The important distinction, I believe, is that Kai Winn and Dukat were villains, characters designed to be hated. Wesley was supposed to be a precocious scamp, bringing levity and juvenility to an otherwise dry and mature crew, but just ended up being… Wesley.
Kai Winn is intended to be hated. And Dukat is such an enjoyable character that the writers had to go out of their way to remind everyone that he’s a bad guy.
I don’t think people hate Wesley in the same way. They don’t hate the fictional person, they hate the way the story presents him. They hate the way he saves the ship by being effortlessly superior to everyone, including Data. And it doesn’t help that he was a young actor with limited skill, featured most prominently during the shows weakest seasons that suffered from bad writing.
I think there’s far less negative reaction to the Wesley we see in The Samaritan Snare or The First Duty. He’s still a smart kid with a lot of potential, but the story presents him as a flawed, vulnerable person, rather than an obnoxious little shit with a terminal case of smug overconfidence.
I was wondering why this article was talking about the film in present tense:
There you have it! A news article on Godzilla Minus One in the tone of Forbes. Let me know if there are any other adjustments or additions you would like.
I was honestly hoping a few people would have to think about it before they figured out what I was referencing. But it seems I was obtuser than I intended.
The entire first season of The Expanse should have just been one episode. It took me multiple tries to get into that show because the first season is so boring.
This trend of drip feeding mysteries started with Lost back in the 2000s and I find it incredibly frustrating.
I barely knew what the story was until you learn about it in the last episode. The rest of the show then moves forward with the significant discovery of that episode.
I think you're thinking of Atlas Shrugged - Neuromancer is literary acid-house and is quite literally one of the best novels ever written. You have to read it about 4 times before you actually get it.
Eh, never hated Wesley back when the show was airing. When the episodes where he’s badly written (and there are many) are spread out over weeks or months, he’s not annoying enough to hate, and he does get some okay writing here and there.
If anything, having a younger crew member helped teenagers and kids find a more relatable character to have an in to the show if they weren’t already fans of TOS and the movies. So in that , even though he was poorly written most of the time, he’s still a valuable character.
Honestly, even back then my impression was that the writers were just crap at writing a believable “gifted” kid. That Wesley was supposed to be even more than gifted didn’t help because getting the kind of personalities that form around kids that really are that much smarter than those around them isn’t exactly a common experience even among gifted kids. The kind of genius that Wesley was described to be is just too rare for even the mensa set to have a lot of experience talking to.
That’s what I think the problem was. You had adults that weren’t used to the kind of intelligence Wesley was supposed to have, and didn’t really remember being Wesley’s age trying to write him. They just used tropes and guesswork to turn him into what amounts to a DMPC, a free check to make bad writing choices via “super genius saves the day” vs “teenager fucks up” mismatches.
I don’t consider Star Wars to be sci-fi. It’s a futuristic space fantasy.
Is that an unpopular opinion? Most sci-fi/fantasy fans I know would probably agree with this. I love Star Wars, but in the same way I love Lord of the Rings.
Also, Star Trek Enterprise is one of the best Trek series, IMO. Top 5.
I would say the final season of Enterprise is arguably the best single season of any Star Trek show so far. But it was a long road getting there...
The human crew (particularly Archer and Trip) were difficult to warm to in seasons 1 and 2 - I found them so much more emotional and overdramatic than an intelligent professional human would be today, and that it made it difficult for me to accept them as the bridge from today to the 23rd/24th century Starfleet we know.
Season 3 was tough for different reasons - maybe it played differently in America, but watching from outside the US a lot of it felt like post-9/11 revenge fantasy. Very proto-'America First'.
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