My understanding is the media and projectors are heavily tied together with strict DRM. This is why you see cams with direct audio hookups, but not direct video rips
afaik audio hookups are recording of radio broadcasts for impaired not unauthorised rips of media used in cinema or recordings made using some tricks with wires and clamps.
The movie at a cinema isn’t a regular mp4 file, it’s a massive 100-300gb proprietary file that needs a valid license key to even be played back during a specific time period. Good luck decrypting the file or getting the company that issues the keys to the cinemas to give you a key because you’re not getting it to play early. Iirc somehow the Korean rip of the Sonic the Hedgehog movie was leaked early and something similar happened with the My Little Pony movie, but those fan bases are incredibly autistic and will find a way.
Yeah, there’s no need to pirate at the cinema when you can pirate at the studio. Anyway how in my Lord Satan they made that file that huge, it’s 12K resolution or what?
If you go, pay attention to the schedule. They still run one steam loco per day, so two round trips, but most runs up and down the mountain are powered by the biodiesel fleet. The cog railroad dieselized to reduce operational & maintenance costs, and to reduce emissions. Parts for the steamers were getting hard to source, and while the coal smoke coming out of the steam locomotive makes for good photos, it’s not always the best image, if you know what I mean.
It’s really just poker solitaire with a bunch of math added to flavorful bonus cards, if you’re not really into poker, solitaire, or math it isn’t going to be the right game for you.
I have a buddy that hates RNG, mostly plays shooter games, he hates poker in all its forms because of the randomness but I feel like learning to deal with probably and chance are really good lessons that apply to broader life.
To be fair, it’s not easy to make a big open world that feels immersive and competes with linear games in terms of fidelity (art, rendering, sound, music, etc), even if you know exactly where the player will go and what they’ll do. Trying to then account for every possible permutation of game state and player action is an exponential explosion of work. Without some kind of AI figuring out a believable way for the game to respond in any given situation, your only practical option is to make some assumptions, pick a small set of “golden paths” and polish those.
R* devs work their asses off to an ethically questionable degree as it is, I don’t think it’s fair to imply they’re not making the best possible experience at that scale with the technology available.
It’s funny because a lot of the things that bug you are immersion features that gamers of 20 years ago would be blown away by, regardless of how badly they were implemented. Goes to show how spoiled we are for immersive games these days. But interestingly, it sounds like RDR2 was less immersive for you because of those additional immersion features, because it always had little hitches that completely shattered your immersion. I guess realism has an uncanny valley in games - a game with more simulated elements also needs a higher degree of polish on those elements, as the errors become more obvious the closer you get to reality.
The game isn’t immersive to me because watching one button perform a 20 second interaction just isn’t engaging. Which to me is the forefront of the difference between “immersion” and “engagement”.
That on top of all the little frustrations that OP mentioned. Hitching your horse is a huge pain and takes you out of the moment every time, for example.
Tbh, the entirety of RDR2 feels like that to me. It’s been critically acclaimed as the most immersive game ever, but it just is so far from actually being that for me because of all of these little things that actively take away from it.
Overall, it’s fine. It’s not really a great game IMO, but a prolonged interactive story. The gameplay aspects are sporadic and mostly require you to mash the A button to keep your horse on the trail, else you don’t move along it. With the advertising and gamers both claiming it to be an immersive game, things like these really detract. I went in expecting a cinematic experience and came out of it with the saddest GTA jank and repetitive grinding for time sensitive unlocks.
Add in the senseless unskippable animal skinning and it just results in a good 70% of the game being unenjoyable for me. I played through the story, which was mostly pretty good, and the rest of the game was waiting to get to a destination to do one thing or see one event, then waiting til I got to the next destination. The gunplay is alright, the spontaneous events are funny, sometimes a little shallow but mostly are good. but man… I was disappointed with the game, as a game.
Of course, this is all my personal preference too. I just don’t find watching multiple extended cutscenes and multiple sub-scenes every few interactions. I don’t blame it all on these sorts of things, but I have a really hard time agreeing that it deserves the acclaim it’s gotten when these are pretty significant shortcomings for a game, specifically advertised to be immersive.
Sometimes you want to ride around on a horse and take on the sights, and it sure does to a good job at that. There’s some good tools and gunplay which are pretty fun to play with and… Well, that’s about where the fun ends.
Most people who liked balatro will probably also find dungeons & degenerate gamblers interesting which is coming out tomorrow. It’s a similar take on blackjack but with a few other ideas mixed in. I’ve played the demo and I’m looking forward to the full version
I recently got this game, and wow, what a time sucker. FINALLY won my first run yesterday. I’ve played a fair share of rogue likes, but this one really does feel fresh every game.
Honest truth? I have enough games to play, so I only really look into the few that are able to break through the noise. If a streamer/content creator I like isn’t interested in a game, it’s probably just not worth my time vs something I’m already playing.
bin.pol.social
Aktywne