After many years, knowing all too well that it’s the kind of game that would have driven me crazy, I started Factorio. I am indeed struggling not to have it swallow my life whole.
Finally got No Man’s Sky on sale. It’s even better than I thought it would be. 7 years later and the game is super fun and has a ton of things to do. I hear they’re still updating it so I can’t wait for what comes next.
Couldn’t sleep in the wee hours of the night, so I went “f*ck it” and downloaded Tetris on my phone. I really only like playing marathon mode, but I found myself enjoying the stages in the game as well.
Certain actions like rotating and hard drop or soft dropping pieces translate surprisingly well into swipe amd drag motions on the app.
Every few months I get the itch to dive into an MMO. I drift around among many of the free to play offerings depending on what sort of world I want to inhabit. As is tradition for me this time of year, I’ve been rewatching the LOTR trilogy, and thus I’ve decided to hop back into Lord of the Rings Online.
I haven’t played in years, but dusted off my level 10 champion and set about getting reacquainted with things. Thus far I’m having a really good time. There’s something quaintly nostalgic about this kind of tab target MMO. The whole thing is very cozy to me. Maybe that’s just my love of the setting and the opening areas being consciously pastoral, but I find it very easy to just zone out and churn through content in this game.
I don’t know how long I’ll stick with it, as MMOs tend to demand more investment than I’m willing to give single games, but as of right now I’m having a wonderful time.
Back to Grim Dawn after its 1.2 update. I’m glad they integrated most of Grim Internals’ functions. I appreciate games like these that really listen to their players.
Football, Tactics & Glory. It‘s alright, I already got it so might as well play it, but it‘s only a football manager in a very loose sense. It‘s actually only football in a very loose sense.
Frankly this makes that incredibly ugly piece of hardware look really cool. I agree though, whoever thinks this is a bad thing definitely shouldn’t have kids.
I’ve been playing a bunch of Rogue Tower lately, going for some of the achievements. Finally got sticks and stones, but it was kinda disappointing because I got the polygon mobs instead of the missile ones and looking at the monster information, they are easier. I wanted to see if that setup would have taken on the missile mobs that kept killing me in wave 38 or 39.
Just finished Mario Wonder in like a week - a delight to play but too easy and way too short to 100% a game.
Currently playing Dave the Diver and understanding why it has such good reviews. A solid little game - just expect a game that literally everyone can agree is pretty good, maybe not a game you’ll think is great.
Also currently loving Monster Train. Horrible theme, bad art style, and the sound effects are off-putting, but the gameplay is top notch. Very very fun. I was playing a bit of Across the Obelisk trying to capture that Slay the Spire addictive deck-builder feel, and where I enjoyed the latter (particularly for multiplayer) I never was dying to play it, just enjoyed it while I was. Monster Train I’m definitely looking forward to playing tonight, or maybe today during a boring meeting.
And of course DoTA. Always DoTA. For me it’s still the best game ever made, and they keep getting better with new content, fixing community toxicity issues, trying to help the skill wall, etc. I took two years off with my daughter’s birth, but I’ve been playing again for a few months and it’s better than ever.
The last special stage (assuming there isn’t more stuff after the one I’m thinking of) on Mario wonder isn’t easy. Fuck that level. The checkpoints are placed to make you redo the most irritating parts and I couldn’t get past bouncy invisible section. Even playing nabbit or yoshi didn’t really help because they have different jump and damage reaction mechanics. I would have agreed with the over hyped reviews if not for the brain damage causing childishness of the story, dialogue, and ‘voice’ work.
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