Fandom hosts a lot of wikis for long forgotten nich’e games and with these games there usually isn’t enough interest to move to another wiki. When it comes to these wikis theres rarely if ever a team behind updating the wiki and more often than not the content is just being updated and maintained by random invidividuals who just happen to be engaging with the content at given time. The very low barrier of entry makes this possible as you don’t really need to join a team to edit pages or even coordinate with other people.
When playing one of these games I like to record and share some my observations and findings about games mechanics etc but more often than not the only wiki I can find is fandom wiki that is either incomplete and possibly even abandoned. I cant be bothered to create my own Wiki for these games so I’ll just start editing that one instead because it’s easy, the foundation is usually already there and I don’t need to bother taking any sort of responsibility/mantle of maintainer or admin.
While Fandom may not be the most optimal choice and there may be better ways to host wiki out there its still better than some obnoxious google document or poorly formatted steam guide that no one else can edit.
What games are so small as to not be capable of generating a non fandom wiki, but are large enough that the wiki is not completely empty and factually incorrect?
The problem is that the content is already in wiki fandom and there are no contributors invested/interested enough to migrate all the information to alternative wiki. These fandom wikis have no teams just random individuals making contributions of various sizes.
If I do ever get invested enough to a game to actually create a wiki I’ll definately use something else than fandom.
I liked this vid. This felt like they were doing a Nintendo Direct but with their shitposter styler of humor. It really feels like dunkey and Leah have found a good balance between coming off like a serious business, while still appealing to their existing community that follows Jason’s channel for his unique style of humor.
I love Joel but the ending where it was like “SPONSERED BY BALDUR’S GATE 3” really woke me up to realize I just watched a 6-and-a-half-minute ad and that’s it. In fact, I feel like if he had put at the start of the video, I would have taken it a whole lot differently.
Yeah, I was caught off guard by it and thought it was a joke but it seemed clear by the end it was Joel’s way of displaying that the video was a paid ad. IMHO, is far too late in the video to display such information.
Why do you appreciate Larian more? Larian is just paying people to make ads. A lot of studios don’t even do their own marketing and just pay ad agencies. Either way seems silly to praise Larian for paying for ads.
Exactly. That kind of stuff is not what many companies would approve to officially represent their product. Then again, it is weirdly on brand of course …
He has 1.8 million subs and makes videos about fantasy universes and video games. He’s an obvious choice IMHO. Also again, unlikely anyone at Larian said “yes, him exactly” and more that an ad agency sent out emails to contacts and worked with people to pick the best and most able.
Just FYI: I’ve had a really good experience with Heroic launcher. Use for playing those Epic freebies I’ve accumilated over the years, and has been pretty solid, almost Steam-like experience.
I second this. I would use an epic account like a burner account and just get all those free giveaways. Heroic works for the Amazon prime games as well. I played a little bit of trek to Yomi the other day because I had a friend mentioned it was free on epic and I didn’t even realize I already had it.
So it takes up to 15 minutes to apply (if successful) and has to be done every time you start your XBox 360. It's great that there's no hardware changes involved so even I could make changes, but at every boot?
Now you reminded me of the 3ds homebrew scene. It was so fun. Its amazing how active it was as well. But now its at the point where you can homebrew one by scanning a qr code, no need to buy a specific game or special cartridge.
Yeah, hacking a 3DS is incredibly easy and painless today. Back when I first hacked my 3DS I had to do it through the browser, after inserting a bunch of code on an SD card, and it only had a 50/50 chance of actually working, with the risk of bricking the thing.
Highly abbreviated summary:
New story mission chain.
Further additions to biome assets, new star system type with different styles of terrain generation.
Many QOL updates.
It’s nice and sort of funny to see that they’ve restored water to some planets’ moons. Wild to think it’s been maybe around 8(?!) years since that was abruptly removed. Always get some mixed vibes from No Man’s Sky updates due to this awkward back and forth between removing and restoring parts.
Thing is, it is the same requirement as EA, Ubisoft, and to some extent, Valve.
Granted, I think those others have spread their legal agreements to more countries, which has been the main complaint. But they all get to track player data; I’m sure Sony only got into PC wanting that too.
People complain when EA and Ubisoft do it too. As for Valve, what game that’s not on Steam requires a Steam login? That’s the issue here, being required to use their platform account when not on their platform.
As stated my someone else, it is a fairly mid-sized game. The map is rather small, albeit with various vertical level that stays inaccessible until you catch specific monsters. But all of them lacks variety. You either get grassy plains, scarce forest, automnal forest, forest or water. Oh, and a mountain too. But once you’ve got accustomed to the grass/forest part, it gets boring quite fast. I’d really like to get a desert/sand biome, a rocky one, and the likes. And they even have the lore excuse to be lazy with the placement, they don’t even have to make it logical.
Eh, I thought it was perfect. I hate how modern Pokemon games have become quasi-MMORPGs, in staleness of core design, lack of combat depth and also their desire to have you spend every waking hour doing absolutely mindless rote activities.
This was nice. Strictly superior oldschool Pokemon clone with fantastically punny names, really cute characters and a nice runtime that’s still longer than the old Pokemon games but not as bloated as modern ones.
Cassette Beasts is relatively short. You can beat the story in a couple of days. 100% and the DLC take longer, but it’s an absolute pleasure all the way through. Highly recommend you move it to the top of the backlog.
Across the globe, companies can simply say you DO NOT own your games as long as they have a EULA, and it even gives them the power to destroy your ability to play a game!
Ross Scott (of Freeman’s Mind and Game Dungeon fame) has done the leg-work of researching how much power these companies have in various countries, and what he found was that, as a gamer, you effectively have the same amount of rights as a squirrel.
