He’s 52, if it takes 8 years before ES6 comes out He’ll be 60. If they milk this one as hard as they did Skyrim he’ll be long dead before ES7. Hell, I might be dead before ES7
The copyright term for works owned by a corporation should be cut wayyyy down. I’m fine with a long copyright if it’s owned by a person, but corporations shouldn’t be able to lock down things that are older than like 20 years old. People shouldn’t be forced to buy a long discontinued console in order to legally play a old game.
It’s made much worse by the games “journalists” industry paying too much attention to X. They find some crackpot spouting off controversy, elevate that shit to the moon, and suddenly other people are talking about this opinion that only lives in a vacuum.
IGN, PCGamer, RPS, Kotaku… they all live for this shit.
Ugh, I hate that the actual ethical issues in games journalism got swallowed up by all the other hateful bullshit.
Like, sponsored articles weren’t being disclosed, and some games journalists were being fired for refusing to give favorable reviews to games that were advertising on their site. There were private mailing lists where behind the scenes coordination was happening to push kinder reviews of one member of the list’s friend’s indie game. White jounalists were claiming themselves as mouthpieces for minority gamers who never asked for someone else to speak for them.
Which gave cover for explicit mysogyny and hate… then further got twisted by far-right idealogues like Milo Yannopolous and Breitbart.
Meh. Even small corps often do something well once and then fall to the wayside.Nintendo has been pretty good at recreating their core IP, whether it’s the 3D version of Metroid on GC or open-world Zelda on Switch.
If they’d actually bought out the Palworld IP (assuming that was an available option) that would have meant cash for the devs and a way to work with it in a way that was unique but inclusive to the Pokemon franchise. A lot of people are getting tired of the latter because it has become rather stagnant, but the new mechanics with the official Pokemon characters/stats/etc could have benefitted both
Nintendo doesn’t do that though. They don’t go “wow, this looks cool and there’s real interest. Maybe we could work with the dev and make it an official product. They’ve done most of the work already!” It’s lawsuits all the way
My guess at the real reason for all this grave dancing is that it feels like a victory over FOMO. If the new $40 game sucks and no one is playing it, I can safely go back to whatever I was playing before without worrying that anyone’s having fun without me.
i don’t know what most people’s reasons for deriving enjoyment from concord’s failure are, but there’s no way FOMO cracks the top 3 lmao
seeing the trailer, i definitely thought it was a bandwagon hero shooter that might have had some creativity if a bunch of suits didn’t say “make it GotG”, but realistically, it launched with little fanfare, in competition with valve’s first new game (beta) in ages. not that it was fated to fail but it didn’t have a lot going for it
It does feel like there’s a lot of writers out there that see a lot of “X” and aim to poke fun at how much “X” we see…but don’t realize that media is so pervasive that they’re aware of their own faults, and able to play around them.
A long time ago there was an attempt by a comedy show to make fun of comic books, by having The Joker tell jokes and make fun of Superman’s underwear-on-outside…not realizing he does exactly that in the comics.
Really, I think a lot of writers just need to go back to basics on recognizing what constitutes an original idea. It’s certainly not easy.
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