I think the only way that could possibly work is if all manufacturers followed the same specs. That way games can be developed for all platforms equally.
3DO tried this, and failed spectacularly. Any other way would stifle competition though, which is bad for everyone.
I’m confident there’s a way to make it work. 3D Printers operate with this model for the most part (thanks Jeff Prusa!)
Effectively, console manufacturers should agree on some kind of standard architecture, which, to be very realistic and blunt (apologies as this isn’t necessarily the tone of the post, but I like trying to make things work in some way), as long as Nintendo is in the console game, it’s gonna be a bit difficult (unless we just let them do whatever they want console-wise and have the others create some kind of standard home console arch). As someone who is dipping their toes into game development, that is something I would love to see.
Xbox One/Series S/SeriesX and PS4/5 are x86 PCs, Switch is an ARM phone.
So, in the lowest level they are pretty out of the shelf hardware. Electronics are getting way to complicated to invest in the development of custom hardware architectures for a single product.
You take a commonly used architecture, fork an Operating System that you have access to, bundle as many libraries as makes sense and call it a day. No one is going to use weird quirks of the hardware except if you make some deal with Unity or Unreal.
Certainly, I myself am on a Linux machine with a 1070Ti and a Xeon 1650 processor that’s never left it’s socket since it was placed in there in some factory. I would guess it’s somewhat rare to have a machine such as this because it was originally meant as a workstation (I can tell because the door has handles on the inside that make it an effective shield), and I would guess anyone who does have this set up will have Windows installed on it.
That being said, differences in software between Windows and Linux is slowly becoming irrelevant with the continued development of proton and the various FOSS alternatives (i.e. GIMP replacing Photoshop). For the most part, the only differences these days are certain games from certain studios that for whatever reason decided not to check a box that says “Yes, I want this to work on Linux.” This of course disregards any specialist software that was only ever developed for Windows, which I’ve read numerous examples of.
It’s a different model entirely, most copies of windows sold will never have a game installed on them bar the pack-ins. No one is buying a console to do spreadsheets.
I’m amazed everyone seems to have forgotten the open nature was an Achilles heel for the 3DO model, then it occured to me that the console is 30 years old and I’m even older lol.
The fact is that the console market works how it does, advanced tach at reasonable prices, because the platform holders make money on an ongoing basis from each user. Getting rid of that model will mean consoles selling for the same price as equivilent specced PCs at launch.
Yuri’s original post has since been deleted. Erin Fitzgerald, the (second) voice of Chie, also said on Bluesky that she won’t be returning, along with Amanda Winn Lee, the voice of Yukiko, elsewhere:
I don’t know if Sega or Atlus did something to piss everyone off, if it’s some bizarre marketing stunt, or if the others just decided to pile on after Yuri went scorched earth on this. The whole thing’s pretty weird.
There’ll almost certainly be new/expanded and altered dialogue.
I’m intrigued to see whether they’ll try to rework any of the more ‘problematic’ stuff, now that Katsura Hashino (P3–P5 director) has left. Or go for a truer-to-the-Japanese-version Teddy this time.
Huh, that makes me wonder if p5 has any actual translation errors. Most of the stuff i saw when it released was bitter localizer complaining about good choices, so i just assumed there was nothing real to complain about.
Live service, sure, since that’s the entire point of live service, but we’re spoiled for choice of fantastic games across different scopes and scales that don’t have any microtransactions at all.
I think you’re having trouble finding the good stuff in the first place then. We’re flooded with more great games than ever. And microtransactions are one thing, but something like a DLC expansion isn’t pressuring you to buy it if you like the base game. Even still, if you had a problem with the existence of any DLC for a game whatsoever, there’s still tons to play.
Oh, if you’re going to ignore the problem that is DLC then we’re just going to have to agree to disagree.
I wait until games are finished before pirating them. There are plenty of good games these days now, but almost all of them have microtransactions and/or DLC.
I’m not particularly interested in most indie titles, which is where a lot of the disconnect comes between me and the average PC gamer.
Is DLC a problem if a game had been “finished” for years and then they go back and make one for an old game? It’s been known to happen. I don’t see it as a problem, because it’s arbitrary. In many ways, a DLC can be reactionary for what a game needs after they’ve had time to observe the completed thing. It also depends on your definition of indie, since there’s as wide of a range in production value among games called “indie” as there is among “AAA”. Kingdom Come: Deliverance II probably cost one tenth what the next Grand Theft Auto cost to make, and a game like Indika or Clair Obscur could fool plenty of people into thinking they were made by enormous teams.
But like I said, even if I filtered for games without any sort of DLC, there’s still tons to play.
That depends on what you’re looking for. From this year alone, there’s Split Fiction, Avowed, and Knights in Tight Spaces, and I haven’t finished Blue Prince yet, but it’s pretty cool so far. What is it about indie titles, however you define that term, that doesn’t interest you? Because at this point, it’s most video games (AAA games take a long, long time to make these days), and that would go a long way toward explaining how you feel most good games have microtransactions, if you’re willing to ignore most good games.
