I mean that would save millions and millions of dollars right off the top. Between salary, bonuses and stock were talking hundreds of millions in some cases. Maximum shareholder value increase.
It improved a bit, and then the studio began working on an overhaul internally to provide what the game should have been, sort of No Man’s Sky style… but they were shutdown by Bioware.
There’s a lot of reasons it ended up the way it did, development hell and poor management mostly. Hell, the flight mechanic, which had been added and removed several times in development, was core to the released game, and easily the best part, apparently wasn’t even decided to be a necessary feature until Patrick Soderlund, former head of EA studios, was very disappointed in a demo BioWare had shown in early 2017 that the team decided to add flying back in.
One of the core pillars of the game was essentially added just to impress an executive and keep the development going versus being canceled. Flight like in the game requires the entire map and structure of the game world to be different. If you can fly,. you now need to take advantage of the vertical space, something that simply doesn’t even get considered in most games. A mountain you can climb is not the same as needing to fill in an entire mountain range and canyon region with content.
Played for about 2 hours yesterday and that’s exactly what is happening. The game prevents you from plopping your space right on top of another base but the blocked region around it isn’t very large.
No it’s exactly the same, you just notice it more because of the different context of a limited fantasy realm versus open stellar exploration.
Oblivion and Skyrim also have a bunch of procedurally generated content. But it is more easily ignored, because these are dungeons and caves and not numerous planets where you are walking for upwards of 15 minutes or more across open terrain to visit the same dozen locations. And having dozens of loading screens to stitch each small segment together.
Starfield as a concept doesn’t work with the engine, because the engine is incapable of adequately creating an open environment at that level. If it could, they would have given it to us instead of Skyrim in space. We got Skyrim in space because that’s the limit of the engine. Bethesda’s insistence of continuing to use it, and claiming that it’s not an issue, despite the clear deficiencies in the released product, is a slap in the face to every player. It’s the definition of “You’ll take what we give you, and like it”.
The graphics aren’t the problem. The Creation Engine is not just graphics, it handles everything about how the game works. How the AI works and responds to events, how NPCs handle tasks even when not actively interacting with the player, etc. Graphics is only one part of a game, and that’s not the source of the issues.
Oblivion Remastered still uses the Gamebryo engine from Oblivion for everything with one exception, Unreal now handles the graphics. That’s why the game is nearly identical to the original in every way except graphics, it is.
My strongest memory of Medal Of Honor is the undercover missions. Flipping the ID badge out over and over again like an idiot because the animation was funny.
It’s been clear for over a decade that the Creation Engine (let’s be honest it’s still Gamebryo) has run its course. It is not a viable option for a modern game anymore. It has architectural limitations that simply prevent a modern gaming experience.
There have been so many Creation Engine apologists since Oblivion trying to justify its continued existence through multiple new Fallout and Elder Scrolls games, always trying to say that it’s fine. Starfield was the chance to prove that the limitations aren’t actually architectural and that it could be used for a modern game. Clearly that’s not the case. Taking just about any other modern open world RPG to directly compare, Starfield feels like crap in comparison. Hell, even the launch version of Cyberpunk felt better than Starfield.
If you’re fine paying $50-60 for what amounts to a community graphical overhaul mod that’s fine. I expect more from an actual developer with access to the source code.
A remaster should be releasing Oblivion with an updated engine and graphics, and bringing in some gameplay enhancements from newer games. Technically this meets those requirements, but only by the bare minimum and all of those can be achieved with community mods for free.
A remake would be completely abandoning the decrepit Gamebryo/Creation Engine that’s clearly dragging all of their games down now, and has been for over a decade, and actually giving us something that doesn’t feel like it came out 20+ years ago.
I love the Elder Scrolls, Oblivion is one of my favorite games of all time, and the only one I ever bothered to get every achievement for back on the 360. But I won’t accept a half assed remaster for nearly full price just because it’s what Bethesda wants to distract everyone from the fact that Elder Scrolls 6 isn’t coming out anytime soon and they couldn’t just release Skyrim for the 12th time.
Don’t accept paying for mediocre products just because you’re desperate for content.
More than a coat of paint. They didn’t actually port the game to Unreal 5, they just used it to make the graphics look better. The modding community could have done this years ago if that’s all they wanted to do. Skyblivion is more of a remaster than this official one.
With all of the resources of the original development and sources, I expect more than the modding community is capable of.
It’s not even much of a remaster. They just slapped a coat of paint on it.
The Gamebryo/Creation Engine is still there running the game, it just uses Unreal 5 for the graphical elements. And they updated some of the levelling to work more like Skyrim, because the Oblivion system sucked in comparison.
It’s still the same 20 year old Oblivion under the hood.
Not that there’s anything wrong with that, but calling it a remaster is a bit disingenuous.
Up front cost cannot cover the ongoing API costs they must be paying for Google Maps. So either this has to be free and just a front end for the same shit, or they’ll still end up net negative.
Mumblings originally in 2017, job openings at the studio in 2018, officially announced in 2020. October 2022 Andrew Walsh, a senior writer from the Horizon Forbidden West team joined the Fable team. June of 2023 had an in-game trailer.
To be honest, that seems to be a reasonable timeframe, especially given the pandemic in the middle, if you aren’t following the “rush it out the door ASAP, fix it after release, if you ever do” approach.