I second this, it’s what OP is asking for. Word of warning though: this game is hard as hell. It reached a point where I’d spend 2 hours on a level, realize I messed up and can’t salvage this, and gave up. I never got really far.
I thought SpaceChem uses the same mechanic as Opus Magnum where the benefit of optimization is just the player’s place on the histogram. I’m looking for more interaction between machines than that.
I know you said your right arm is broken, but The 7th Guest (and the sequel, The 11th Hour, but the puzzles are very difficult) would be easy to play with your off-hand mouse anyways
just make sure you use ScummVM for them, because the versions that Steam/GOG are selling aren’t very stable
similarly, the first 3 Monkey Island games, or Myst/Riven
I’ve done Monkey Island already, and enjoyed the new one too. I haven’t played Myst sine I was 8 and my uncle had it on his computer and I had absolutely no idea what I was doing.
XCOM and Shadowrun returns! Just use the mouse with the other hand. Both games give you all the time you need. Battletech is a goog one handed game, too.
I second XCOM, if we are talking about the original two, Enemy Unknown/UFO Defense and Terror from the Deep. I heard good things about the more recent ones, but I never played those.
Morrowind! Besides the wealth of non-story quests, the modding community is HUGE and lets you add EVEN MORE CONTENT. (To be fair, the modding communities for all TES games are massive.)
There are some mods for Daggerfall, but not what I’d call a massive community. Arena is mostly ignored, and it’s like Battlespire and Redguard were erased from history altogether.
You’re totally right, haha. I was just so excited while posting that, in my hasty attempt to include the later games’ communities, I just blanket-statemented the whole series! Thanks for catching that 😅
It’s understandable 😁, Morrowind is definitely when the series started to get more mainstream audience, and the older ones are not talked about a lot. I had never even heard of them before trying Morrowind, I rediscovered them later mainly because I can’t let a game drop a “3” on me without wondering what came before.
Doesn’t help that there was a big design shift between Daggerfall and Morrowind (more than anything between TES 3-4-5), and they’re very different games.
Daggerfall did have a bit of modding though. Most quests were procedurally generated using quest templates, like “[type of NPC] sends you to [type of dungeon] to find [McGuffin] for [reward]”. I remember a mod that added lots of new quest types for more diversity.
Random encounters are a staple of Japanese rpgs, not rpgs in general (and also not all jrpgs have them). There are a plethora of rpgs without them! You will more likely see enemies on screen, and good rpgs allow you options to resolve things without combat (with some exceptions, like certain monsters).
Witcher 3 is perhaps a good option. The combat style is relatively complex I’d say, and quite fun. The story is very engaging and super well written. And it’s available on both Steam and in fact on Switch too. I’ve played the whole game on Switch, and it runs well.
Awesome game so far and remarkably well-polished due to the early access. My only real gripe is that the camera control is a little fiddly. It may be that I’m just not used to it, but a click and drag to rotate the camera would be chef’s kiss
I had issues with the “enhanced” GOG version. Starting it requires an ancient openssl library which is no longer available on modern platforms. If you launch the game via terminal or check the logs Lutris provides you might see an error message similar to “openssl.1.0.0…so not found”. If thats the case I can dig up more specific instructions to circumvent the issue which got me into the game. Just to clarify, installation worked, it was just the game necer started or rather instantly crashed.
It’s not a dumb idea per se but I’d rather play a version that’s been (allegedly) optimized for Linux computers, like GOG states on the game’s front page!
I think of it like this: my own personal boycotts do nothing individually, but I am doing a very small something by refusing to be a bridge to grossly evil companies into my communities, and raising the ethical concerns with egregiously bad corporate cultures and business models. And for my own personal comfort, I just can’t engage with products that fill me with disgust due to the taint of who will ultimately profit from my purchase.
On that, when my personal attachment to a creator, studio, or individual game supercedes my disgust or frustration with a publisher’s business models or revenue streams, I try and keep that in the conversation. I play a lot of Warframe, which has some mildly manipulative monetisation like algorithmic discounts and crippleware elements; and PSO2 which is published by a corporation with a large gambling revenue stream, and the game itself has gambling elements in it, albeit surprisingly low on the evil anti-player scale.
