Hard but fair precision platformer by an expert of platformer design. Excellent controls, deep platforming mechanics, and a cathartic story about internal and external struggles.
This feels painfully obvious to a lot of (mostly trans) people, and likewise it feels painfully obvious to me too, in retrospect. It has also become painfully obvious to me that I, myself, am trans. But these are things that I was not aware of during the development of Celeste, where I was writing Madeline and speaking from her perspective. Creating Celeste with my friends helped me reach the point where I could realize this truth about myself. During Celeste’s development, I did not know that Madeline or myself were trans. During the Farewell DLC’s development, I began to form a hunch. Post-development, I now know that we both are.
Read further, while the author didn’t realize what she was doing it is a trans narrative through and through, and the free dlc ending did contain the flag because by then she did know.
When Madeline looks in the mirror and sees her other self; when she attempts to abandon her reflection, who then drags her down the mountain; when the two reconcile and merge to become stronger and more complete… that was all unknowingly written from a trans perspective.
I’ve been wanting to play this for a while and that price made it an instant buy. Really glad I did. Some of the strawberries are hard and unfair tho, haha.
Isometric Zelda / Metroidvania / bullet hell with a lot of accessibility features and neat art where you’re a lil spaceship guy. Has a demo to see if it’s your jam. Already beat it twice, would really love for them to make DLC or a sequel.
Grim Quest and Grim Tides. Two games by the same person. I haven’t played Grim tides yet, but it’s also free. Grim Quest is not a particularly large game, but I’ve still managed to play it over many years. I did a full run of each difficulty one by one. There is a bit to learn before it feels easy and casual, but it does get there. To be fair, I try to play it without dying. If I let myself die, it would be alot more casual even from the start. Dying is not heavily penalized on default settings, but you can alternately choose to play hardcore. Otherwise dying usually just means you gained less money for that run, and didn’t make the game any harder. The game only gets harder when you successfully clear a dungeon. You can also just exit the unfinished dungeon without dying and keep most of what you have acquired so far on that run, minus a small fee for quitting the dungeon.
There are preset difficulty options, but you can also craft your own custom difficulty. There are things you could spend money on, I think it may have started out with ads. But I consider games with ads that you can pay to get rid of as basically a free demo, and getting rid of ads is the purchase price if you like the game. So they don’t deter me if they don’t basically break the game to add ads to it, or affect the flow of the game whether the ads are there or not.
It doesn’t quite fit, but there are a lot of boardgame phone adaptions, and they rarely have microtransactions. Cat lady, carcassonne, ghanz schoan clever, doppelt so clever, hex roller, rail road ink and roll player are some of my favorites
Exiled Kingdoms, its an older isometric 2D adventure RPG. Kinda feels like it would have been made 30 years ago for pc, but it was made relatively recently for phones. I don’t think there was any micro transactions. It may have had an initial purchase price, not sure. That’s usually what I look for in a phone game. The traditional model of buying a game and then just playing a game. No gross mobile game stuff.
Andor’s Trail, it’s barely recogniseable as a “phone” game, other than that it does indeed run on phones. I don’t remember if it had ads or anything, been taking it from phone to phone for over 10 years now. I don’t think it had ads or anything. It’s open source, but has a pretty consistent feel despite having like 50+ contributors so far.
It’s an adventure RPG. The low level experience might be best with a bit of grinding, but… casual grinding… lol. I kind of just wander around collecting “meat” until I feel strong enough to leave the areas near town and set out on the rest of the adventure. But there has been alot more work around town since the last time I started a new character. So it might feel more natural now.
Spellsiphon changes the gameplay massively. Its what I found when I had the same question as you a few months back and it was exactly what I was looking for.
Friends and dragons. It’s a bit like easy chess with d&d style classes and species. It has transactions, but you can easily do well for free. I’ve been free playing for years (though I did throw them $10 around year 2 because of how much entertainment I got from it)
80 Days - it’s not free but I think it’s worth it. It’s a sort of steampunk version of Around the World in 80 Days where you have to plan your routes, and buy and sell things in different cities to make money. The main gameplay is sort of choose-your-own-adventure events that happen during travel and in different cities.
Card Thief - I just started playing this recently. It does technically have a microtransaction but it’s more like, they let you play for free if you don’t mind waiting for chests to unlock, or you can buy the game to bypass this. The main gameplay is sneaking through dungeons represented by a 3x3 grid of cards randomly drawn from the deck; collecting treasures and avoiding getting caught.
Got some stuff in my cart, but need to play some demos first before I hit the “buy” button. Surprisingly quite a few games I’m interested in have one available, which is nice.
In the meantime, I’ve started Case of the Golden Idol because I loved Return of the Obra Dinn and I know it’s highly recommended for fans of that.
Don’t know if I’m really feeling this as much, though. I’ll carry on, of course, because I still enjoy the detective puzzle aspect. But it isn’t drawing me in the way Obra Dinn did for some reason.
bin.pol.social
Aktywne