I don’t like the trend of having to accept cheaper entertainment just so that the businesses behind it can make more money with less effort.
Games like God of War, Crash Bandicoot, Metal Gear Solid, those all take monumentally more effort to make than indie games and it shows in the final results. I could get all philosophical on ‘what makes good art,’ but I don’t think that’s the discussion you’re trying to have.
You’re not accepting more expensive entertainment either. You’re pirating it. None of these games were made with less effort; they’re typically just made by fewer people. Adding more people to the project doesn’t make the game any better, or else Ubisoft games would be the greatest games ever made. I think I see why you’ve got this perspective that’s completely divorced from reality. Yes, most games have microtransactions if you completely disregard most games. I’d encourage you to give some of those games you’re ignoring a try.
You’re not accepting more expensive entertainment either. You’re pirating it.
Buying it is unrelated to accepting it.
None of these games were made with less effort; they’re typically just made by fewer people.
I respectfully disagree.
I think I see why you’ve got this perspective that’s completely divorced from reality.
Lol, what? I think you’re just getting upset at me because I don’t like the low-effort games you enjoy.
Yes, most games have microtransactions if you completely disregard most games.
Right, and most of the games that interest you don’t interest me.
I’d encourage you to give some of those games you’re ignoring a try.
I’m good. You’re using me to try and justify your own enjoyment of what you spent your money on. It’s fine if you like things that I don’t like and vice-versa.
It’s fine if you’re completely ignorant of the great games that have come out lately, but I wouldn’t consider it admirable to be proud of being this ignorant about great games or how they’re made.
Lol. You think ‘blue prince’ took as much effort to make as Crash Fucking Bandicoot or Metal Gear Solid and I’m the one who is ignorant about great games and how they’re made?
I’m guessing you never even played those games so you have no point of reference. You should try emulating them, then you can experience what it’s like to play great games completely free of charge. Heck, you might even raise your standards as a result going forward.
The Metal Gear Solid games are some of my favorites, and I’ve played all of them. If you’re referring to the PS1 Crash Bandicoot games, those were made with similar team sizes and “levels of effort” as most games that would be called “indie” are today, for very similar economic reasons. Blue Prince was made over the course of 8 years largely by one person, and I guarantee you he wasn’t trying to find a way to make bank by doing little effort; a famous development talk pointed out that people getting into game development to make big bucks with little effort would have been better off opening a Subway franchise instead. Balatro was also made largely by one person, and it was a nominee for Game of the Year last year. Split Fiction was made with a team size and project scope reminiscent of MGS2 or 3, and it too will be a Game of the Year contender.
The Metal Gear Solid games are some of my favorites, and I’ve played all of them.
Then you should be able to recognize the monumental difference on both an individual and group level that goes into making a game like Metal Gear Solid vs. the games you mentioned. You should also be able to recognize the difference in quality between a game like Metal Gear Solid and all of the games you mentioned.
If you’re referring to the PS1 Crash Bandicoot games, those were made with similar team sizes and “levels of effort” as most games that would be called “indie” are today
You haven’t even played the games I mentioned. How on earth would you know? Also, take a look at the credits of Crash Bandicoot, and learn something about how games are made. 84 people, including the publisher and marketing. Naughty Dog itself was only 9 people. Here’s Indika, a cinematic puzzle/story game, not a far cry from 2018’s God of War without the combat, an indie game from last year; the development studio dwarfs Naughty Dog from the 90s. UFO 50 is an indie game from last year that has 50 full, new, original games contained in it, designed to portray a fictional game development studio’s catalog from the 80s. It was made by 6 people over the course of 7 years. And I’m clueless, huh?
Yes, very. So clueless in fact anybody who has any idea of the actual effort that went into the development of Crash Bandicoot, not just ‘team numbers,’ would laugh at you.
I’m glad you’re so committed. Your commitment keeps giving me more reasons why you shouldn’t be taken seriously. It’s really just funny to me at this point.
Man, reading the complaints people have really shows how bad the average poe player is. I blasted the whole campaign with 2 skills and did so much quicker than the release season.
The QOL changes they made are nice though, much appreciated.
Maybe see what player counts look like in a few months before making great and grand plans? People want a fresh take on The Sims, but maybe without the backlog of a hundred DLCs and other EA shittery. But, inZOI may not be it. Apart from the pervasive and distasteful use of generative AI, it may just not have that special something.
So give it a while, lads. Maybe it really will be a hit, but sales in the first week mostly just say that people wanted a fresh swing at The Sims, not that they really want what inZOI is.
if you guys have any interest in context, theres a great ‘history of nintendo’ on the ‘Acquired’ podcast, starting with gambling cards for the Yakuza in the like 1800s.
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