And that’s the thing, sometimes I love something enough that I can’t bear to part with it. I find Yoshi-P’s transphobia and support of NFTs to be sufficiently revolting that I can’t play FFXIV anymore, nor will I ever buy anything or even positively talk about anything associated with him ever again; but I’m still subscribed to FFXI. I still plan to buy new mainline Dragon Quest games despite the fact that Square-Enix treats its customers with absolute contempt and has committed to a path of ecological violence against the Pacific.
That said, I think it is a good mental exercise to get in the habit of thinking about who you’re giving your patronage to. Do they have good working conditions? Where do they make their money? Are the leaders shitheads? These things become part of a disposition, and you become part of a cultural conversation, one that’s clearly starting to engage more and more people. Start talking about good developers and especially workers’ coops like KO_OP (handily named) and Motion Twin; or studios with excellent working conditions like Supergiant, Hello Games, or Monolith Soft.
That said, this is all still part of the infamously ineffectual practice of lifestylism. At the end of the day I believe it’s about cultivating a particular set of values and trying to broach them to as many people as possible, and learning to effectively and respectfully communicate them. If you ever do get in the industry or can support people in the industry, that’s when you can actually do something material.
I agree with most of what you said. I think it’s important to be conscious of where our money is going and to be comfortable discussing that with others.
About FF14 and Yoshi-P, however, I’ve actually heard the opposite about his opinion on trans people and NFTs. I heard from my friends (and upon a quick Google search I just did) that he expressed sympathy towards trans community members and that he was trying to keep NFTs out of the game? If you’ve heard otherwise, can you please share the information? I was going to resubscribe to play with my friends, but if you know something, I’d love for you to share it.
I will also check out those companies you mentioned near the end, such as KO_OP and Supergiant!
Yoshi-P is a very talented speaker, I’ll give him that. But you have to look at what he’s actually saying. There’s a very pretty preamble about “I’m sad that society, is this way, so my hands are tied…” which is a technique known as impersonation. Whether or not Yoshi-P himself is a transphobe, I guess I can’t say, but the entire speech itself is just straight up transphobia. He then provides a single sad vignette as if to say that can somehow be generalised across all of society, and not just a particular minority view. The ultimate thrust of things is that the small amount of transphobes in the audience are more important than making trans people feel comfortable or welcome.
After I stopped playing XIV, it got much more obvious in context. If I contrast the freedom of presentation in PSO2, which lets you have control over how masculine or feminine your bone structure is, what sex characteristics your character has, and whether you have a masculine or feminine face and to what extent. Beyond that, there’s also a diverse wardrobe for both “Type 1” and “Type 2” in the game’s parlance (which in itself is super cool) to facilitate how you want to present, even if you don’t want to change your body type.
In FFXIV, I was largely stuck using mods to make sure the clothes I wanted were possible. When the game started official porting previously male clothes to female models, they did so with the caveat that your character absolutely must have prominent breasts. Similarly, going in the opposite direction, all the previously-female gear was really revealing and I think meant to be more funny than serious. Bad luck if you wanted to present femme and not just dress up in obvious drag. This might be better now though, I haven’t played in a year and a half.
re: NFTs
I can’t find where he’s spoken against NFTs in general. “NFTs won’t be in FFXIV” is not a general statement of opposition to them. The most I’ve seen is “making a fun game around cryptocurrency would be difficult”, but no actual firm statement of opposition. If Square Enix is as democratic as they say they are, and given Yoshida is on the board of directors, I don’t think the Square Enix push to NFTs is just unilaterally Matsuda.
I still have to finish FF8 some day. I started it and kind of liked it, but never got into it. Maybe now some of the fan made HD graphics mods for the remaster are finished.
FF6 is peak, though. I have an emulator on my phone with the Woolsey-uncensored romhack version. Love that game.
From a design perspective, I think you could safely pick anything from V to XII and say it’s the best one, honestly. VI and Chrono Trigger really stand out as the most refined in terms of game design and systems from that particular era.
Without spoiling anything, the episodic storytelling style is taken to its limit in the game’s “part II”, and it allows for some really clever writing. VI is one of those games that kept me thinking long after I finished it.
I haven’t played BG1 or BG2, but so far I haven’t felt that BG3 requires prior knowledge in order to understand the story. As for DND knowledge, the only things I know about the game are from the bits and pieces that I glean from watching Critical Role. BG3 is doing a wonderful job filling in the missing pieces of knowledge with really handy tooltips and descriptions of how everything works. If anything, it’s probably the most interesting primer to DND I’ve ever encountered.
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