I was actually in the middle of a Half-Life review (spoiler for my next post!) and I got a new Steam Deck in the mail, which thoroughly distracted me for the past few days. That, and I threw my back out, so sitting comfortably at my gaming PC has been impossible lately. Instead, I’ve been lying in bed, enjoying some of my...
So I preordered with this one retailer (Europe) before and they often deliver games a day or so early. I was pretty stumped to receive KCD2 four days early - long story short, I played like 15 hours since Friday and have been enjoying my time....
Or at least actually finished, for some reasonable definition of “finished”. I’m going to buy Haunted Chocolatier on release and I’d pre-order that given the chance and I never pre-order (I’m actually 1 for 1 on pre orders, I pre ordered Star Trek Voyager Elite Force).
So this problem started back in 2023 as in still occurring. Dead Space Remake, Jedi Survivor and Silent Hill 2 are some of the offenders. All these games were highly rated on gameplay and graphics...
I’ve heard the reasoning before that reviewers typically only have access to a, well, pre-release version. A day-1-patch is pretty common now.
So, as reviewer, you have to decide whether the performance problems look like they might be fixed on release day, and therefore whether you want to incorporate them into your review/score or not.
i knew what it was before clicking, and i have to say - as someone who thought that game would be perfect for me i was very disappointed
in the interest of not wanting to influence people’s opinions by being the only and negative comment i’ll spoiler my criticism, i still encourage folks to try it, and you can always refund it
spoilerdisappointed mostly by how janky it felt and how unintuitive a lot of the UI was. NPCs would speak too fast, give no time to pick the choice you want, in conversation other npcs approach you and start talking, my hand was held constantly, i got so many bugs and just, it felt like a pre-release build of a game i’d love if it was fixed, but no that was it- i don’t refund a lot of games but i came in expecting a great experience and the entire time i felt deep frustration
They have been “working” on Half Life 3 for over a decade, with many promising leads found through datamining things left in other source games over that time. There is almost always absurd levels of speculation over the smallest crumbs of datamined material.
The recent documentary they released had what was effectively a post-mortem section where they talked about why Episode 3/Half Life 3 never came out.
I can see why you might think that their new controller and headset might be enough of a game changer that they feel like making 3 is worth it again, but the overall feeling I’ve gotten from them from following all of this closely since the pre-Orange Box days is that: 3 isn’t happening due to the immense pressure and expectations that have built up over the many years people have been waiting. Maybe we get Alyx 2 or some other spin off, but the only thing they’d accomplish with 3 at this point is disappointing a wide variety of people with countless conflicting expectations.
At the very least you also have to contend with “Valve Time”. What would take a normal studio a year takes them four due to their obsession with polishing everything. Team Fortress 2 started development in 1998 and didn’t release for 9 years.
Don’t get me wrong, I’m excited to see where they go next, and I hope this means more than a voice actor sending a fun new years message. But you need to understand that “definitive evidence” of 3 coming based off datamined material has been floating around for 15+ years now.
For all we know, there may be no way this sci-fi future Porsche gets damaged, because it may not even be part of the game’s loop, as opposed to a driving game where we know for a fact you’re going to drive. When the appeal to a driving game is to be able to drive whatever brand of car you want, the car brand has the power in the negotiation. This is a game that takes place in retro future 80s sci-fi and doesn’t feature the actual real world car.
The way Kojima was probably able to get Monster to pay him was either he has a friend at the company/ a friend is a shareholder or he was somehow able to convince them that the deal was film product placement, which is a different kind of license and comes with different rules, but often means the brand does pay the prodution studio. I am going to assume he just has a friend that works at or owns stake in Monster.
Does he also have friends at CalorieMate, PlayBoy, and Apple? Sure, we know he has at least one friend at AMC, but this is a long line of product placement in Kojima games, and they do it for the same reason they do it in film; it’s an advertisement. I think it would be pretty absurd for an already expensive production to then license Porsche for their story when they could have easily, in 20 seconds or less, established a fictional car brand to plaster on the back on their space ship.
If the problem was a woman lead, how come The Witcher 4 also didn’t get brigaded?
It did.
Even if what you are implying is true, the same thing happened to Concord, people brigading it for being “woke,” and we both know how that ended.
People did the same for The Last of Us II, and that game sold over 10 million copies. A lot of its negative reaction was even pre-release from people who hadn’t played it but read the script. Concord was a game no one wanted from frame 1, before we even saw pronouns in a character select screen.
