I played and enjoyed both of them, shutting down the first one instead of giving it offline functionality really pissed me off and was the final straw for me with Ubi. It had a fully offline playable story, NPC vehicles to race etc. and the game would’ve been preserved forever.
Instead we got the crew 2, always online AAA signature garbage.
This is late stage capitalism, execs are judged on how much money they managed to squeeze out before the company died. They’ll be hired immediately specifically to do it again somewhere else.
Hey now, I know a bunch of farm laborers and started out as one myself.
They are nowhere near qualified for farm labor. That requires being able to work, not just regurgitate platitudes from the most recent bullshit management fad.
There’s a world where management is treated as an important but not godly position. Where they are schedulers and arbitrators of conflict, and where they aren’t free from consequences because they’re already at the top. And holy hell it’s also not the place where the position is used to promote someone out of where they’re useful simply because paying a labourer more than a manager is seen as unthinkable. It ain’t this one, but I like to think about it sometimes.
Yeah then they’d get to suffer being the incompetent bumbling idiot that does the back breaking stuff. MBA appropriate due to their avarice of wanting to exploit people, to clarify.
edit: Not trying to say farm labor isn’t skill intensive, moreso giving them a taste of their own medicine
Not just Uplay, but also their activation servers. Their games make calls to their endpoints to authenticate if you own/access the game and DLC. If those activation servers are decommissioned without a replacement, your game won’t activate and you’ll lose access to DLC.
They announced they would do this for legacy games several years ago, and I was going to lose access to all the DLC I paid for with my Splinter Cell Blacklist game that I physically owned on a Wii U disc way back in 2013. Bought all the DLC because I loved the game. After enough gamer backlash, Ubisoft backpedaled and the activation servers remain for now. However, the concern is still there that I’ll lose the stuff I paid for when they decide they can’t serve it anymore or if they go bankrupt. Without them updating the game code or open sourcing it, I lose updates, DLC, etc.
We need digital ownership reform, or else it’s piracy time again. This will especially be critical when Gabe steps down from Steam and new owners are appointed, or if Steam goes public.
That’s awful, sorry. Sadly, until we globally overhaul the laws regarding DRM, or consumer backlash threatens to destroy the industry (like with music piracy), this kind of garbage will continue to happen.
Not sure what you mean. They needed more NFTs and AI from what I can tell! /s
Honestly though whenever I hear big companies like this fail, it keeps making me go back to the Steve Jobs interview: www.youtube.com/watch?v=NlBjNmXvqIM
I mean, it’s not true inside a bubble. I’m sure there’s some incredible games that have been made by one person that didn’t find the kind of success that Stardew Valley, Minecraft, Super Meat Boy, etc did. But at a giant corporation like Ubisoft, they’re not on their own! They have marketing people, interns, studios and sub-studios, finance people, trend analysts, etc.
Ubisoft has some great IPs. But all of their best games came out over 20 years ago! So yes, quality is not the only thing, but it definitely matters.
A shame; the way they make their open worlds with lots of little things to collect and do are oddly pleasant to play for that. Definitely something only I really enjoy, I realize, of course.
Agreed. One reason I loved Majora’s Mask was that the game was dense. Every square inch of the game was used for something and in a lot of different ways. I also appreciated a checklist for my collectables so I could pinpoint what I was missing, but that’s rather off topic. I lean way away from open world games now both for excessive time commitment and most of it is just empty space.
Origins, Odyssey, and Valhalla scratched an itch that few other open world action RPGs have been able to for me (of course, they were copying Witcher III, which did it far better). Despite everyone saying all their games are the same, I haven’t enjoyed any of their other ones like I did those three (oh, except for Watch Dogs 2). If Shadows is the same thing again but in Japan, I’ll be satisfied.
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