I don’t think I’ve seen anyone in this thread mention Telecines at all. It’s a machine that captures the video and audio from the film print directly to digital. A lot of good Cam rips were filmed from the projection booth, and could conceivably be done by a projectionist surreptitiously. Telecines though, required a large piece of equipment and time with a print outside of hours. Likely you’d need to be a manager or owner to get away with it, or have their blessing.
I remember the excitement of finding a Telecine for a movie in theatres rather than a Cam. It felt like striking gold. I bet the people releasing those in scene groups would be treated like gods back then.
Also, Telesyncs, which would be labelled TS, is when you have that high quality cam recording and sync it to a direct recording of the audio. The audio often came from the FM microbroadcast that are designed for hearing-aid users.
https://en.wikipedia.org/wiki/File:35mm_film_audio_macro.jpg Dolby Digital is an image of a digital signal (basically a QR code) that is between the cog-wheel holes on one side. Good Telecine machines are able to record the full surround track from this. That used to be the absolute best you could get while something was still in theatres. Often better than award copies, they had no stupid watermarks.
That reminded of the shitty cam print of Iron Man 1. Started from the Humvee scene a minute before getting blown off. 20-30% was dark or pointed at floor for whatever reason. Godawful audio.
Thought it was a shitty movie halfway though and stopped. Got a good print after Iron man 2 released and faithfully watched all marvel release, many in cinemas, till Infinity war. Now its all available on Disney+ and I won’t watch the new ones after it.
Back in the day, and probably even now, as I used to encounter them when I lived in the big city, cam copies were famous on the streets. It was the only way to get a bootleg copy while the movie was still in theatres but you didn’t want to go for whatever reason.
When I lived in the big city, in a not so great area, the guys used to be in the grocery store parking lot or barbers or smoke shops selling the DVDs and before that were selling VHS copies.
And then when LimeWire grew in popularity, people would upload those like they would any retail DVD. And then went on to torrents as those grew in popularity.
And it still continues today for similar reasons. People want the fame that comes with uploading the first copy online or the first decent quality.
You can though it’s a bit of a roundabout way of doing it.
P2P releases typically come from private trackers, so you’re having them go from private trackers --> usenet --> public/private torrents
Scene releases that leak to the public typically hit private trackers/usenet around the same time, so you’re having those go scene --> private trackers/usenet --> public/private torrents
In others words anything you’re seeing in usenet has already been uploaded to at least some private trackers & possibly public torrents.
Of course with public torrents anything goes, unfortunately with the demise of RARBG public torrent users are only seeing a fraction of scene/p2p releases. 1337x/TorrentGalaxy does cover some of this but they aren’t covering nearly as much as the RARBG uploaders used to. So IMO if you’re seeing a scene/p2p release that hasn’t already been uploaded at 1337x/TorrentGalaxy then sure go ahead & create the torrent from your usenet download.
Internet Archive is not Library Genesis, the two organizations have very different functions and should be structured very differently.
Internet Archive is for preserving data, not necessarily distributing it as widely as possible. If distributing the data puts the preservation of that data at risk then don't distribute it, keep it stashed safely away. Maybe a decade or two from now things will change and they'll have the only copies, and keeping them snugly away out of sight will have been vital to preserving them after that point. Internet Archive has a public corporate presence that makes it easy to donate to and easy to run their servers, but also makes them easy to sue. So avoid doing anything that gets you sued.
Library Genesis, on the other hand, is piracy central. Their mandate is distributing this stuff and sticking their thumbs in the eyes of the publishers. So they're structured entirely differently. They run on the shady side of the internet, making them hard to donate to but also hard to sue. They should be the ones "fighting the fight" right now. It would be sad if they got taken down but not an irrecoverable tragedy, a new Library Genesis can rise again.
Internet Archive are being idiots by poking the bear like they have been lately, it's like they're carrying a precious irreplaceable baby and they've decided to take a run through a minefield. I hope they learn from this debacle.
You can just change .zip to .cbz either manually via a filebrowser or a script (cbz are essentially just zips).
I think .cbz can only contain images, no subfolders, so maybe you need to make a .cbz per chapter or do a lot of remaming to be able to put them in one directory.
Cbr is the same but for .rar files (which are not open source?).
I think there is a program for adding metadata to manga like Comictagger (which does not work too well for manga) but I can’t remember the name …
Looks like I was wrong about the subfolders! Just tested it and it looks like you can just zip a bunch of folders called chapter 1, 2, 3, etc, rename to .cbz and at least Komga and YACreader seem to just go through all of them when reading. Very cool!
Yeah, you know, that [checks notes] one copy of a book that the lending library was able to lend* was really eating into their profit margin. Honest to God, they probably spent more money on lawyers over this shit than they’ll ever recoup, and it just makes them look stupid, greedy, and stupidly greedy.
*I think it’s one copy per actually book that’s owned. Just like you can’t lend you friends more copies of a given book than you own.
The publishers have called the Archive’s program a front for mass copyright infringement.
Digital libraries are a front for mass copyright infringement, according to the publishers :)
But for real, what’s the difference between a digital library that artificially limits the amount of books they lend out to the amount of books they scan and a traditional library? I can go to my local library right now, take a book home, photocopy the book at home, and return the book to the library. Not as high quality as a digital copy, but still.
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