Any of you feel like we’ve become so fixated on graphics and perfomance to the point where the actual game part of a video game is often overlooked, or at least underemphasized? I don’t know about the rest of you, but all I come across on social media regarding gaming is about resolution, ray tracing, DLSS/FSR, frame rates,...
Elden Ring is still a stuttery mess on PC and barely hits 60 fps on consoles, even the $700 one, yet it’s beloved.
I have an old ass PC and a PS5 with the game on both and they run smooth as shit unless you’re using raytracing, which literally doesn’t even change the visuals in the game; it just makes it slower.
Stalker 2 is a busted mess. The performance issues have been fixed mostly after 3 patches, but the game itself shits itself once you get to a certain story mission. Literally nothing works beyond that point. The A-Life system does not work, scripted events are all jacked up, IDK if anyone else is getting this but every now and then I have my secondary weapon replaced with a random other weapon that I didn’t even have in my inventory, sound effects don’t play properly, the hud completely disappears, and so many more things that make me glad I’m only playing through GamePass and didn’t actually buy the game. There’s a good game under the mess, somewhere. But they should have just bit the bullet and delayed it another month or two instead of releasing what they did for the holidays.
The reason they sold so many copies though, is because pre-ordering. People bought them before they ever saw the game in action. And games like Stalker 2 are the reason why you shouldn’t pre-order. Because the chances of getting burned by busted-ass shit like this is increasingly more common. Again, because people pre-order the fuck out of games.
I know many people are excited to play Haunted Chocolatier, and may be disappointed to hear that it will still take a while, or that I took time away to work on Stardew Valley. I understand. I will be very happy when the day comes that I can finally release Haunted Chocolatier. However, as with Stardew Valley, I will not be doing any “early access”, crowdfunding, or pre-orders, so I don’t feel a ton of external pressure to finish the game on a timeline.
Bless you ape, take as long as you need. Quality takes time and you have long past proven you capabilities as a dev.
Although maybe don’t do white text next time? That was difficult to read. Edit: Ignore me, I’m dumb.
Nothing more disappointing to me than seeing a game I might enjoy… and then it’s only available on PC on Epic Games store. Why can’t it be available on Epic, Xbox game store and Steam? It’s so annoying, like you have no choice but to use Epic… which I would literally do ANYTHING not to use.
Basically watch games being promoted on steam pre-release and when games get popular, reach out to them and offer them money to be exclusive on EGS for a period of time despite all the publicity the game got being on Steam.
So we are giving participation awards? GoG use digital preservation as a marketing point. They aren’t doing that. And they are arguably making for a false sense of security (some might go even farther…) when people think that buying a game from a major dev and European publisher is digital preservation.
How would you feel if Crunchyroll started arguing they were the good guys because they were releasing Witch from Mercury for 100 USD?
Now for the fun part!
Or similar to any physical object you ever bought (hard drive space / shelf space), for that matter?
Yeah. As in it is “preserved” up until someone does a cross country move or merges their life with a partner who doesn’t see why you need to have every single Blizzard Battle Chest on a giant shelf in the living room.
You mean, just like any pre digital purchasing game that you own on disks?
Yes. Because bit rot is a thing and people need to be aware of that and actually preserve that data. Hmm, I wonder who could help with that…
They’re preserving it as much as they’re able to without being a government funded museum.
Good news. You don’t have to be a government funded museum. In fact, governments are kind of an active threat to these because they are in a REALLY grey area legally. And publishers (like CD Projekt…) tend to go after them both legally and not legally.
I very much disagree that just having a copy of a game is games preservation but it is part of it. And orgs like The Internet Archive are preserving both the media itself AND the media and culture about said media. And they and their associates put the legwork in to reach out to people who have those big boxes or scratched up discs and preserve things BEFORE it is time to make room for the new baby. And they don’t have fancy deals with publishers to help market for donations. They have to ask.
I generally don’t pre-order, probably won’t this time too as release has creeped so close anyway. But definitely buying it full price, just waiting for some day-1 reviews to check if it needs patches or not. I love the STALKER series, played them all and I definitely feel I own GSC some more money for the FPSs I’ve most enjoyed in the last 20 years or so.
Sometime a streamer, he show his pre-release to corporation Nintendo and say “You will never get this you will never get it la la la la la la.” Nintendo behind its lawyer. Nintendo cries, Nintendo cries and everybody laughs. Streamer goes “You never get this.” But one time Nintendo send lawsuit and Nintendo “get this” and then we all laugh. High five!
More Baldurs Gate 3 in coop with a friend. We’re in the Underdark, gonna kill some Dwarves next time and Gnome and probably everything. We’re just complete murderhobos.
