Morrowind! Besides the wealth of non-story quests, the modding community is HUGE and lets you add EVEN MORE CONTENT. (To be fair, the modding communities for all TES games are massive.)
There are some mods for Daggerfall, but not what I’d call a massive community. Arena is mostly ignored, and it’s like Battlespire and Redguard were erased from history altogether.
You’re totally right, haha. I was just so excited while posting that, in my hasty attempt to include the later games’ communities, I just blanket-statemented the whole series! Thanks for catching that 😅
It’s understandable 😁, Morrowind is definitely when the series started to get more mainstream audience, and the older ones are not talked about a lot. I had never even heard of them before trying Morrowind, I rediscovered them later mainly because I can’t let a game drop a “3” on me without wondering what came before.
Doesn’t help that there was a big design shift between Daggerfall and Morrowind (more than anything between TES 3-4-5), and they’re very different games.
Daggerfall did have a bit of modding though. Most quests were procedurally generated using quest templates, like “[type of NPC] sends you to [type of dungeon] to find [McGuffin] for [reward]”. I remember a mod that added lots of new quest types for more diversity.
Random encounters are a staple of Japanese rpgs, not rpgs in general (and also not all jrpgs have them). There are a plethora of rpgs without them! You will more likely see enemies on screen, and good rpgs allow you options to resolve things without combat (with some exceptions, like certain monsters).
Witcher 3 is perhaps a good option. The combat style is relatively complex I’d say, and quite fun. The story is very engaging and super well written. And it’s available on both Steam and in fact on Switch too. I’ve played the whole game on Switch, and it runs well.
Awesome game so far and remarkably well-polished due to the early access. My only real gripe is that the camera control is a little fiddly. It may be that I’m just not used to it, but a click and drag to rotate the camera would be chef’s kiss
I had issues with the “enhanced” GOG version. Starting it requires an ancient openssl library which is no longer available on modern platforms. If you launch the game via terminal or check the logs Lutris provides you might see an error message similar to “openssl.1.0.0…so not found”. If thats the case I can dig up more specific instructions to circumvent the issue which got me into the game. Just to clarify, installation worked, it was just the game necer started or rather instantly crashed.
It’s not a dumb idea per se but I’d rather play a version that’s been (allegedly) optimized for Linux computers, like GOG states on the game’s front page!
I think of it like this: my own personal boycotts do nothing individually, but I am doing a very small something by refusing to be a bridge to grossly evil companies into my communities, and raising the ethical concerns with egregiously bad corporate cultures and business models. And for my own personal comfort, I just can’t engage with products that fill me with disgust due to the taint of who will ultimately profit from my purchase.
On that, when my personal attachment to a creator, studio, or individual game supercedes my disgust or frustration with a publisher’s business models or revenue streams, I try and keep that in the conversation. I play a lot of Warframe, which has some mildly manipulative monetisation like algorithmic discounts and crippleware elements; and PSO2 which is published by a corporation with a large gambling revenue stream, and the game itself has gambling elements in it, albeit surprisingly low on the evil anti-player scale.
And that’s the thing, sometimes I love something enough that I can’t bear to part with it. I find Yoshi-P’s transphobia and support of NFTs to be sufficiently revolting that I can’t play FFXIV anymore, nor will I ever buy anything or even positively talk about anything associated with him ever again; but I’m still subscribed to FFXI. I still plan to buy new mainline Dragon Quest games despite the fact that Square-Enix treats its customers with absolute contempt and has committed to a path of ecological violence against the Pacific.
That said, I think it is a good mental exercise to get in the habit of thinking about who you’re giving your patronage to. Do they have good working conditions? Where do they make their money? Are the leaders shitheads? These things become part of a disposition, and you become part of a cultural conversation, one that’s clearly starting to engage more and more people. Start talking about good developers and especially workers’ coops like KO_OP (handily named) and Motion Twin; or studios with excellent working conditions like Supergiant, Hello Games, or Monolith Soft.
That said, this is all still part of the infamously ineffectual practice of lifestylism. At the end of the day I believe it’s about cultivating a particular set of values and trying to broach them to as many people as possible, and learning to effectively and respectfully communicate them. If you ever do get in the industry or can support people in the industry, that’s when you can actually do something material.
I agree with most of what you said. I think it’s important to be conscious of where our money is going and to be comfortable discussing that with others.
About FF14 and Yoshi-P, however, I’ve actually heard the opposite about his opinion on trans people and NFTs. I heard from my friends (and upon a quick Google search I just did) that he expressed sympathy towards trans community members and that he was trying to keep NFTs out of the game? If you’ve heard otherwise, can you please share the information? I was going to resubscribe to play with my friends, but if you know something, I’d love for you to share it.
I will also check out those companies you mentioned near the end, such as KO_OP and Supergiant!
