The ATB bars fill very slowly when you aren’t playing as a party member, meaning that if you need to use certain abilites or spells, you should focus on playing as the character’s that can use them.
Same goes for limit breaks. On harder bosses you may need to build up a stagger, and then pull off a triple limit break during the stun. But you won’t have all three limit breaks ready if you didn’t evenly play as all three.
Also pay attention to ability effects. Some cause stagger instead of damage, some are single target vs AOE. The game doesn’t do a super good job of telling you what to use when, but read the descriptions and remember to check for weaknesses with assess.
Often assess will literally tell you how to beat a boss with specific instructions like “do a stagger ability during its charge up”, so always always always use it.
Just did the Hell House boss fight and learned all this the hard way lol. I wish i had read this sooner for that. Somehow i barely managed to pull it off first try though
That was a fun one! I don’t think fully utilized Aeriths kit until that fight, either.
Intergrade still has some of my favorite fights.
I really wish Rebirth was more difficult right off the bat. When you go into it having played Intergrade, you already know to min-max character usage, and the fights are a little too easy.
A lot of the bosses are spot on tho, and the game absolutely SHINES as you juggle three characters and their full range of abilites. In longer fights you can also go past limit breaks, and use level two and three limit breaks. Lining up three level three limit breaks on a boss is 👌.
And the gameplay does improve massively. The addition of party abilities, powerful mini-limit breaks which you can use if two compatible party members both have the relevant bars filled, are an amazing addition to the combat system.
The combo moves are also a huge qol improvement. In intergrade flying enemies are kind of a pain when playing melee characters like Tifa, but in Rebirth you can have Cloud (if he’s in the party) launch you at flying enemies by jumping off his sword at any time. In Rebirth all the characters get additional combo moves depending on who is in the party.
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In a time when a lot of children’s media was focused on “eco warriors” and fighting against pollution and stuff, you had a game with an Italian plumber stomping on turtles.
The synopsis in the manual also states that Bowser turned the residents of the Mushroom Kingdom into “stones, bricks, and field horse-hair plants.” In a given playthrough, most players probably smash a lot of bricks. Bricks which used to be Mushroom Kingdom people, who are now dead. Because Mario killed them.
It’s a big maybe on Mario being the hero because he may or may not actually succeed in reaching Bowser and rescuing the princess depending on how much the player happens to suck, and/or of Luigi winds up being the victor instead.
It’s just making a joke about the game being challenging (he’s only the hero if you win). Game media used to be a lot more playfully antagonistic back when many games weren’t necessarily designed to be won.
(And while I’m here, that manual has other odd stuff in it that predates Nintendo setting global standards. It has multiple uses of the word “kill”, and it has an “ask your parents” bit about the domino effect).
One example: the early-80s arcade game Elevator Action, in which you play a secret agent who abseils to the top floor of an enemy building and has to grab secret files and make his way down to a getaway car on the ground floor. Well, that’s how it’s described. In reality, you’re a spree shooter rampaging through an office.
I believe The Last of Us II actually portrayed this one thing oerfectly. At the beginning you can feel some of Ellie’s hesitation as she comes upon death, but the more the story unfolds and the more she becomes psychopathic. It’s hinted and it’s shown. The last Act of the game is her giving in to her PTSD. I think that, for once, this is absolutely brilliant.
But she’s the Hero™ fighting against the Bad Guys™. Branding is everything.
But yeah, viewed objectively from a third party perspective, a lot of heroes in games and movies are actually borderline villains. Inserting themselves into a situation they don’t need to be involved in, and then the end justify the means. They may murder tons of no-name henchmen, but a greater threat to society has been eliminated!
I actually find it interesting that a lot of superhero characters came from healthy, sane family environments and fight to protect the Status Quo™, while most villains come from hardship and trauma and attempt to change the Status Quo™ that allowed their injustice of a life to exist, so others don’t suffer the same fate.
But some happy-go-lucky hero always comes by and stops them because their plan changes the Status Quo™. And we can’t accept changes to our structured social environment!
DC’s Poison Ivy is always one of the best examples of this.