Then I heard about Vampire Hunters, which is kinda Vampire Survivors, but as an FPS. It’s fun and there are a few more maps to beat, but I don’t know if it’s going to have as much staying power as some of these other games I’ve played.
Also, more Metroidvanias. I played through Elderand, and don’t think it’s very good. For some reason, I got lost and didn’t know where to go at some point, which I don’t remember ever happening with another game. It turned out to be a way up some platforms I just missed, but it took a lot of time with me just running around, until I looked at a video playthrough. Even if that’s just a skill issue on my end, some of the other parts, aren’t that good either. The map seems to be a bit inconsistent, which didn’t help finding the correct way. Combat is extremely repetitive, with every melee weapon having the same three-hit combo, even dual-wield daggers or a whip. There’s a crafting system for potions and upgrades, but it’s useless, because basically no materials drop. Definitely do not recommend this one.
I decided to buy Ender Magnolia, the follow-up to Ender Lilies, which is currently in Early Access. There’s not a lot to do right now, it took me a bit under two hours to get through everything, but it’s fun. Definitely wait for the full release though, unless you want to pre-order this game or something.
Finally, I also got Prince of Persia The Lost Crown. It’s much bigger than the other metroidvanias I played recently. I’m almost 20 hours in and about halfway done. It plays well and I gotta say, I really like the feature to take a picture, so you can see where you missed something and don’t just go back 20 times, just to realize you can’t get there yet. Combat against regular enemies can be a bit boring, since enemies are a bit spongy. Bosses are neat though, especially since you have a parry and interrupting boss moves feels great. There’s also a ton of platforming, which can get really tricky. The story is complete garbage and makes no sense, but whatever. The game is kinda expensive, but I got it on sale, which was fine. Since it’s an Ubisoft game, it’s probably going to be on sale for -75% in a few months.
Rant: Why are some of these metroidvanias so stingy with their fast travel? In Prince of Persia and Animal Well you can only travel to specific points of the map, although in Animal Well you could at least get to the teleporters from anywhere on the map. In Prince of Persia, you need to find the teleporter, to get someplace else, which can get really annoying. Just let me travel to and from every save point. Even Elderand, for all its faults, lets you do this. In Prince of Persia, in the DLC area you can actually teleport between save points, probably since they realized the other system sucks.
I was so excited for the game that I got ahold of a leaked alpha before the game released and played that. And then of course pre-ordered the game and played it immediately when it released.
As long as the delayed time is actually enough to fix fundamental issues, usually a short time of a few weeks, or even months, is hardly enough to fix core issues with a game.
The article says it’s about the network infrastructure. Which frankly seems like something pretty significant for this kind of game. The 3 weeks delay makes it sound like it’s not an easy “just upscale the server capacity” fix, so hopefully it’s nothing too complicated that cannot be fixed within that time.
That said, I would rather that studios would just stop publishing release dates if they don’t even know if they can uphold the deadlines. I know it’s become part of the hype culture and pre-sales and everything else pre-release, but I had much preferred that games would only get announced when they’ve practically gone gold, and worst they’d need to do is to iron out some imperfections.
It’s like moving release dates has become part of the project development and PR in the past decade, just to hit players with that “We wish to deliver the best experience possible, so we decided…” yadda yadda. Some might be genuine, but a lot of games still release in an absolutely garbage state after being delayed (multiple times even). It just gives the impression they do it to drive up pre-orders and hype. Like I wouldn’t be surprised if Rockstar would hit us with that crap sometime next year, and move GTA6 to late 2025 or somewhere 2026 or something.
“The current obsession with nostalgia and remake culture is easy to understand when you realize that it’s a symptom of a culture that isn’t allowed to imagine a future.”
No satire here; I genuinely think it’s a great example of a remake done well.
There are some major breaks from the original plot, which in itself would be neat, but they introduce an entire plot element that interacts with this derivation. The spirits I was talking about, “Whispers” (had to look up the official name, tbh), appear whenever the story attempts to break from the original story from the original release. In universe, this is explained as pre-determination, or destiny. Thanks to our meta knowledge, we know in reality that these spirits are attempting to maintain the timeline from the original release.
As an early example, after the events at the first Mako reactor, Cloud decides to collect his pay and go his own way, which is not the original intended path of the game. To correct this, a group of Whispers attack the party, and ultimately injure Jessie, preventing her from going on the mission. Needing another body, Barrett is forced to rehire Cloud for Avalanche’s mission to the next reactor. Without spoiling specific details, the whispers slowly become a form of antagonist as the characters try harder to get away from the original plot of FFVII.