Yoshi-P is a very talented speaker, I’ll give him that. But you have to look at what he’s actually saying. There’s a very pretty preamble about “I’m sad that society, is this way, so my hands are tied…” which is a technique known as impersonation. Whether or not Yoshi-P himself is a transphobe, I guess I can’t say, but the entire speech itself is just straight up transphobia. He then provides a single sad vignette as if to say that can somehow be generalised across all of society, and not just a particular minority view. The ultimate thrust of things is that the small amount of transphobes in the audience are more important than making trans people feel comfortable or welcome.
After I stopped playing XIV, it got much more obvious in context. If I contrast the freedom of presentation in PSO2, which lets you have control over how masculine or feminine your bone structure is, what sex characteristics your character has, and whether you have a masculine or feminine face and to what extent. Beyond that, there’s also a diverse wardrobe for both “Type 1” and “Type 2” in the game’s parlance (which in itself is super cool) to facilitate how you want to present, even if you don’t want to change your body type.
In FFXIV, I was largely stuck using mods to make sure the clothes I wanted were possible. When the game started official porting previously male clothes to female models, they did so with the caveat that your character absolutely must have prominent breasts. Similarly, going in the opposite direction, all the previously-female gear was really revealing and I think meant to be more funny than serious. Bad luck if you wanted to present femme and not just dress up in obvious drag. This might be better now though, I haven’t played in a year and a half.
re: NFTs
I can’t find where he’s spoken against NFTs in general. “NFTs won’t be in FFXIV” is not a general statement of opposition to them. The most I’ve seen is “making a fun game around cryptocurrency would be difficult”, but no actual firm statement of opposition. If Square Enix is as democratic as they say they are, and given Yoshida is on the board of directors, I don’t think the Square Enix push to NFTs is just unilaterally Matsuda.
I still have to finish FF8 some day. I started it and kind of liked it, but never got into it. Maybe now some of the fan made HD graphics mods for the remaster are finished.
FF6 is peak, though. I have an emulator on my phone with the Woolsey-uncensored romhack version. Love that game.
From a design perspective, I think you could safely pick anything from V to XII and say it’s the best one, honestly. VI and Chrono Trigger really stand out as the most refined in terms of game design and systems from that particular era.
Without spoiling anything, the episodic storytelling style is taken to its limit in the game’s “part II”, and it allows for some really clever writing. VI is one of those games that kept me thinking long after I finished it.
I haven’t played BG1 or BG2, but so far I haven’t felt that BG3 requires prior knowledge in order to understand the story. As for DND knowledge, the only things I know about the game are from the bits and pieces that I glean from watching Critical Role. BG3 is doing a wonderful job filling in the missing pieces of knowledge with really handy tooltips and descriptions of how everything works. If anything, it’s probably the most interesting primer to DND I’ve ever encountered.
First, you won’t spend that money, you can spend that on other things instead.
Second, you can spend the money you have saved this way on products of better companies. For games this may be good indie developers and smaller studios (is that a thing?), but generally for software there is usually a wider range of options, and I mean even actual alternatives.
You could argue that me not paying for youtube premium won’t change a thing. That may sound true, but it isn’t necessarily: if you instead support your creators trough Liberapay or Patreon, then not only Google will get less, but the crearor and toss other platform will get more money, so they can improve their services and keep the lights up. Or like choosing to pay for Cryptpad instead of Google Drive will again besides having Google and their investors getting less, Cryptpad devs (who are very resource constrained, just as mostly any users-first software project because of not being known) will get more.
EA's portfolio has been so thoroughly undiversified that they're looking for a buyer, just like Square Enix, Zenimax, and Activision have been. In that time that EA became enormous, smaller publishers like Embracer, Paradox, Anna Purna, and Devolver have grown as they reached that neglected customer base that EA left behind. Larian has grown by making really good games in a style neglected by EA. EA owns BioWare and got further and further away from making the Baldur's Gate 3 that Larian just made. So yes, it makes a difference.
I really admire your response here as you put my thoughts and feeling about this more eloquently than I could. I really want to incentivize the good work people are doing, and while my dollar going somewhere else might not mean much to EA or Blizzard, it means a lot more to smaller groups who are trying to do the right thing with less resources. It also just feels nice to spend money on something good :)
The first time I played I did it with full color and English dub, and it was good, but it kind of suffers from the “Pick the cat turds out of the sandbox” issue that almost every single one of these games do, where eventually you’re just going from POI to POI on the undiscovered portions of the map and everything gets kind of samey after a while.
I don’t know if playing in Kurosawa mode would be a fresh enough experience to hold me through a second playthrough.
@emeraldheart I'm not frustrated, because it's not a dilemma to me.
Blizzard's glory days are long gone, WOTC does whatever, I had my fun, and J.K. Rowling is a more complex topic. But assuming she's "bad" I'm fine with that too.
The games industry is only bleak if you omit the #indiedev scene. there are so many cool, new games.
E.g. In the last 12 months I have had a blast with Against the Storm, Phantom Brigade and Mechabellum.
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