Fallout New Vegas (with some mods), Vampire Bloodlines (with community patch) and Deus Ex Human Revolutions. I’d personally even put Deus Ex 1 there for the story itself, but the game is pretty old and may be jarring for modern audience even with mods…
It depends if you are new to the game or not. There’s two big categories of mods - those that only perform modernization and quality of life features, and those that rework everything until it looks like Skyrim.
If you are new, I’d recommend not using any of the latter; they can be fun, but it’s good to know New Vegas “as is”, I’d say. Otherwise the selection is so big it’s hard to pick, I’m running like 30 or so (mostly extra weapons, enhanced AI, better crafting, extra sidequests and a player home). But just give an idea on the scope of mods, the settlement building system in FO4 was inspired by mods originally in New Vegas (Real Time Settler and Wasteland Defense), so there’s really a wide scope of things to pick from.
As for the former, there’s some that jump to mind - NVAC (New Vegas Anti-Crash), FNV 4GB memory patcher, stutter remover, nevada skies and/or EVE (essential visual enhacements), and probably a texture pack or two to enhance visuals. Maybe even NVSE, which is a scripting extension mod that other mods can/will need.
God of War 2018 & God of War: Ragnarök. I would recommend this first on PS5.
Next I would say is 100% worth the time investment: Final Fantasy XIV. It’s an MMO, but the story is amazing. You can play 99% of the story with NPCs easily. They made it so easy to pay older dungeons with the new NPC system to keep players going. It starts off very slow and just bleh (war story with light fantasy), but it gets better and better. I’ve played the 3rd expansion twice and plan on playing the 4th expansion again soon. I’ve cried so much. Even the side stories have great stories as the writers get their footing after the first bit. You’ll recognize several of the fantasy elements from FF16. I’ve only every played 15 before 14, so it’s not like I’ve spent a a lot of time in the series.
Describing Mass Effect as a soap opera makes me irrationally angry. I think you meant “Space Opera”, although even that isn’t accurate. It’s far more like Star Trek than Star Wars.
This one doesn’t usually get mentioned when people talk about good story: Borderlands 2. (1 is dry, 3 is stupid)
It’s light-hearted so I think people don’t take it seriously, but if you look past the fart jokes, and really pay attention. You get one of the BEST villains ever, and some real emotional moments.
I use a ip link checker - to verify the vpn is working like it should. They're a dime a dozen but this one is the one that showed up first on my search.
basically, you download a unique-to-you magnet torrent, and then the torrent / website will tell you what ip is being shown to the outside world. if you leave it in your client you can see at a glance what ip you are actually using in your client.
The first three Metal Gear Solid games have fascinating stories. They’re not the most logically sound stories and they have a lot of weird elements that make them hard to follow. At the micro scale they’re not the most comprehensive. On the macro scale they’re not hard to get into at all. When the story hooks you it really hooks you.
I was a child when I completed the first two MHS games. I never finished MGS3 because the disk got smashed to pieces. I do remember liking it a lot though. MGS2 is my favorite of the bunch. It was a good mix of old characters and new that carried the story in a satisfying way.
The absolute best story in video games(IMO) is the Mass Effect trilogy. For the longest time those games set the bar for video game story telling to me. Every character was so easy to get invested in. I cared for all of them and deciding who completed the journey or not was a series of deeply personal tough choices that carried across three games. Did the ending suck? Absolutely. Do not let that last 0.1% mar what is easily %99.9 one of the best space scifi stories in any medium.
The 3rd act of MGS2 hits like a sledgehammer after so much light hearted, self-parodying, comfortably familiar heroic espionage. The story has aged so well. It invokes that eerie 4th wall break feeling that Psycho Mantis delivered, but on a prolonged and more meaningful scale.
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