This is interesting in a few ways. First, we’ve introduced a new major conflict in the form of the characters fighting against a physical embodiment of destiny. They do not want the outcome of their struggles to be predetermined, particularly as that predetermination involved the death and suffering of some specific characters. This is, in my opinion, an interesting new plot element beyond being “the same game again.”
Second, stepping back, and examining this with a wider lens, we can look at the Whispers for what they are to us, the players, rather than what they are to the characters. We know they are not maintaining “destiny,” but instead trying to reestablish the original story we loved. As a result, I see the Whispers as the collective voice of the “change nothing” remake ideology. When a community asks for new content of IPs they love, there will always be diehard essentialists who want their loved stories to remain untouched; the Whispers, then, are these people.
So if the Whispers are a physical representation of the “change nothing” remake ideology, then what is there to make of the fact that they’re largely an antagonist? This seems to me that the writers were critical of this culture, so much so that they ask you to fight it to earn the different take on the story. Of course, it’s far from the only derivation from the original game, but that’s exactly my point: FFVII remake was so far divorced from the conceptual, soulless “let’s pump out the same game again” remake that they literally wrote that culture into a new antagonist.
Part of the issue is that modern games are usually getting fixes right up to release. Pre-release reviews tend to focus on things that aren’t likely to ever change significantly, like design and writing.
It would be nice if they gave a summary of issues they saw with a disclaimer that they may get fixed instead of omitting that information entirely.
This sure seems to indicate coaching on catchphrases. As for conspiracy theories, this isn’t a conspiracy, it’s pretty obvious. IGN, Gamespot, Kotaku, and Polygon have a long history of rating games higher based on their budget and publisher influence. Standard review outlets are inconsistent, and since 2010 have been the butt of many jokes. This seven year old video from Dunkey albeit, satire, rather well breaks down the inconsistency between review outlet staff even highlighting their own subjective contradictions from individual reviewers (look at the bit about the Sonic game in this one).
When you look at the first wave of reviews given by those issued pre-release review copies, the trend speaks for itself.
I mean, I played all of them as they released, at least from 3 onward. I picked up GTA2 for PS1 from a discount bin way before 3 was even announced which is what had me so hyped for 3 in the first place. Though for 3 I waited until it was on PC as I didn’t have a PS2 then; but by VC I had a PS2 and had SA on pre-order (I still have the bandana bonus from it somewhere).
My recollection of when things happened is fuzzy AF though lol
Pre-empt: Everything I say is in regards to the original release. I have not played the pristine cut.
It is definitely intended to be deeply uncomfortable. It has a very “cosmic horror” vibe to it, while playing on themes of relationships, love and romance. Both the player and the princess will die, repeatedly, in sometimes gruesome ways, and sometimes absurd ways. Body horror will happen. You will read descriptions of flesh and bone seperating. But despite all that, it ultimately is an emotionally endearing experience.
It’s good, but not great. The story is impactful and meaningful, and it does a great sort-of incidental meta commentary on literature.
An opinion which I find most players don’t share with me: the ending was incredibly weak, to the point that I felt it really detracted from the experience, which led me to my “not great” assessment. It has a bad case of “the only decision that matters is the last one,” which isn’t the way I like these seemingly heavily malluble visual novels to go, and none of the endings feel genuinely satisfying. Worse, my first ending set up for something of a second attempt towards a “golden ending” of sorts, only to pull the rug out from under me and just kind of… end, instead.
The storytelling is great, the writing is engaging, the voice acting is fantastic, the art is gorgeous… There’s a lot to like about the game, so I don’t want to make it sound “bad,” because it’s quite good. It just sold itself to me as a kind of “choices matter” game, where I’d find myself digging for information and answers, so I can learn more and make better decisions on multiple, short playthroughs. I hoped to eventually either discover everything I want to discover and feel good about my explorations, or use my growing knowledge to find the “right” ending, whether that’s a “golden” ending or an ending that I find satisfying and rewards me for my effort. But, for it’s variety choices, it’s not really that kind of game. It is, at its heart, a linear game, with some variation in the experiences you have between where you start and where you end up, with a couple choices in the last moment determining which page you flip to before the credits roll.
Maybe I expected too much, and the problem is with me. I can’t deny that my opinion could be based on a failure of expectation. But, I restate, it’s good, but it’s not great.
You can’t really gauge its Steam reviews because there are only 13(!) total so far, reflective of a game that has launched with just a few hundred players. 224, as I’m writing this article. Sub-Concord levels. Yes. Concord is a unit of measurement now....
