Excellent breakdown. This almost definitely only applies to the Deluxe Edition that is a physical copy.
Steam explicitly doesn’t let you give your account away or sell it, likely because they service so many different companies, that it would be impossible to handle the licensing changeover for all your games. It’s still frustrating, but it also makes a little sense, considering each game is often owned by a series of different companies.
Now Nintendo is going to start going after the smaller guys, who definitely can’t afford to fight.
The plus side is Ryujinx is Free Open Source Software so a million forks can begun being made right now. Yuzu had closed source aspects, which was its downfall in replication from this point forward. Ryujinx will likely have thousands of clone repositories made after today alone.
I’m interested in them mostly because my NES, SNES, Genesis and OG GameBoy all still work, and it would be nice to be able to still use my cartridges once they finally bite the dust. I got real lucky with the NES getting refurbished by Nintendo of America in the early 2000’s before they released the Wii and were still servicing all their old consoles.
So yeah, I’m curious about how functional they are, for sure.
These kind of protests are almost exclusively what the Yes Men do! They got their start when they were making a parody website of the WTO (Then GATT) and suddenly had a bunch of serious industry people mistaking their parody site for the real one and sending them emails inviting them to conferences. Thus Andy Bichlbaum and the Yes Men were born! They always go way beyond absurd to try to capture people’s attention, but most often with groups of “experts” everyone takes them all to seriously.
The game gained controversy when it was discovered that designer Jacques Servin inserted an Easter egg that generated shirtless men in Speedo trunks who hugged and kissed each other and appear in great numbers on certain dates, such as Friday the 13th. The egg was caught shortly after release and removed from future copies of the game. He cited his actions as a response to the intolerable working conditions he allegedly suffered at Maxis, particularly working 60-hour weeks and being denied time off. He also reported that he added the “studs”, as he called them, after a heterosexual programmer programmed “bimbo” female characters into the game, and that he wanted to highlight the “implicit heterosexuality” of many games.
Quality reference. Also, in reverse, companies such as Larian prove that trust works.
Baldur’s Gate 3 is one of the buggiest messes I’ve ever played. In that, it gives me warm fuzzy memories of the originals, which were similarly buggy monstrosities.
Despite the bugginess, the deep involvement of Larian with the community at every step of the games development and release proves that trust can get you nothing but accolades, even when your game is a buggy mess for six months post-release.
I’m okay with the post-release bugginess because I can trust that Larian actually cares about resolving those things.
The rising costs of developing blockbuster games has also raised the stakes. “When you’re talking about a budget that’s $100mn plus, even for a big company, if you miss with two or three of those then commercially you’re on the ropes,” Harding-Rolls said.
Oh boo hoo, is the only type of game you can think of to release is a"blockbuster" type game?
Because last I checked, small titles regularly do quite well, like Hi-Fi Rush did so well compared to the fucking bomb that is Starfield. Same company, small game vs. big game. Small game did well, big game tanked.
I have yet to see anyone ask “But is it actually fun?” about, say, Baldur’s Gate 3.
Maybe part of the reason why is because games like Hogwarts Legacy don’t respect player agency and spend their time forcing you to play the game the way the developers wanted, while Baldur’s Gate 3 allows you to experiment and try to break guardrails.
Hogwarts Legacy literally won’t let you jump over a fence that your legs are visibly taller than. I only finished that game because I wanted to be able to write correctly about how deeply that game disrespects player choice and is all-in on “you play our game the way we intended, or you don’t play.”
The 21st century has been repeated instances of “the man behind the curtain” getting completely caught in the curtain, yanking it down, causing a small fire, pissing himself a little bit, and then standing up, waving his hands and yelling at the gathering crowd “Pay no attention to the man behind the curtain!” while the fire begins to grow.
The world wouldn’t be so frustrating if it wasn’t so clear that so much of leadership (corporate, especially so) has no fucking clue what they’re doing, certainly no more in depth clue than their own workforce, and they’ve been coasting on things like stock buybacks for the better part of three decades. They continuously fail but they use their absolutely massive wealth to constantly shield themselves from liability, or any responsibility really, from their near-constant fuck-ups that piss off consumers, poison the environment, and harm workers.
Anyway, much like with their constant fucking-with-the-consumer on Windows 11, they’re just barrelling down the “fuck the people who invested in our hardware ecosystem” path because “fuck consumers, amirite?” They mostly cater to other businesses now, which is part of why it’s a lot easier/cheaper to get a Windows license than it used to be (although that’s been changing). This is the same with so many businesses now, they mostly just serve… other businesses, that’s where the real money is… because they’ve bled the US consumer dry and so they’re prioritizing corporate clients, who have deep coffers.
It’s much like what’s going on at Warner Bros, where shitcanning a movie and deleting it entirely is more “cost-effective” to a movie studio than releasing it. They don’t give one flying fuck how much it pisses of consumers or the people who made it, all they’re worried about is the numbers in WB’s and their own bank accounts. They couldn’t give less of a fuck about what’s in consumers bank accounts or the laborers and artists who made the films bank accounts.
They’ve fully insulated themselves, the aristocracy never left. They just use the power of money to control and influence the power of the State instead of being a King themselves. They’re simply dictators of their own little feifdoms.
And everyone else just realizes how bad this means things are going for the gaming industry as a whole.
This isn’t good news for anyone who likes actually owning their games instead of just having a license, if they own a console.
That ship sailed in PC gaming forever ago, which is honestly fine considering storefronts like GOG exist, but it’s still going to be a gut-punch to people who have invested financially heavily in the Xbox ecosystem.
It’s going to mean smaller selections of games, more gambling/gacha bullshit, and “you’ll own nothing and you’ll be happy” will dominate the industry. When licensing runs out for music, they’ll just pull a game instead of trying to “fix” it, if it’s not profitable enough. We’re entering an era where there will be a dead-zone of lost media and history because so much of it is increasingly locked up behind corporate barriers.