I want to say she is from the 70s? And “evil lady eco terrorist” is both sexy and evil. Except, as time went on, more and more of the readers/viewers started to REALLY like the lady who murders the patriarchy while destroying chemical factories and oil refineries to protect the planet. So she became more of a plant monster and DC Editorial learned how many of us are into bondage and so forth. Which has led to the modern day where she is basically an anti-villain, at best, alongside her lesbian lover Harley. Although the Harley Quinn show did a great job of playing with that with everyone more or less thinking her an annoying goodie two shoes even though she is torturing and murdering children and whatever else her background atrocity of the week is.
But a lesser known example that might actually be one of my favorite movies at this point is Donnie Yen’s Raging Fire. Yen plays the hero cop, as he always does, who is older but has morals and butts heads with his bosses who are too political. Except that, years prior to the movie, he was on a case with his protege and partner and they were told to do whatever it took to find a rich business man. Oh noes! His entire unit accidentally kills a suspect and now then Oh Noes, Donnie narced on them because of his morals so they went to prison and had a REAL bad time.
And now they are out and killing the corrupt cops and business people who betrayed them. Also it is basically Heat (right down to getting caught because the psycho killed a hooker) and the movie does a REAL good job of showing why Tse’s criminal is the way he is and why Yen’s cop is pushed to his breaking point and outright fighting the system he is supposed to uphold when his loved ones are in danger.
Until the final sequence which is the bank robbery from Heat. Except the writers realized the CCP is REALLY not going to like a movie that is this anti-cop so suddenly they are mowing down civilians left and right and lobbing grenades everywhere just to make sure you understand these ex-cops are actually the bad guys. And Donnie Yen and his CCP mouthpiece ass still has it.
Its a deeply problematic movie, like most of Donnie Yen’s post 2010s work, but it is also incredibly fascinating when you think of it from the perspective of sympathetic villains and state mandated “tone”. Also, like ALL of Donnie Yen’s work, it is a beautiful spectacle of martial arts coming from a guy who is even more frustratingly charming than Tom Cruise.
I don’t read many comics, but there was a Wonder Twins run by Mark Russell that was amazing.
The villain had a plan to scramble everyone’s identity on Earth, so one day you could wake up and be in a horrible economic situation. His thinking was that with the deadline approaching, people would have to work to make the world more fair for everyone.
SpoilerThe world leaders are so relieved when he’s finally caught, because they can stop wasting money on improving the lives of poor people.
Maybe. The bad guys show up with a lot of guns to take whatever they want. She shows up for archaeology first, and ends up having to stop the objectively bad guys.
The third game of the reboot trilogy starts with her tracking this evil organization that’s been screwing with her family, finding the item they’re trying to steal to trigger an appocalypse, stealing it first, and almost triggering that same apocalypse because she doesn’t know what she’s doing, thinking she’s doing good. Second game also started with her tracking the same organization to figure out what they’re doing, and from that, she stumbles into some archaeology. It’s a long character arc, she was looking for unrelated answers, but she learns that she can be good at figuring out ancient stuff, and she finds out the hard way that she can also fuck up badly when she doesn’t know what she’s doing. It’s supposed to end at the point where she’s mature enough to do better. We just see all the “fucking up” parts.
The second game of the reboot trilogy starts with Lara in therapy session about how she became a thrill addict from her survivor’s guilt from the first game and how she’s liking it.
I’m looking up the opening scene for Rise of the Tomb Raider and I can’t find the therapy session itself. Maybe it was only in the trailer and they cut it from the game, I remember people thought it was weird when they released that trailer because it was unexpected at the time that this was the direction they were taking? But the game does have you find tapes of Lara’s recorded sessions talking with the therapist, like how she’s having control issues and it turns out she has become a different person in a bad way.
Shadow definitely went off the deep end as it tried to up the stakes. Most of her personal motivation (frantic survival and then the mystery of her father’s death) were out the window and it was just a nebulous “I want to stop the bad guys”. And… it plays with it but it is very clear the intent is that she is unleashing the apocalypse as she steals these artifacts before the Bad Guys can. Whether the Bad Guys would have still done it without her is, of course, up to the viewer. It’s Indy and the Ark/Grail.