Same here, and frankly, what kind of title is “Unknown 9: Awakening” supposed to be? That reads like an internal Codename they forgot to change pre-release:
Yeah I played so much pre 1.0 but never really got around to it after release. I knew how much I would be addicted if I really got into it again so I never really got around to it. I really need to get some time to try the base game as released before doing this expansion. But man, I really want to.
Random Screenshots of my Games #57 - Aperture Desk Job (lemmy.world) angielski
I was actually in the middle of a Half-Life review (spoiler for my next post!) and I got a new Steam Deck in the mail, which thoroughly distracted me for the past few days. That, and I threw my back out, so sitting comfortably at my gaming PC has been impossible lately. Instead, I’ve been lying in bed, enjoying some of my...
Got Kingdom Come Deliverance 2 (retail, PS5) early, AMA angielski
So I preordered with this one retailer (Europe) before and they often deliver games a day or so early. I was pretty stumped to receive KCD2 four days early - long story short, I played like 15 hours since Friday and have been enjoying my time....
Spider-Man 2 Debuts to 'Mixed' Steam Reviews Amid Serious PC Performance Problems (www.ign.com) angielski
Reviewers giving high scores to poorly optimised games really grinds my gears
So this problem started back in 2023 as in still occurring. Dead Space Remake, Jedi Survivor and Silent Hill 2 are some of the offenders. All these games were highly rated on gameplay and graphics...
The audacity! (lemmy.world) angielski
Chants of Sennaar, a puzzle game where you decipher an alien language (Demo available) (store.steampowered.com) angielski
I don’t know if this is a good community to post to, but it’s a cool game and i want to share it somewhere....
The voice actor of the GMan just posted this promising cryptic HL3 rumor (fxtwitter.com) angielski
EXCLUSIVE - Year 2 Content is Planned for Ubisoft's Skull and Bones (insider-gaming.com) angielski
Okay there Ubi…
What happened to gaming?
Any of you feel like we’ve become so fixated on graphics and perfomance to the point where the actual game part of a video game is often overlooked, or at least underemphasized? I don’t know about the rest of you, but all I come across on social media regarding gaming is about resolution, ray tracing, DLSS/FSR, frame rates,...
Update on ConcernedApe's Haunted Chocolatier (www.hauntedchocolatier.net) angielski
TL;DR: Still in development, but Stardew Valley v1.6 took most of his time.
I hate when a PC game is ONLY available on Epic Games store (lemmy.world) angielski
Nothing more disappointing to me than seeing a game I might enjoy… and then it’s only available on PC on Epic Games store. Why can’t it be available on Epic, Xbox game store and Steam? It’s so annoying, like you have no choice but to use Epic… which I would literally do ANYTHING not to use.
Blizzard is delisting the OG Warcrafts from GOG, but GOG says it's gonna preserve them forever anyway, hands out a discount, and announces new policy for its preservation program to boot (www.pcgamer.com) angielski
STALKER 2: Heart of Chornobyl Potentially Banned in Russia Due To Potential 'Justifying Terrorism' (wccftech.com) angielski
Nintendo sues streamer for playing pre-release, emulated Switch games (overkill.wtf) angielski
Weekly “What are you playing” Thread || Week of November 10th
Late post sorry about that....
Terraria hits over 60 million sales with Terraria 1.4.5 shaping up to be another big update (www.gamingonlinux.com) angielski
Path of Exile 2 is getting delayed again, but only for 3 weeks | Digital Trends (www.digitaltrends.com) angielski
Nostalgia and remake culture (lemmy.sdf.org) angielski
“The current obsession with nostalgia and remake culture is easy to understand when you realize that it’s a symptom of a culture that isn’t allowed to imagine a future.”
Dragon Age: The Veilguard | Review Thread angielski
Game Information...
Grand Theft Auto: San Andreas release 20 years ago today. angielski
What do you guys think about it?...
Slay the Princess - The Pristine Cut is OUT NOW! (store.steampowered.com) angielski
Completely forgot about this but I’m excited to update and check out the new routes.
‘Unknown 9: Awakening’ Arrives To 200 Steam Players, Poor Reviews (www.forbes.com) angielski
You can’t really gauge its Steam reviews because there are only 13(!) total so far, reflective of a game that has launched with just a few hundred players. 224, as I’m writing this article. Sub-Concord levels. Yes. Concord is a unit of measurement now....
Factorio: Space Age - Trailer (www.youtube.com) angielski