Spotify is not profitable right now; their current revenue doesn't come anywhere close to covering their costs. The only reason they're able to survive is investors holding on to the belief that, some day, it'll be possible to actually make the numbers work.
Musixmatch has a free, public database where lyrics are displayed. To contribute to the database, users can sign up and contribute lyrics, synchronizations, translations, and structuring to get points and move up levels. Musixmatch's points have no redeemable value, but are instead a marker of a particular user's contributions.
It is fucked up that the fans who are transcribing do not get a cut, but it’s not like they were misled to believe they would make a cut before they started doing it. The people doing that are doing it out of a passion for the music.
I’m not saying they shouldn’t be paid of course they should, if it was up to me I’d say make them all rich. I just think it’s a stretch to imply that Spotify is stealing anything here
The writers almost certainly do get a cut. Musixmatch does not own the copyright to any of the lyrics, and as such, negotiated with the copyright holders in order to be allowed to store, display, and sell access to the lyrics. This almost certainly involved some amount of money changing hands.
Spotify is paying money for access to the lyrics and using that as a feature in their product. A chunk of that money is almost certainly going back to the actual writers.
Spotify isn’t gate keeping access to the lyrics - you’re free to look them up on musixmatch or any of the other lyric sites and services. They’ve simply added them to their subscription services. You don’t know what gate keeping means.
You also still haven’t answer how anyone “stole” anything? Who stole what and from who?
“rentseeking behaviour” is one of the dumbest things I’ve ever heard used to describe a subscription service.
Is that all this is - you dislike subscription services?
They can’t gatekeep something that is available freely and easily outside of their service. They’re putting their implementation of the lyrics being matched to the music inside their subscription service. That’s not “gatekeeping”.
You still haven’t explained how anyone “stole” anything either.
Yes I have. You just keep ignoring everything I say.
You haven’t, so do it in reply to this. Who stole what from who?
Do I need to explain a 6th time what gatekeeping is?
I think you need someone to explain what it is to you tbh lol. Like I said, is this just you thinking that all subscription services are bad and “gate keeping”? Do you think needing to buy a ticket to go to a theme park is “gatekeeping”?
Who is profiting off uncompensated labor? Who stole what from who? You keep dodging the questions lol.
Spotify pay Musixmatch for lyrics. Spotify are paying for a service. If Musixmatch are “stealing” lyrics from somewhere that’s not Spotify’s problem.
Do you just believe that ALL subscriptions and payments to access something are “gatekeeping” behaviour? Answer the question. Is a movie theatre requiring you to buy a ticket before you can see the movie “gatekeeping” and bad? Is having to pay to watch netflix “gatekeeping”?
This is getting unbelievable in how much you are dancing around answering any questions about your crazy train of thought.
Them things is huuuuuuuuuuge. Like you can fit two regular size squids inside one and the big ones at that.
All wriggly and covered in equal parts suckers and slime.
Life is like that, my friend. You got all sorts of movement in it and it's trying to slip away from you AS (get is? as) it grips onto you.
Them suckers is painful too, because they got fish hooks in them. Squid fish hooks are natures fish hooks, that's why they used to use them as fish hooks.
Of course they had to catch the squid to cut its arms up and once they managed that no one wanted to use the hooks anymore as they had just went through the trouble of inventing a non-hook-related method of catching sealife.
I only heard that it was not advise / that it did not work well, and I actually tried it myself instead of using rclone sync to upload the content to the storage, mount it on my local machine. qBitTorrent downloaded everything, but the content was never reflected on the storage.
You might have setup something wrong then. It should work. The problem with torrenting on 1 server and saving the data to another directly via smb/NFS is that every write is at the behest of uploading to that network storage.
What would be better might be that you:
add categories
mount /completed/tv/ as a network share to hetzner-storage
then only when the torrenting is done does it auto copy the data to the SMB share
I have this all done internally. I torrent on one box, it’s finished and gets moved via NFS to the storage server. Which sonarr/radarr file away. They notify jellyfin to resync the library. The jellyfin box has the storage box mounted via NFS.
If you can test with small files, IE copy a 100m file onto the SMB share and then see if that was replicated to the storage box then you will have the basis of the solution.
They are a german server hosting company, you know, the country with some of the strictest copyright laws? For example, a kid at an old school of mine was once fined 800€ for accidentally sharing a song on a school hosted messaging board.
If you do anything with pirated torrenting on their servers, they will know, and will come after your ass. And even sharing pirated content can get you in incredibly hot water, they might not have found out yet, but when they do, good luck.
Hetzner because that’s what I had and have always had a good experience with them, anything else to recommend at the same prices? And that is a reason why I don’t download the content directly on their servers but on my local machine.
The only one in a similar price range that comes to mind is ovhcloud.com, they are a france based company, still not ideal though, as they might require ID.
If money is the biggest factor (which I guess it is), best thing for you to do, might be to move your storage box off of the german servers and onto the finnish servers.
Even in the finish location, if any of the “law” fuckers scourging the open trackers, sends an abuse/dmca to Hetzner, you will have some explaining to do as they will raise it as a ticket and require an explanation as to what happened and what is your course of action to remedy it.
Source: my own experience about two months ago (used chatgpt to send them a neutral bussiness respone, worked like a charm)
Use vpn that allows port forwarding, or never touch public trackers at all, or both.
I’ve been using a Hetzner server for a couple of years now and haven’t gotten any abuse reports or DMCA takedown request but I’m using a docker + vpn setup so maybe it’s that
I only heard that it was not advise / that it did not work well, and I actually tried it myself instead of using rclone sync to upload the content to the storage, mount it on my local machine. qBitTorrent downloaded everything, but the content was never reflected on the storage.
I would recommend you look into Saltbox, which seems to align with what you are looking to do and should take considerable heavy lifting off your plate.
The solution to the rclone issues you discuss is to use a union mount, and cloudplow or similar to automatically shift files to the long term storage location, while Jellyfin will continue to see content files spread around servers in one mount location.
It is bad for the consumer… but the alternative is instant cracks, as seen with a lot of games on r/Crackwatch that don’t have the DRM.
Denuvo is the first software in a long time that has been able to successfully stop the supposedly inevitable march to cracking. It’s a miracle that more AAA devs don’t use it, since it works so well. (EMPRESS aside)
You can hate me all you want for saying this, but the war against piracy, for the most part, has been won.
piracy
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