Worth noting that paying for a license for software doesn’t stop it being spying malware either. In fact the pirate versions often take out the spying and the reporting-to-homebase that proprietary software does.
The photoshop that phones home to check a license is arguably more malicious than the pirate version that has been cracked so it doesn’t do that.
This is from the community on Reddit. You should be able to grab the torrent file for whichever 5e book you want from there. I would also recommend 5e . tools like the other commenters, even as just a separate reference; as a DM I’ve found it way easier to pull things up quickly, even if I legally own the book that has whatever spell/mob I’m looking for haha.
Yeah, a lot of private travelers will not accept doubly-lossy encoded files as a rule. So you can’t just go from 264 to 265. You need the original lossless file.
To OP, yeah, you want a seed box. Both to pin the file up and host it for a while, and to preserve your anonymity (the original seeder is under particular scrutiny.)
It will depend a lot on hardware and/or software but I’d bet users would see some artefacting, ghosting, and general noise when they play your x265 file
As another comment pointed out, an encode of an encode is banned on a lot of trackers… Or at least an encode of an already pretty lossy encode (x264) won’t be allowed
I played Skyrim AE right after Horizon Forbidden West and I kept finding the simplicity and visual clarity of the game to be so damn beautiful. The game has the right amount of clutter, right amount of volumetric fogs and right amount of texture detail to be easy on eyes and believable as a consistent and functioning world.
I don’t think I’ve seen anyone in this thread mention Telecines at all. It’s a machine that captures the video and audio from the film print directly to digital. A lot of good Cam rips were filmed from the projection booth, and could conceivably be done by a projectionist surreptitiously. Telecines though, required a large piece of equipment and time with a print outside of hours. Likely you’d need to be a manager or owner to get away with it, or have their blessing.
I remember the excitement of finding a Telecine for a movie in theatres rather than a Cam. It felt like striking gold. I bet the people releasing those in scene groups would be treated like gods back then.
Also, Telesyncs, which would be labelled TS, is when you have that high quality cam recording and sync it to a direct recording of the audio. The audio often came from the FM microbroadcast that are designed for hearing-aid users.
https://en.wikipedia.org/wiki/File:35mm_film_audio_macro.jpg Dolby Digital is an image of a digital signal (basically a QR code) that is between the cog-wheel holes on one side. Good Telecine machines are able to record the full surround track from this. That used to be the absolute best you could get while something was still in theatres. Often better than award copies, they had no stupid watermarks.
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Aktywne