I love GoG, but I wish it stopped getting games so late that, by the time they release on it, I’ve already bought them on two competing platforms.
Aside from that, this is a solid release. RE1make is one of the best horror games ever made: I was scared shitless even on my third playthrough. Highly recommended if you want a good game for Halloween night.
I signed this petition. I’ve also signed other petitions over the years, I regularly donate to WWF and do other activities that I deem worthy of my time and money.
Caring about games preservation doesn’t mean that I only care about games preservation.
Also, why is it that games preservation is a first world problem, but “stop putting ads everywhere” isn’t? Where do you draw the line?
Journalism at large is dangerously close to dying. People favour free click- and rage-bait headlines on Facebook over quality journalism. The latter can’t compete because quality costs money, while cheap quality articles oversaturate the market. AI only exacerbated the issue.
I have no attachment to Nintendo brands nor Mario Kart in particular. My sister bought a Mario Kart Wii game a few years back and I didn’t care much for it. Having grown up with CTR on PS1, and Spyro and Crash as platformers, I immensely enjoyed the remake.
I like how the kart handles, and the turbo mechanic is a lot of fun and has a lot of depth. But I suppose that MK fans have other things they enjoy from their franchise.
With how much and how fast Xbox sales have been dropping, are they even producing new units to sell? Or are they using tariffs as an excuse to raise the prices and make as much bank as possible with what little customers they have left?
Without going into much detail, I know of an indie studio where the game director wanted a lot of personal oversight on many things, music included. From giving other games’ tunes as a moodboard to take inspiration from for specific tracks, to minutiae like removing an instrument, swapping an instrument for another one, slowing or increasing the beat…
I don’t think it’s a matter of indie vs AAA studios as a lot of people here are making it out to be. It’s a matter of how big of a personality the game director is, and how much oversight they want over their game.
I feel like everybody will answer “Silksong” for the foreseeable future lol
As for me, I’ve been in a mood for zombie games for the past few months. There are a LOT of them, but good ones? Not very much. I finished RE2make (which I kind of liked, with reserve) and RE3make (which I despised) at the start of the year, then moved to RE8, but I found it disappointingly boring, so I switched to Dying Light, which I’ve played for the past two months.
It’s technically a replay because I played it already a few years back, but I didn’t bother with the DLCs because I was kind of over with it by the end of the story, so I hope to 100% it this time. I really like it actually! I just find open world games exhausting in the long run as they drag on a bit too much.
Slip of the tongue. I likewise reject the idea of eastern writers being “usually” better at writing emotions and/or moral ambiguity, or doing it more frequently. There are countless good and bad stories on both sides.
I felt it went without saying that this was referring to mainstream media because… video games. With an emphasis on action because… video games.
Most of the examples I mentioned were mainstream movies and videogames that sold millions of tickets/copies. Or at least as much mainstream as Kamen Rider and Yakuza. There are tons of examples of well-written human drama.
I also fail to understand why action = video games. There are tons of successful games where action is not the main focus, or sometimes it’s not even present at all. I enjoyed the cozy vibes of Life is Strange, for example.
Which, to use one of your examples, let’s look at (ugh) Rambo. The first one IS a pretty interesting character study into a man with extreme PTSD who can’t stop fighting his war (which is plenty of tropes). Which is why it is so telling that once they shifted fully into the action side, almost all of that went away outside of cheap drama over the naive pseudo-daughter… getting sold into slavery and raped to death.
As for your critique of (generally shonen) anime? Let’s look at the ur example of Dragon Ball Z (also DB but it is less fun). Vegeta.
Brushing off the first Rambo movie because of subpar sequels, and then using Dragonball (a series that had nowhere to go after Frieza and yet still gets milked with subpar sequels to this day) as a talking point is just nonsensical.
Mentioning Vegeta as a good example of moral ambiguity is hilarious because he is probably one of the worst written characters of all time, who single-handedly ruins the characterization of the entirety of the main cast.
The dude committed genocide or attempted one at least once per narrative arc and everybody was okay with spending their time with him for literally no reason. If I had two bullets and was standing in a room with Vegeta and Hitler, the safest option for Earth as a whole would be to shoot Vegeta twice. There is “respecting” another person, and there is “brushing off crimes against humanity because that character is cool”.
By the way, I don’t want to imply that eastern (Japanese? I don’t think you mentioned other media outside of Japan) writers are worse than western ones. I loved the first Yakuza game (the second one was very dumb and killed my interest in the series; maybe I’m missing out). Metal Gear Solid and Xenogears are, to this day, two of my favourite games ever. I went to the cinema twice in a row to watch Godzilla Minus One. I could also mention Oldboy for something outside of Japan, or Red Cliff, and those are both very much mainstream as well, and action too.