The only way to stop this practice would take millions of dollars to fight it legally in court, and uh… I don’t really see any millionaire gamers willing to take up that cause. So, in any realistic sense, the corps have won here. There’s nothing we can realistically do, short of boycotting.
BUT, that doesn’t count for the EU, Scandinavian countries, Canada, UK, or Australia. Unlike the US, they actually have functional consumer protection laws, and ways for consumers to fight back against corporate overreach without needing to have a few million in the bank.
If you live in any of those countries, we could use your help! It would help even further if you’ve purchased and own The Crew at any point in time, but you can help even if you haven’t!
If you live anywhere else, you can STILL help by helping sign a French consumer petition, which has real weight to do something, it isn’t like one of those pointless change(dot)org ones! But to participate, you must have owned the game.
You’re on the front lines of consumer protection for gamers across the globe! Your actions (if we’re ultimately successful) would likely have ramifications even in the US and Canada!
How can you help? If you can’t watch the video, here’s the website with a step-by-step guide on what you can do to help: StopKillingGames.com
This is likely going to be the biggest push for consumer protection for gamers there has ever been, so… Like, it’s kind’ve a big deal. Let’s make this count, guys.
Last Epoch is a phenomenal game and was worth every penny years ago–I’m incredibly excited for the 1.0 release. It’s got just the right amount of build complexity–if making a Path of Exile build from scratch takes a PhD, then doing it in Last Epoch would be like community college (although there’s definitely differences in complexity from class to class).
The developers (Eleventh Hour Games) offer regional pricing, so non-Americans aren’t priced out of the game, and although servers for online play will be available based on a cost vs demand basis, it is possible to play the game 100% offline.
If anyone has any questions about the game, let me know!
What’s the story line like (if there’s any)? One of the reasons why I like Diablo (1&2) so much is because of the atmosphere, the world building, the lore, the attention to small details. Especially in Diablo 2, for instance, things like cool random names for mini-bossess, the personality of the all monsters (like how the fallen make cute grunts and scream “RAKANISHU!”) - it feels like you’re fighting against real creatures which are alive. It makes the world feel so much more alive and immersive, and increases the replay value.
Now compare this with Diablo 4, where all the mobs just feel so generic and unimaginative - like you’re fighting a big bear called “beast”… like wtf. Also, the biggest problem in Diablo 4 is that the difficulty scaling is whack - you never feel like you’ve become powerful, because the monsters become just as powerful as you and it just feels like an endless, soulless grind. Even so called “legendary” items are crap and meaningless, they don’t bear any excitement at all - like imagine how excited you’d be in D2 if you got a Tal Rasha’s or an SoJ or something, or heck, even just one of the upper runes. And finally, in D2 you have some very memorable NPCs with iconic dialogue and voice acting. Even more than two decades later, people reminisce fondly about Decard Cain and all his epic quotes like “Stay awhile and listen!” - and I bet any D2 fan reading this would’ve instantly read that quote in Cain’s voice. D4 has none of that, it’s a soulless game. So how does Last Epoch fare in regards to all that? Specifically, what I want to know is how’s the:
The story is currently unfinished, so I can’t comment on its entirety, but I’m enjoying the themes and choices they’ve made so far. It’s based on fantasy-inspired time travel and visiting the same areas in different eras of time, similar to Crono Trigger. You meet some characters at multiple points in their life, sometimes changing from friend to foe or vice versa. Finally, the endgame mechanic involves exploring alternate timelines where key events in the history of the world had a different outcome (for example, one timeline explores what would have happened if the gods had failed in their quest to exterminate the dragons).
Music
The music is immersive and calm when it needs to be, and engaging and dramatic when it needs to be. Ultimately, I felt like it wasn’t anything to write home about when I turned it off in favor of my own playlists a few years ago, but the composer has had nothing but time to refine their craft and I wouldn’t be surprised if they update the soundtrack for 1.0.
Environment/World Building/Mobs
I feel like they knocked it out of the park on this one. Enemies in the Ancient Era are primal and wild, the Divine Era is regal and civilized but barbaric underneath, the Immortal Era is appropriately gory and dreary but filled with loving people who still have hope, and the Ruined Era is consumed by darkness and it really shows in the enemy design. The giant reptiles you fight in one era may get resurrected to fight against you in the next; wild scorpions will have glittering gems appear in their carapaces as you near a treasure trove, cultists will grow more mutated as their exposure to their deity grows, and more. Side quests have you time-traveling from era to era to complete objectives in creative ways, and there are even ways to skip parts of the campaign by exploring and completing dungeons, for when you’re leveling alts.
NPCs:
Most town NPCs rarely elevate themselves beyond exposition dumps, although there are some memorable moments; but the characters that travel with you or fight against you are great and charismatic. I like one of the characters enough that I’m legitimately upset that they die, and I hope we’re able to save them at some point in the future (or should I say, some point in the past?). Sadly, the main vendor that you use in the endgame is kinda dull and flat and is definitely no Deckard Cain, but that’s honestly the kind of feedback that the devs would appreciate and find a way to apply to the game.
Loot:
Uniques and Set Items have descriptions that build out the world or tell you more about the person who originally used them, kinda like dark souls. Normal/magic/rare/exalted items don’t have descriptions and are based on a prefix/suffix system, and unique items can potentially drop with 1-4 Legendary Potential, a stat that allows it to inherit a number of affixes from an exalted item equal to its Legendary Potential. They are also implementing two different approaches to loot by adding mutually exclusive Item Factions to the in-game world-- the Circle of Fortune will increase item drops and add mini-quests to further increase drop rates for specific items similar to Prophecies and Atlas Memories from PoE; while the Merchants Guild will let players trade increasingly powerful items with each other, either in person or through a bazaar (although there will be limited options to trade items with friends regardless of which faction you choose to join, if you spend time together in game)
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