LT: I knew pretty early the scope of the universe, the level, and the script, so I made my dream soundtrack. For example, I would take a level and would want to write three environment tracks, two battle themes, and one boss theme. I do that for the whole game and — one by one — I’d write the track for five years until the end.
This is what’s so nuts to me about this soundtrack. It’s not only quality; it’s quantity too. Those who have played the JRPGs that inspired this game know: for the entire game, you get a few regular battle themes, a few boss themes, and a final boss theme. Some of the consensus top soundtracks in the genre aren’t this big. Yet this single composer did multiples for each level. Only the biggest projects in the genre get this kind of treatment.
I’m glad Broche gave Testard so much run for this game, and gave him the tools to make it sound great, too.
Ah I remember when people would tell me that working in the video game industry is a dream, then those same people would complain to me about working long hours for no extra pay (crunch) to finish a game before the deadline.
Yeah that totally sounds like a dream job, it’s so great you have to sleep in the office and you don’t get paid for that extra work /s
True, I guess one could say that in a way they were correct in that it is technically still a dream to work at a company like EA, just a very bad, very hellish dream. Possibly made much worse by the self-gaslighting (and regular gaslighting) making them think it’s actually a good dream, makes it even worse because you don’t try to escape it because you convince yourself and are convinced by others you have it good when in reality, you don’t.
Compared to other companies, Valve let the community use alternative community servers. Even if Valve does not care about the game anymore (sigh, one of may all time favorites), it’s possible to maintain community servers. This is something any other game wish to had, without hacking the system; it’s just part of the game. And people can even use modded communities and there exist some really cool stuff (admittedly I never tried them, I would play the game if it didn’t have the bot problem).
No, it was just especially egregious with Amazon in this scenario (and often in general with them …)
They had some promising technology and talent, but focused on what creativity they could cram into the flywheel instead of coming up with something good that could then later feed back into the ecosystem. The latter process can yield surprise successes like the Amazon Echo.
That part’s wild to me, when people are like “This villain in your story seems to have said and done bad things? So that means you agree with them, yes?” No! Of course not! It’s the literal villain in the story, man!
But there is no utilitarian point of art. It exists to express ideas and to tell truth. I think maybe a lot of people get upset because from their point of view, they are paying money, and they have this relationship where it’s like “If it’s not giving me what I wanted out of this transaction, then it’s bad.”
To be honest, “If it’s not giving me what I wanted out of this transaction, then it’s bad.” is a heuristic that works well for most things we buy. If I buy candy and it doesn’t taste good, it’s bad. If I buy a car and it breaks down, it’s bad.
I think the real problem is that some people see games as a product and others see it as an art piece. Some games fail at being either, some succeed at both.
A thread of the problem is likely the publisher/developer conflict of interest. When the two can’t come to an agreement, the end result usually fails horribly in both aspects.
This is a part of the beginning of it. Centralization results in layoffs and worse products. This is why we have antitrust laws, now they go unenforced because of corruption. AI is going to replace a lot of jobs and we’re going to get shittier products while the winning corporations continue to make more money. Winner take all system is bad for everyone.
TF2 is almost 20 fucking years old and has been F2P for 13 of those years, why should Valve care to do anything about it? Frankly, the official servers even still being online at all is more than most other games(besides subscription based games like WoW) of that era can say.
Like, what were you guys expecting? For Valve to support the game the rest of your lives?
Who actually cares? A niche group of people want to curate their games based on a personal preference. Nobody has the moral authority to tell them what they should or shouldn’t spend their money on.
Except they’re not just saying “we don’t like this” and moving on. They’re using dogwhistles (“woke” is only the first one) and 4-chan level type of slurs in their cries of conspiracy. It’s a thinly disguised hate club, games are only an excuse.
They tried to progressively hide it from their group’s front page, editing its language several times, but it was still there in the discussions in and around the group.
why are you just totally ignoring how this whole thing started in the first place with a sweet baby employ trying to take the group down and the account of the creator. yes editing it for people exactly like you that cant handle words on the internet and that needs to call everything hate so that you can get your way but that's not going to work anymore now like how it always should have been you are just very very funny.
I don’t really know much about the sweat baby controversy, but whenever I see “bless your heart” it just comes of as weak tea as it avoids engaging with premises or arguments and condescends and I think it generally loses the argument from a third party perspective. At least I’ve never read it and thought, wow they really got them.
It might be trite but I always preferred agree to disagree as a disengage tactic. That’s just my two cents on internet discourse though.
That’s no excuse to try to get a user’s account banned. You might want to read up on some of their tweets. The ceo is also a sexist and a racist. The steam group had like 1000 people now it has almost 200,000 after the whole debacle. Reputation is earned not given. SomeOrdinaryGamer made a good video highlighting stupidity from both sides.
If they are proud of their work, why try to hide it.
In an ideal world, yes.
But unfortunately these days people prefer to follow blindly their bias and people validating said bias instead of investing the time required to investigate by their own mean, with least biased sources.
I’d blame social medias that make everything quasi instantaneous, but it is just a component of a whole, not the only cause.
That’s no excuse to try to get a user’s account banned.
I'd say it is. They highlight the part of Steam's rules against harassment, and while that's always subject to interpretation, they feel that this counts, and I'm inclined to agree.
The steam group had like 1000 people now it has almost 200,000 after the whole debacle.
Before this group blew up, YouTube channels with hundreds of thousands of subscribers were already making their bullshit conspiracy theories. People try to paint this as Streisand, but that's ridiculous. The Streisand effect is trying to hide something, which you still seem convinced they're trying to do despite highlighting their clients on their web page and getting listings in the credits of the games they work on. What it looks like to me instead is that:
sensationalist YouTubers paint this company as the devil
this curator is made in response
it gets a natural, human reaction from the people targeted by this group
the YouTubers from step 1 use that reaction to mean whatever they want it to mean
In no way did I foresee a way that this group didn't continue on the same trajectory with or without Sweet Baby responding to its existence.
SomeOrdinaryGamer made a good video highlighting stupidity from both sides.
I've seen one video from SomeOrdinaryGamers, and it was too many, but he's cited in this article as perpetuating the bullshit conspiracy theories, so I'm good.
This has a side effect of the people who went through the full game development cycle and can help to improve the process of developing of future games with actions based on their experience do not stay in the industry and thus the industry is bound to repeat the same mistakes again and again. I mean, I started working in the gaming 22 years ago, worked there for 7 years, then took 12 years of break elsewhere and now I am back for 3 years. After I returned I was surprised how almost nothing changed. It is still the demo-to-demo sprinting without proper planning or building the technical layers in advance. So the publishers/management is getting more or less faked demos and are always surprised that at some point they get a very badly made piece of software full of bugs and architectural flaws.
Shows a demo function just to show how it could be done.
Manager: (looking in his manager book)
-“So it’s already implemented!”
Me: no it needs to be programmed first
Manager: but it already is, i can see it on screen!
Me: it has to be implemented correctly.
Manager (looking in book again)
-“How much time if you implement quickly as quick as possible?”
Me: it will take X time.
Manager: Starts to call tech-lead and chief boot-licker to “convince” me it doesn’t need that much time.
After 3 hours of painful meeting I say okay okay okay and pushes ‘best I could do’ to production in the same evening. Reinforcing the idea that I’m a lying bad programmer and that Manager, tech-lead and chief boot-licker are correct.
A lot of people are just… not so bright. I remember seeing the video of all those trump supporters rocking out to “killing in the name of” by rage against the machine. Waving a thin blue line and american flag around with the lyrics blasting in the background.
Its the same with that new game Helldivers 2. Zero awareness.
aftermath.site
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