Dude off the top of my head Balatro (won many Game of the Year awards), Vampire Survivors, Terraria, and Minecraft all have Android ports.
I wonder if Valve plans to release an Arm version of SteamOS
The problem here is you’d be relying on a translation layer similar to Proton, but would probably have to be built off of something like Box64 for it to work. There just may not be enough horsepower on these small devices for that to do well.
I’ma be real: It fucking kills me that Steam on Android has been mostly used for 2FA and the idea of it being an alternate game store for Android somehow just… doesn’t exist?
Especially, out of all companies to take the fight about that kind of stuff to Apple and Google, Valve has the punching power, and they’ve literally already had Epic forge a path for them in this regard.
Why is my Android copy of Balatro unable to use the same cloud save system as Steam? Why am I stuck in Google’s fucking lame gaming ecosystem? It just makes me heave and sigh because I’d way rather be purchasing games for Android via Steam on the Steam Android app. It just feels like such a missed opportunity.
Because AAA games cost more to make than blockbuster movies, thus they need profit to match.
They take more art than a blockbuster movie, they take more script than a blockbuster movie, they take more motion capture than a blockbuster movie (except maybe the Avatar series which are basically all-CGI/motion capture), just everything is so much more than what you need in a film plus the need for compelling gameplay with a satisfying ludonarrative.
The massive amounts of capital needed to make one to begin with literally preclude studios that aim for this style of game from doing anything but submitting to large publishers who will finance them. Because the resources required to make that type of game are just that much.
It’s part of why Larian did Early Access for BG3 so they could make money during the development to help lengthen their runway and lower their burn rate. They still had to cut a huge amount and just release as-is. The Upper City got cut entirely as did the return to Avernus and with it Karlach’s actual happy ending, all of her current canon endings are technically fail-states for her storyline.
Because the wealthy need to remind us how much free time they really have because they don’t actually fucking work or contribute anything at all of value to the world.
The first thing I wanted to comment was “Was this written by Elon Musk’s ghostwritergamer?”
Real answer: Because the games industry is bigger than the film industry, in terms of total valuation.
I think this is an important and distinctive point to be made, and I think it needs some background.
Who else remembers when EA won The Consumerists “Worst Company in America” two years running?
Well, I remember, but I also remember that EA actually placed the blame for winning Worst Company on something else entirely, and we have to be honest with ourselves and question whether this sentiment was real and we ignored it to our detriment.
This is part of what EA CEO Peter Moore had to say when EA won “Worst Company” a second year in a row:
In the past year, we have received thousands of emails and postcards protesting against EA for allowing players to create LGBT characters in our games. This week, we’re seeing posts on conservative web sites urging people to protest our LGBT policy by voting EA the Worst Company in America.
I remember at the time thinking this was pure deflection. Now I’m not so sure.
I mean, they won the awards in 2012 and 2013 and then Gamergate happened in 2014/2015. Seems pretty tied together, to me.
Seriously this sentiment is old as hell. This comic is old as hell.
The BioWare of today is not the one that made the original Baldur’s Gate. Shit, it’s not even the BioWare that made the original Dragon Age.
They’ve been a hollowed out shell chasing whatever “AAA” style sells the most for a long time now. If Baldur’s Gate 3 had come out before Witcher 3, you can bet your ass Veilguard would look and play a hell of a lot more like BG3, because it’s painfully clear they did everything they could to crib the speed of the combat in Witcher 3, which was the hot shit when they started development. Similar to how Inquisition was chasing the Open World fad. If Baldurs Gate 3 had been the hot shit when they began development? Veilguard would have played like that instead.
It is what it is, and this has been this way since at least Dragon Age 2/Mass Effect 2.
Maybe it’s just me, but I like the style it’s presented in, and I have major adblockers in service so I’m not sure how it’s a drug fueled hellscape. It basically becomes a normal NYT article after a half-page of scrolling. Not all their readers are familiar with these games, so the NYT is doing its diligence by trying to show what they’re talking about, so their readers have a frame of reference. (Remember the NYT is actually aimed at an investor class who owns a second house in the Hamptons and may not be gamers at all. Go look at their Lifestyle section sometime.)
I think it’s fine but I guess I’m in the minority, but also maybe it’s less worse for me because of uBlock/Pihole/Bypass Paywalls Clean.