It was an old lady replying to a telequiz in the main public tv channel (imagine as the bbc for Italy). The show was one of the most popular among boomers. The question was “it’s foamy but it is not soap”. The old lady replied with “la borra” that is like italian for cum, but not exactly. You can hear someone laughing behind. Probably there was a group of younger people suggesting the Italian for cum as a prank, but the old lady repeated it wrongly because she didn’t know the word. Or she was mispronouncing the actual answer (“beer” birra in Italian). Anyway, the anchor woman, whose surname is clerici and who is known to be very polite (almost a nun, i.e. soura in italian), kept repeating “la borra” live on the main public channel.
I looked into the guy and he seems like a riot. Not even picking up the award he won will never not be funny.
Also, the games lack of story is pretty funny, considering the game is getting a netflix show where the tagline was something like: as we all know, the most important thing about vampire survivor is the rich story.
So someone will take his mods and make actual pirate versions of them. If he's trying to Streisand it, couldn't have done a better job. I don't see it being very profitable, though...
It’s funny how it’s “the game’s are not expensive enough” and not “we don’t know how to manage our or money” or “our profit are too high”. Fuck those capitalists.
Oh the stupid shit head “games are 100 times more expensive to make now” but you sell thousands times more and there no physical media anymore is irrelevant I guess… Assholes…
Whose fault is that, guys? Were those numbers placed on you by a witch’s curse? No. You spent $100M on one game, it made $300M, so you spend $200M on the next game. Games didn’t get twice as hard to make, between those decisions. They didn’t require twice as many people or twice as much time. You’re just treating them like a factory where more capital in means more revenue out.
The original Doom was made in nine months by a team that fits in an elevator. Yeah, it’s simpler than modern games, but they had to make the nearly-unprecedented engine and all their own tools as they went. It’s not like anything’s harder, now. People have basically recreated that seminal title as solo one-week game jam projects. A modern handful of professional computer nerds can pick from a handful of modern high-end toolchains and start banging out content, today.
If the market for video games only supported six-digit budgets - there would still be video games. Big ones, fancy ones, creative ones, whatever. Would they be the spectacles that currently get advertised to death? Nope. But they also wouldn’t produce as many unstable bug-fests as those sprawling mega-projects. Nor would they be announced in 1999, previewed in 2006, delayed in 2017, and launched to middling reviews in 2025.
Studios that aren’t injected with obscene capital and forced to deliver “AAA” money-trees tend to shoot their shot and move on to the next game. That’s how they survived and grew as plucky little private affairs, before some publishers swallowed them whole and turned them into a sequel factory for their breakout hit.
If your games cost too much money to fail, stop giving them more money.
And the fun part is, you’ve still had a decades long lifestyle of having low prices by exploiting weak labour laws in poor countries! And if they raise prices by using your local labour you’ll still cry capitalism. Isn’t it fun?
Doesn’t matter. In a few years what will be considered modern will no longer run this game unless the game is updated to just say “yup the game works here too”
Mobile OSes make breaking the knees of legacy support a sport they are champions at
While we're at it, let's remember that this version allows for portable play that can also be plugged into a TV with nothing more than a cable and Bluetooth controller. Or if you really want to play on a PC setup and have a Mac (hint: if you're in the market for an iPhone 15 Pro, it's likely that you do) you can switch to that at no extra cost.
You may not pay an extra $30 for that, but plenty of people would consider that reasonable.
Why does nobody question the price tag in general? 60 USD for a remake, sounds outrageous, no matter what platform.
Because it's a remake. Meaning, it's been re-made. Not remastered. Not reusing assets. Built from scratch. That costs money. If anything, it cost Capcom even more money than the original did, so it's actually impressive that it costs the same now as it did when the original came out.
And porting it to Apple's platforms costs even more money, on top of all that.
By the way you can buy the game for almost half price on other platforms in digital and physical form as well. They are just taking the piss.
Fat lot of good that does for the people who don't own those platforms.
Does anybody know if it’s the same cause as when on a car? Like I have yet to get into buying VR but I never get nausea on a car looking at phone inside/outside doesn’t matter. Just trying to see if I might be affected.
You know what, I’ll bite. For this to work though, let’s agree on two things. First, the game they’re selling shouldn’t be a hot pile of garbage on day one. Second, I don’t want to even catch a whiff of microtransactions or subscription based models. If we can nail those down, I would be fine with a price increase. As it stands, the sticker price is just the cost of entry in the vast majority of games. They are still bringing in cash well after the initial purchase.
This is being reposted everywhere as news but is super misleading. The $60 price tag gets you the universal app, meaning one purchase lets you play the game on iPhone, iPad, and Mac. It’s still a full game just like the Steam version, and if you look at Resident Evil Village, it will surprisingly run super well on M-series Macs.
The distaste comes from mobile apps rarely being over $10, but if you think of it as bonus mobile access alongside a fully fledged macOS game, suddenly nothing is wrong here.
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