But I think the game overall does a good job of getting to the status quo and establishing Lara as having a Very British reason for looting everything and shooting every dinosaur she ever sees. If she doesn’t steal it, err, have it gifted to her, then somebody much worse will and they’ll be a lot meaner about it.
On the scale of “it belongs in a museum”: She is definitely much more psychotic than Indiana Jones. But she ain’t got nothing on Nathan Drake.
Personally? I loved the first of the reboot trilogy (actually strongly disliked every Tomb Raider up to that). I felt the second wore out its welcome by the end. And I actively disliked the third but it was short enough I finished it. But I think that is also why I will probably never bother to play Uncharted 4. I am just done with humping walls looking for yellow paint and waiting to see when my character reaches for something so I know to hit the jump button.
Stopped right before Uncharted 4? But that one has the “jump off a high ledge and punch a guy in the face to break your fall” move. It always felt so good.
I think the writers pretty much admitted they had no plan for Trinity, seeing how their goal completely changed from immortality to apocalypse between Rise and Shadow. They were just the reason for Lara to track them across the world and stumble on ancient stuff.
That was very clearly on purpose, she starts panicking about the first guys she kills to survive (and there’s a very obvious rape vibe when she gets ganged up on), and near the end she’s screaming I’m gonna kill you all. That is the narrative arc. Welcome to trauma stories?
I couldn’t keep playing that game after the first few hours. It felt like some kind of Lara Croft torture simulator fetish thing and made me feel icky.
It bothers me because TR2013 didn’t have to be like that. The dogs were challenging and scary. The puzzles were good. The bow and melee combat was tense. Hunting and exploration could’ve played a bigger part, the game so rarely took you off the rails and it was good when it did.
The game could’ve been made with killing humans being rare dramatic moments, with the guns being tools of last resort.
oh man I think there is a video somewhere on youtube where the dev talks about Lara’s “growth” from the first game to the third like lmfao I think this was intentional.
“As I stumbled upon the dinosaurs in the lost valley. An army of trans women showed up and gunned down all the dinosaurs…….and several of the local villages……and looted all the precious historical artifacts that were destined for the British Museum.”
If you don’t get it from the original developers before the closure, then there is always a little bit of risk getting malware filled builds. So I would be highly cautious. That’s why you should build either from source, or archive before its shut down. If you search the web, there are many sources, sites and users offering the executable for either Windows or other operating systems. I personally wouldn’t download and execute random executables like that.
That’s the reason why I don’t give links, because I can’t guarantee its free from malware. Really, the best is you build from source. I know most people don’t do that, but this is the best.
search for “yuzu” on archive.org should give lot of interesting results. There are source codes and latest builds available. I can’t be sure if even the sources are not tempered with. Use at own risk.
I think the latest Yuzu version from the original developers is “1733”. I have the version “1731” (2024-03-01) only 2 days before the shutdown. I had archived everything that day when reading about NOntendo going after Yuzu.
The flathub manual installation via command line still works. Unless flathub has been hacked (which there is currently no evidence that they have), it’s the same Yuzu. Seems to be version 1734.
flatpak install flathub org.yuzu_emu.yuzu
The response from the server indicates this is the same Yuzu.
<span style="color:#323232;">Info: app org.yuzu_emu.yuzu branch stable is end-of-life, with reason:
</span><span style="color:#323232;"> This application is no longer maintained. See https://yuzu-emu.org/ for details.
</span><span style="color:#323232;">Required runtime for org.yuzu_emu.yuzu/x86_64/stable (runtime/org.kde.Platform/x86_64/5.15-23.08) found in remote flathub
</span>
That’s interesting! I didn’t know Yuzu was still available on Flathub (don’t remember to have checked it). There is also Ryujinx (the other big Switch emulator that was available alongside Yuzu) still available on Flathub. Its less performant and Tears of the Kingdom had early after 7 hours or so a game breaking bug hindering progress, that made me to play on Yuzu. Then I stayed on Yuzu. But I have it installed too, just in case. :-)
Yuzu works great, but I did not test with newest games. You also need Firmware and prod keys (I’m not sure if the keys are actually needed in Yuzu). Some games could require a minimum Firmware version. I’m not sure if its allowed to post links here, so I’m leaving it to you for home exercise.
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