He’ll be so pissed off that he can barely speak as he powers through game after game to get them done so he can go to bed. And in hindsight, that’s probably what I used to look like back when I played those games.
Apex Legends … the microtransactions and battle passes were just straight up toxic
My friend bought Battlepass for Apex once because it had a pretty decent skin in it. Then, he was straight up *PISSED * when next season they had the most ridiculous, incredible looking skin ever. He felt like he had to purchase it again that season, and was bitter he spent money the previous season for something so mediocre. That kind of thought process is just awful. These games lure you right into it.
Apex battle passes have always given you enough credit to buy the next season’s pass. I’ve been playing since launch, I’ve completed all battle passes save for maybe 4, and I’ve spent a total of $10 on the game.
Until they start charging only money for the battle passes. I never even used 80% of the skins I got on the battle passes anyway. I just wanted them so I didn’t not have them. As someone that has over 2,000 hours in Apex, I’m so glad I jumped ship. The grass was very green on the other side.
Funny you should mention that. They attempted to do precisely this (only buy the BP with real money) a few months ago. The player base revolted, and they walked it back to the way things were.
He’ll be so pissed off that he can barely speak as he powers through game after game to get them done so he can go to bed.
If you want to help him get out of that, give him a burn or two every once in a while: “How are your second, third and fourth jobs coming along?” - “With all that work you do, you should ask for a raise!”
Hopefully he’ll realize he’s not playing, but working, and give up on that. Hopefully.
Still better than Horse Armor. So no, not Bethesda’s worst DLC.
The difference is that Oblivion wasn’t bad at all. It was terrific. Starfield was trash from the beginning, then delivers a trash DLC. That’s much worse. No improvement.
I second this, great manufacturer. The 8BitDo Pro 2 is my personal preference. It looks like a Playstation and SNES controller did the fusion dance. I liked it so much I bought two: one for my PC and one for my Switch. It has a quality feel to it, excellent tactile response, and feels very comfortable in my hands.
The Ultimate 2.4 has right now bluetooth and hall effect sensors as well. I couldn’t get it to pair with the switch though I didn’t try super hard. It works on Bluetooth with my Android TV but for whatever reason ignores the customized buttons (I keep accidentally pressing the wing buttons on the bottom) so I use the dongle on the TV.
I use the 8bitdo Pro for platforming because of the d-pad makes it feel like a SNES controller. And the 8bitdo Ultimate for games where I need joysticks.
Second this, just get some thumbstick covers. I have the 8bitdo pro, and I’m getting tired of the joysticks peeling off onto the rest of the controller after a game.
I haven’t had drift on them yet, but if/when I need to replace Old Reliable, I’m looking for hall effect joysticks.
Edit: damn, just found out the pro2 has hall effect joysticks
Hard but fair precision platformer by an expert of platformer design. Excellent controls, deep platforming mechanics, and a cathartic story about internal and external struggles.
This feels painfully obvious to a lot of (mostly trans) people, and likewise it feels painfully obvious to me too, in retrospect. It has also become painfully obvious to me that I, myself, am trans. But these are things that I was not aware of during the development of Celeste, where I was writing Madeline and speaking from her perspective. Creating Celeste with my friends helped me reach the point where I could realize this truth about myself. During Celeste’s development, I did not know that Madeline or myself were trans. During the Farewell DLC’s development, I began to form a hunch. Post-development, I now know that we both are.
Read further, while the author didn’t realize what she was doing it is a trans narrative through and through, and the free dlc ending did contain the flag because by then she did know.
When Madeline looks in the mirror and sees her other self; when she attempts to abandon her reflection, who then drags her down the mountain; when the two reconcile and merge to become stronger and more complete… that was all unknowingly written from a trans perspective.
I’ve been wanting to play this for a while and that price made it an instant buy. Really glad I did. Some of the strawberries are hard and unfair tho, haha.
People that have this opinion often only play AAA games. There are a lot of indie games that channel old-school game energy and improve upon them. Shovel Knight for example is a lot better than old platformers wish they were. A Hat in Time is a ton of fun compared to the vast majority of PS2/Gamecube 3D platformers. Hollow Knight is better than any Metroid game (I know a lot of people would disagree, though).
Hollow Knight is pretty different than metroid games and I’m not sure I’d directly compare them. I’m the only person I know that doesn’t like Hollow Knight and it seems like the departures it makes from the classic metroidvania formula that put me off it are part of the reason other people like it
Nah, you have a point. There are a bunch of "2D soulslikes" that get advertised as "Metroidvanias", and I wish we had better language to split that difference, because there's a big conceptual shift between the "parry and dodge" souls style and the genuine Metroid/Castlevania style of movement and aggression. It feels very different and honestly the last time something scratched that itch it was Bloodstained.
So yeah, Hollow Kinght is a very well made game, but it's not what I'm looking for every time I fire up one of the DSvanias for yet another run.
Cassette Beasts kicks the ever loving shit out of Pokemon across the board, modern or retro.
Retro games weren’t better than modern games as a “full-stop” statement. They tended to be bug-ridden messes, but there was still a heart and soul behind them that tends to be missing in the AAA industry. Continuing on the Pokemon example Red/Blue were an absolute mess. I mean, moves and items that were supposed to massively increase critical hit rate massively decreased them instead. Stat calculations were all over the place. Hell, the ghost-psychic interaction just straight didn’t function as intended. It was a mess, and yet for some reason, it’s touted as “better” than the modern Pokemon games.
Plus, not all big studio games are soulless cash grabs of releases, either. Hi-Fi Rush is my favorite game of 2023 by a huge margin, and was a Bethesda published game. Sure, the dev studio was “smaller” compared to Ubisoft or Activison, but I wouldn’t call the game indie - it was AAA in polish and scale. I’m currently really enjoying Unicorn Overlord, getting major Ogre Battle 64 vibes from it, and playing a lot of Monster Hunter Rise thanks to a Steam sale. These games slap, and have all the depth and passion of games of old without alI of the horrible jank we dealt with in the pre-internet “no such thing as a post-release patch” world.
It’s easy to see the yearly Call of Duty, Pokemon, generic EA sports, and obligatory Ubisoft open world games release and think “man, AAA gaming sucks”, but they’re honestly a very tiny portion of the conversation.
EDIT: I take everything back, Bethesda just closed the studio that made Hi-Fi Rush. AAA gaming is a cancer that needs to be surgically extracted.
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