Yeah, yeah, yeah, everyone’s waiting for a Silksong release date. I am too, if for no reason other than Fantasy Critic. I do still expect this game to release this year, given it got age rated in some territories back in February, but if it does release this year, it’s strange that it’s taken this long to get a release date. Every showcase where Silksong doesn’t have a release date is one where people are underwhelmed by any other game shown off.
As for games I’m looking forward to release dates for far more, I’d love to see them for:
Commandos: Origins (not so much the indie showcase but maybe in the partner direct)
I’m so disappointed to see how successful Gamergate was in poisoning people on games journalism. The reason I know this vitriol isn’t organic is because it far outstrips the stakes.
The danger is buying a video game on bad advice and some of y’all are acting like Kotaku raped your mom.
Alan Wake 2 was our GOTY last year. The story was amazing, the game was polished… I didn’t hate Baldur’s Gate 3, but we played it on couch co-op and the experience was very unpleasant (plus the Act 3 was very unfinished).
The first game plays so much better than the 2nd! Never finished the 2nd game, now that I think about it.
Another thing that I have a (possibly fake) memory from the 1st game is, near the start, with those carnivorous egg-looking-plants and farting peaches, I remember once managing to get one of those plants to go up right as the peach farted, which triggered a small event and turned the plant into a mini thing-item to collect. Maybe it was only in the demo and scrapped for the full game?
Azimuth is a metroidvania game, and something of an homage to the previous greats of the genre (Super Metroid in particular). You will need to pilot your ship, explore the inside of the planet, fight enemies, overcome obstacles, and uncover the storyline piece by piece. Azimuth features a huge game world to explore, lots of little puzzles to solve, dozens of weapons and upgrades to find and use, and a wide variety of enemies and bosses to tangle with.
It is open source and available for Windows, macOS, and Linux.
I’m certainly not expecting this game is amazing, but in terms of bringing a playable slice of a popular fictional world to life, I have a lot of respect for it. What I’ve watched doesn’t even fall too hard into the worst of Ubisoft formulas - and I would argue a lot of people can’t even identify what those are.
I don’t even expect to love it myself if I ever get it, but some of the hate towards the game seems so poorly formed and weird - stuff like “Looks like a mobile game” or “The main character is so ugly”. I can even get worries about it being a Ubisoft game, but just like EA, it seems like they do put out a game low on microtransactions every so often. I want to be sure they’re recognized for efforts when the game is decent.
I don’t even get the main character complaints… She’s got a cute coffee shop barista vibe to her lmao people are just weird about women being “beautiful” in such stereotypical ways I guess. Must be exhausting and extremely lonely to have such trivial “standards” for a damn video game character.
A short 2D Collectathon in the style of 5th Generation games of the genre. Jump into a 2D world and explore, solve puzzles and overcome challenges to collect gears to take you higher. A beautiful art style and soundtrack make me wonder why this wasn’t talked about more when it came out earlier this year
Requires a controller, looks like an N64 title, and controls like one as well. Isn’t as long as some games, but it’s long enough that I got hours out of it before finishing. Heard of it from someone on Lemmy a long time ago.
Has 1140 Steam reviews, so I figured it’s just barely above the 1000 reviews.
Sulphur Nimbus: Hel’s Elixir, a $6 (currently) game on itch.io. It started from the idea of an MLP fangame, but early in development evolved into an original setting.
This is a 3D physics platformer adventure with an unhindered flying character. Your hippogriff, Sulphur Nimbus, is an aerial photographer aboard a cargo ship, which is passing a mysterious atoll on the way to their destination. The crew want you to get pictures of the island, which has a castle that’s been abandoned for decades. Unfortunately, after flying over there, a nasty storm builds up and you get zapped by lightning. After a flashback tutorial on how to fly, you wake up on the island shores, your wing is injured, and you have to run to safety, finding out this place is dangerous… so dangerous a resident dogicorn (like a hippogriff, but it’s half dog and half unicorn instead of half bird half pony) has to rescue you when a lovecraftian horror tries to take you down into presumably Hel. Waking up in a castle room, your wing is healed, and you can fly again.
Now the game begins. Clear the boss monsters and rout them out of this island, area by area. Break the curse that binds you to this island. Find out what happened here.
What’s unique about Sulphur Nimbus is the movement. Running, fighting, and jumping has physics to it, allowing for some parkour stuff to be possible, like running up steep inclines and wall jumping. Flight is realistic. There are no arbitrary limitations, other than a regenerating “flap” stamina. If you can get enough speed to take off, and if there’s enough room to maneuver, you can fly. Level designs include lots of caves and enclosed spaces, but also lots of open areas, so being able to fly is a requirement to get through it, while also a challenge. While the game is designed for kb and mouse controls, honestly, a gamepad works very well with this game and is preferred. It also is cross platform, as it is made in java, and includes Windows, Mac, and Linux. The source code is on sourceforge and allows you to build the whole game yourself if you are so inclined.
There’s no other platforming adventure game that attempts this, and I have tried every “become birb” game out there. They all are either bird simulators or use flight as a fast travel, but not as a core gameplay mechanic like this.
Iron Lung. Everyone is gone. Every star, every planet and every moon. The only people left are those who were on spaceships and stations. With one exception: A moon is found, glowing in the light of a star that doesn’t exist and filled with an ocean of blood. Desperate for answers, the new makeshift government sends prisoners in submarines deep into this ocean with a simple task: make it to a hand full of coordinates, take the pictures and make it out alive. Did I mention it’s an ocean of human blood?
This game fucked me up that one night I played it alone. And no, it won’t take you longer. The dev literally says so in the description. About an hour. But it’s cheap and takes you on a crazy ride. By David Szymanski, the mad genius behind Dusk.
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