I love beautiful environments and such, so if I could pick anything that wouldn’t exists based on something that does exist, I would make a 3D or even VR version of this old Korean 2D sidescrolling game called Maplestory.
Not gonna lie, that’s going to be 99.9% nostalgia, but it has a couple of awesome areas that have amazing backgrounds and thoughts behind it. Like typical magical forests, dungeons, cloud cities, but also a lego-gone-interdimensional city where time is weird.
I know it shifted from a subscription model to a paid DLC one. Do you actually need to buy some DLCs to get an enjoyable experience out of this? Do you only need the endgame stuff once you get there, like buying the latest WoW expansion? How does this model actually work for chill players?
You can do probably 60-70% of the game just with base version. You won't be hamstrung by missing meta sets or content. Even then, DLC sets that can be crafted can still be obtained by having someone else craft the for you, or by having access to tables via a guildmate (like 95% sure it works that way, if not, you just need the 3rd party crafter). You'll obviously miss the new zones, dungeons, trials, and skill lines, but you'll still get over a hundred of hours of content.
You can absolutely play this casually. The base game stuff is pretty easy in comparison to how it was, with power creep and such, but it's, at worst, a good, long introduction to the game systems to better gauge your future interest.
If you subscribe and get ESO+, you get ‘…Access to all DLC game packs available in the Crown Store for the duration of membership’. That does not include the latest chapter; right now that’s Necrom. There’s a new one each year, so you’ll be able to play Necrom next year with a membership if you don’t want to buy it outright.
They do a good job of making the membership very appealing, I have to say. Increased bank space, double the slots for furnishings in your houses, and a bottomless crafting bag, for ex. But they are not obnoxious about it like, say, Neverwinter Nights is.
I haven’t played ESO but I can tell you the standard of writing in the other ES games is, IMO, very high. Morrowind is my all time favourite, the lore in that game is fantastic.
When Todd leaves after TES VI, I hope someone from the ESO team takes the reins. They seem to care a lot about the world and lore. Lol, like I’m obviously not holding my breath for TES VII, but still.
I like exploration and generally mucking around in a MMO; this is why I like base GW2 instead of the expansions (which had me dying a lot). If I wanted a challenge, I'd do WoW raids or play a Souls-like.
Personally, I couldn’t get through the main and faction stories because of that. I liked the stories well enough, but getting through them was so tedious because I couldn’t even use all my skills. I don’t know how end game is, I have one max lvl character with a bunch of cp, but I rarely play an mmo for end game content.
If they had like a difficulty slider for the open world content, that would be enough to make me return, but I don’t want to shut down my brain while leveling, that’s not fun at all!
I got mine in the first batch over a year ago and it was defective but they got me a replacement fast. I’ve barely touched it since I got it though. I hardly have time to play video games anymore.
I probably have played like 3000 Threes games over 3 different phones over the years; it’s still my favourite Commuting Game of all time, and indeed probably one of my top 5 games of all time. I have never beaten it and probably never will.
2048 can’t hold a candle to Threes and it upsets me that people remain mostly ignorant of the latter’s existence.
I run it through Steam as a “non-Steam” game via Proton and have also run it with Lutris. It runs on both 100% fine, if not even better than Windows. In fact, this game running great has convinced me to finally drop my dual boot!
that works as well, but there is a linux client called heroic that works for both epic and gog which helps makes things simpler for setting up the games to work, so i think that would be easier than using proton or lutris
I want a GTA style game set in the early 1900s Lovecraft world mixed with a procedural world builder like Covert Action had. So the overall world would be set but the inside of buildings and tunnels and etc as well as the overall story would change. Then release DLC for each of the Great Old Ones that each came with 6-8 major plot lines. With 8 player coop. No lazy pvp bs. PvP can be included but it’s not the focus so as to not give a shit about anti-cheat or stat tracking on a master server.
Then implement a scab system like in tarkov but for cultists. You turn PvP on and a cultist can come play in your game doing things.
Not really. Planetside is an FPS with fluid combat. And it doesn’t have MMORPG-style quests or environments. I think another way of saying the idea would be “Chivalry with persistent maps and an overworld tying them together in some way.”
Can really recommend if you like a story-driven MMORPG with a nice amount of different builds and lots of achievement hunting and stuff to do. It’s gotten lots of addons by now and basically you can roam all around Tamriel.
I want to play a sci fi horror game that’s got violence, terror and mysteries, but that doesn’t rely on quick reactions or precise timing to beat. I want the full experience of creeping around somewhere derelict and haunted, full of blood and physical plot devices and all the rest, solving puzzles and exploring, doing all the usual stuff, but without any time pressure whatsoever. I want the enemies to give me time to think. I think that if that was done right, in a clever enough way, it could make for a really strange and scary experience for being more deliberately paced. Maybe it’s a dimensional thing. Maybe the monsters exist in a different kind of time. Maybe they can only react to the player for some reason, or take turns. Or maybe the player can leave or hide or manipulate the way things occur, but always has go back to and solve the situation from some angle. I feel like the right person could come up with something really cool. I’m not that neurologically well suited to the kinds of games I like the most, so I just want somebody to invent me a very slow, scary, ridiculously dense game that’s got resident evil or dead space or soma vibes but relies on different combat mechanics somehow.
Have you played the System Shock remake. It seems to be exactly what you’re asking for. Enemies respawn, but you lower security on a level by destroying cameras and CPU nodes. Once it’s zero, there’s no more respawning enemies and you’re free to explore. It’s fairly slow and more tense than horror, with one of the best villains ever made in gaming.
So a horror game in the style of SuperHot? Or like, the ethos of the game is you’re being hunted or stalked, but it’s treated like a puzzle where you can set up stops and traps ahead of time, and the win condition is you set up well enough that you keep it at bay while you escape?
Maybe Amnesia: The Bunker is something to look into. I’ve not played it myself yet, but the reviews I saw made it sound like it might meet most of your criteria.
There aren’t a lot of genuinely great mobile games, but Threes! is certainly one of them. What I like most about it is that it actually understands what it means to be a mobile game: Short rounds, no constant focus required and it can be put down at any time since continuing a round is pretty so easy as the complete state of the game is always visible to you.
And for everyone who likes Threes!, I’ll also recommend Twinfold. It’s a game clearly inspired by Threes but with some dungeon crawling and rogue-like elements added on top. Maybe not as tightly designed as Threes!, but with just as much love and detail put into it and its presentation.
bin.pol.social
Najnowsze