Ubisoft is currently developing Far Cry 7 and a standalone Far Cry multiplayer game.
It’s claimed that Far Cry 7 is being made with Ubisoft’s Snowdrop engine, rather than the Dunia engine used for recent series entries. The multiplayer game is currently an extraction-based shooter set in the Alaskan wilderness, it’s claimed.
Oh crap. That’s not good. I know Far Cry 6 wasn’t great, but making FC7 multiplayer and an extraction shooter isn’t the answer. What’s next, Forza the card game?
ETA: Ubisoft is making Far Cry 7 AND a standalone Far Cry multiplayer game. I misread “as” instead of “and.”
Oh those are pretty big games haha, the recent dark and darker release has people playing it all over twitch.
Basically, you spawn into a map with nothing. It’s both pvp and pve, and the usable map gets smaller over time (fortnite/battle royale style). You pick up loot throughout the game, lose everything when you die, and there are only x points where you can “extract.” If you extract, you can store that loot in your vault and choose what items to bring into the next match, so you have an advantage over other players.
What a strange article. I loved those games when I was younger but this is just basically an article saying “we’re making another first person shooter and have some ideas on it” Nothing related to Delta Force other than the name.
From the reddit r/games thread, sounds like a lot of folks aren’t too keen on the idea of another low-quality LCD screen. How would you feel about a Switch successor having basically the same screen?
I go back and forth between playing a lot of handheld and very little handheld. Honestly the screen doesn’t bother me. I’ve had no issues with Nintendo games. I would argue the biggest issue in modern day gaming is the bloody text size of things. I’m trying to play FFXV right now on ps4 and the text is soooo bloody small.
Ugh text size is a pet peeve of mine. I’m mostly PC gaming these days and it’s less of an issue there, but idk how it’s 2023 and text size isn’t as ubiquitous as like, discrete volume sliders.
I’d like there to be an OLED option for people who use handheld mode heavily and want to pay more for a better display. But for the base model, it makes total sense for it to be an LCD display. That’s just prudent, as the average player probably doesn’t care and wants to pay less. Especially parents buying this at Christmas.
I’m not sure that Pete has actually played a game he wasn’t directly involved with since like… 2010?
What we’ve seen of his new game really isn’t that interesting in the modern landscape. Maybe a decade ago it would have been fresh and had enough of a hook to compete for gamers’ attention, but today? It looks pretty forgettable.
Then when you consider Molyneux’s propensity towards feature creep, it’s probably safe to assume that even if the game is a ‘success’ by most conventional metrics, it won’t be profitable because the amount of money spent to make the damn thing will have been completely insane.
Arguably the issue isn't so much in the gaming landscape as the history behind the game.
His previous "game" was a crypto/NFT scam where they sold land (as NFTs) to people who were speculating they could make IRL money from renting out this "land" to plebs.
It was a complete failure. I played it for an hour on a free sever (or something similar). The gameplay was complete shit, it was tedious and grindy (like mobile titles), a repetitive and uninspired experience, graphics were ugly, the multiplayer elements didn't really make much sense.
All the NFT buyers got destroyed while Molyneux collected tens of millions.
Allegedly that money was used to "invest" in Masters of Albion.
But the real kicker is that Masters of Albion seems to be based on that NFT scam game engine (which IMO is beyond saving).
I wouldn't be surprised if this a managed exit from his previous crypto/NFT scam "game".
Scamming a bunch of NFT idiots is an arguably better funding model than promising a bunch of stuff to Kickstarter backers that you aren’t going to deliver on.
I can’t even finish the trailer with how boring and stale it looks. Calling it pretty forgettable is stating it nicely… I’m convinced this game will be released and nobody will even notice. He even sounds bored out of his mind himself.
Maybe there is a market of mobile gamers gone PC that he’s trying to capture, much like Godus? I don’t see how this will entice anyone else.
Basically he has no clout left, even though I still wish for a good Black and White sequel, B&W 2 doesn’t count.
why would I want to go through the first Halo campaign yet again when I know I’m eventually going to get to the level with the flood where EVERY ROOM looks exactly the same and I’m just going to turn it off.
I know what’s going to happen, I know what’s ahead of me, I know I don’t want to do that again.
Now if they redid ODST or Reach? sure I’d be all for that. I enjoy those Halo games. but for gods sake I don’t want to play Halo 1 ever again.
No one in the comments seems to understand why this is relevant. This is the opposite of the normal pattern of prices dropping as time goes on, solely because of trumps tariffs.
This isn’t a “oh I’m not making enough money” situation, this is a “oh if I sell it for the current price I’m losing money” situation.
Could some of it also be corpo greed? Absolutely. But the core reason for the price increases is trump, and his republican lackies.
Virtuos is crazy prolific. They've touched a massive amount of games. Some ports were really bad (basically anything from Take2 Interactive) but most were really good. They've done some remakes too, Oblivion being the most recent.
I'd trust their word on it.
Still not going to buy the Switch 2 though.
I really don’t understand why this trilogy needs to exist. Nostalgia I guess? These games were terrible and always a rent from Blockbuster for the weekend type jam and be glad you didn’t spend money on actually owning them.
It definitely hasn’t aged well, but that’s largely because the humor was based on pop culture references. Talking about Jessica Simpson isn’t really cool anymore. But that the time, it was a sort of revolutionary thing to have games reference current pop culture. It made the games feel fresh, especially if you played them right at launch.
Were they great games? No. But from a gaming culture standpoint, they had a surprisingly large impact. Game devs learned what did and didn’t work in regards to the references and gameplay, and that alone makes them culturally important.
Also, games deserve to be preserved even if they didn’t have a massive impact on gaming. Even old Flash games have massive preservation efforts, because every single game was someone’s pet project. Imagine saying the same thing about a bad film. Sure, a modern 4k re-release may not need to exist, but that keeps it in modern formats and makes preservation easier.
To me it felt completely sterile, lifeless and just set dressing. Although the stories where cool the immersion didn’t work at all, turning it into a bore and ultimately disappointing. I played the patched version that supposedly had all this fixed.
You can just say you didn’t like it, it’s fine. You don’t have to try and rationalize everything. Like this: I don’t like the new Doom games and think the OGs are way more fun. See? Now you go.
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